The dance gestures of the Korean people include various postures such as shaking hands, surrounding hands, carrying hands, and supporting hands. They also use dancing postures such as turning and jumping to cleverly embody the beauty of movement in silence and express rapid movements. The beauty of alternating with slowness, the beauty of curves of points and lines and the beauty of relaxation and blankness.

This kind of situation is not only common in Korean dance programs, but also in the famous Korean large-scale dance drama (The Legend of Chunxiang) and the dance epic (Changbai Love), which makes the audience deeply attracted by the Korean people. The beauty of the body and movement of the dance is so vivid that the Korean dancers nod their heads

While carefully studying the strengths of their brother ethnic dancers, the Korean dancers still retain the inherent postures and body shapes of Korean dance, and the hand movements It still works in harmony with the movements of the feet, arms and legs.

Extended information:

Comprehensive characteristics

The Korean dance is graceful and elegant. Its dance posture may be soft and graceful, like a crane spreading its wings, or a willow branch brushing the water; or it may be vigorous. Falling off the rock, lively and unrestrained, reflects the national character of being bright and passionate yet delicate, euphemistic, and subtle.

Because the Korean people have always been seriously influenced by the Confucian "doctrine of the mean" of the Han people, and the subconscious reflection of "rituals", the Korean dance has the characteristics of elegance, subtlety and so on. The "symmetrical" relationship is an important manifestation in Korean dance. ?

First of all, from the perspective of movements, Korean dance movements are mostly circular. The arms are round, the body is round, and the route is also a circular movement, so whether it is a static shape or a dynamic movement trajectory, this perfect symmetry is reflected. For example, the typical movement in Korean dance is "circling hands".

It is a circular motion driven by the forearm from the wrist to the fingertips. Another example is "turning the stall to carry the hand": when the hands are alternately used to carry the top hand, the movement routes of the two hands are symmetrical. One hand lifts up and then falls downward, the other hand lifts up, and the palm of the lifted hand is upward. Turn the hand with the palm down, and turn the raised hand with the palm down to the palm up. When it finally falls into the horizontal hand position, it has changed into a state of balance between yin and yang.

Baidu Encyclopedia—Korean Dance