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Cultural Relics Collected by Yuanquanhui Cultural and Folk Museum in Anhui Province
At present, the Yuanquanhui Cultural and Folk Museum in Anhui Province has nearly 60,000 pieces of related cultural relics such as Anhui history and culture, major events, political celebrities, couplets, Huizhou three sculptures and folk customs. The cultural relics in the museum have been exhibited many times at home and abroad, and it is a special museum of Anhui local culture. The construction of the museum began in May 2007. The park covers a total area of over 50 mu. At present, the exhibition hall covers an area of about 8,000 square meters, and there are seven Huizhou historical sites (Miss Building, Kuaima Building, Guanting, concierge, Road Pavilion, etc.). ) has been protected and rebuilt in different places. On May 1 day, 2009, the audience was officially received, and it was officially opened to the public on May 20 1 1 day.

Huizhou Stone Carving Exhibition Hall: Stone carving is one of the oldest art forms of mankind. Its creation and invention is a great milestone in the awakening of human civilization, and its exquisite skills and unusual beauty make the world gasp in admiration.

Residential buildings, ancestral temples, temples, archways, pavilions, pagodas, bridges and other buildings in Huizhou are all decorated with exquisite stone carvings. Especially the stone carvings represented by Qin and Han dynasties are worse than the art of the Roman Empire. As the oldest carrier of human culture and art, stone carvings are chased and treasured by major museums all over the world.

Exhibition hall of stone carving figures: human beings have produced their own culture and art, and the oldest carrier is only stone carving. Stone carvings are common in houses, ancestral halls and temples.

Yu, tomb, etc. For example, the civil and military officials guarding the mausoleum, the Buddha in the sky in religious belief, the idol who worships and prays for blessings, and the Confucian and righteous celebrities who cherish the memory of the sages. The characteristics of sculpture are also diverse, which can be summarized as "Empress Han", "Tang Kuo", "Wen Song", "Su Yuan", "Ming Jian" and "Qing Fan". Stone carvings, because they do not rot after vicissitudes of life, carry civilized art, cultural relics and social values without arrogance and rashness, and become excellent evidence for studying culture.

Baibiantang Exhibition Hall: Baibiantang has selected more than 100 old plaques with complete appearance and beautiful meaning from thousands of plaques, involving nearly 10 kinds of temples, longevity plaques, imperial examination plaques, learning plaques, commendation plaques and chastity plaques. , mostly about Anhui history and culture, major events, political celebrities, folk customs and so on. Each plaque carries a unique history. Among them, there are many important officials in Qing Dynasty, Yin Jishan, Governor of Liangjiang River, Liu Duo, a scholar in the 15th year of Qing Daoguang, and Dong Ming in the late Qing Dynasty.

Inscription written by Zhou Fu and others. Relatively well-preserved, there are masterpieces such as Bao Wuxing Hui written by ministers of the Qing Dynasty, Xu Shichang, president of the Republic of China, praising "extraordinary nature", Duan, the temporary governor of the Republic of China, and Hua Qing written by Xu Shiying, the governor of Anhui Province, and even more, there are gold-lettered couplets of Huizhou merchants.

Gu Huizhou doors and windows exhibition hall

Most beautiful rooms in Huizhou are mainly made of wood, and doors and windows play an indispensable practical and decorative role in carved beams and painted buildings. In the eyes of ancient Huizhou people, doors and windows are like a curtain between heaven and man and a bridge between the owner and the world. The importance of doors and windows is not only reflected in this point, but also can be seen from its exquisite craftsmanship and window culture. Ancient Huizhou doors and windows are composed of lattice plates, lattice centers, lattice plates, skirts and lattice plates from top to bottom. Among them, the center of the grid is the concentrated expression of the cultural connotation of doors and windows. "The window contains the snow in Xiling, at the gate of Wu Dong Wan Li boating", which tells the visual feast of doors and windows in the sage's poem.

Huizhou Woodcarving Exhibition Hall: The origin of Huizhou Woodcarving is closely related to the rise of Huizhou merchants. Huizhou is located in a mountainous area with a large population and few land. It can't build magnificent houses like the north, but it can only find another way in elegance, craftsmanship and ingenuity, which provides opportunities for the development of folk sculpture art. plus

The imperial court system "all ordinary people should not be decorated with five colors of literary talent", so wealthy Huizhou merchants spared no expense in their own homes, focusing on gorgeous and luxurious carvings to satisfy their show-off psychology. Ancient Huizhou people promoted the carving art in ancient dwellings to a spiritual pursuit and cultural taste, and at the same time infiltrated their own aesthetic taste into craftsmen's works, so they were called "thousand craftsmen".

In Huizhou area, you can see the elegance of wood carving on screens, window frames, columns, tables, beds, chairs, desks and stationery used in daily life. Its theme is rich, mostly with auspicious patterns such as landscapes, flowers and birds, eight treasures of Bo Gu, opera figures and historical allusions. According to the needs of building objects, craftsmen use various expression techniques such as line carving, intaglio carving, positive carving, relief carving, through carving and circular carving. And there are different situations in style, such as coarse and fine, simple and fine.

Huizhou woodcarving is a bright pearl in Ming and Qing Dynasties, and it is a concentrated expression of Huizhou's humanistic accumulation, Huizhou merchants' economic development and feudal cultural aesthetic consciousness.

Baishiyuan Exhibition Hall: The exhibition hall was opened in June, 20 12 and 1 2000, focusing on more than 300 little stone lions collected in past dynasties. The little lion is magnificent, fierce but not evil; Still naive and pleasing, it is the concentrated embodiment of Huizhou stone lion art.

Shishi has won people's love for its smart charm and auspicious connotation. The lion knows "things", which means: everything is going well. Shishi is regarded as an auspicious and safe animal by Huizhou people. In ancient mythology, lions can predict floods, suppress disasters and exorcise evil spirits, suppress bad omen and show wealth. The idiom "the lion growls and the beast bows" also shows the domineering of the lion king. It is noble and dignified, and was crowned as a treasure to protect the country, town and state.

Renovation and protection of ancient villages in different places: The ancient villages in different places cover an area of 1 1 mu, and Huizhou ancient houses, academies, Heguanting, Demenfang, Gudaoguan, waterfront promenade and other complete Huizhou cultural exhibition areas with relocation protection in different places truly reproduce the life scenes of Huizhou people. Being in it is like returning to ancient Huizhou.

He Guanting: He: Li Ganlong, New Year Scholar (175 1). In the same year, Liu Yong ranked second in Dimethyl Jinshi and forty-eighth in He Dimethyl.

This official hall was collected in Hefang Village, Xiaogang Town, dongxiang county City, Jiangxi Province in March 2009. After two years of restoration and reconstruction, the whole building is made of huge materials, and the bucket arches and beams everywhere reflect the art of carving, which confirms the statement that "carving beams and painting buildings" is rich in connotation and magnificent.

In ancient times, the official hall was a temporary waiting room. If a guest comes to visit, and the host happens to have something to do, the host will let our guest have a rest and wait in the official hall.

The furnishings in the official hall reproduce the director's living habits, such as screens, flat cases, Four Treasures of the Study, square tables and so on. , as if the master's life is vivid. ...

Tang Shiyuan Academy: This Tang Shiyuan Academy was built in Jiaqing period of Qing Dynasty, and was demolished and rebuilt on July 20th 10. Collected from Huxi Formation in Zhongtian Village, Dongpo Town, Yihuang County, Jiangxi Province. The whole college covers an area of 180 square meters, with two floors, a patio garden in the middle and a rolling porch. About 300 pieces of wood carvings are used, including 24 pieces. Most doors and windows are simple and elegant, unpretentious, and each set of window lattice has different styles before and after. It takes three years to plan, dismantle, repair and rebuild the whole academy.

Academy is a unique educational institution in China feudal society, a place set up by the people or the government to gather disciples to give lectures and research knowledge, and a higher education institution integrating book collection, teaching and scientific research. Luoyang is the birthplace of Chinese academies. Academy system sprouted in Tang Dynasty, completed in Song Dynasty and abandoned in Qing Dynasty. The history of more than 1000 years had an important influence on the education and cultural development of China feudal society. Most colleges raise funds to build their own schools. Teaching takes the form of self-study, which combines lectures and teacher's guidance. Its characteristic is to educate and cultivate people's knowledge and virtue, not to gain fame for exams.

Today, the Tang Shiyuan Academy, which has been relocated and rebuilt, is still ancient, reappearing its original appearance. Being in it, it seems that there is a loud reading sound in my ear. Posters and handwritten originals of Chairman Mao's quotations from 1959 are still preserved in the ancient house. Posters of Chairman Mao's quotations have distinctive characteristics of the times and special historical position, and are the inevitable product of China's social and economic development at a specific stage, with high historical value. However, with the development of economy and society, the concrete material evidence that can witness this specific historical period has gradually disappeared. For protection, we coated the poster with tung oil. The exquisite carving of the doors and windows of the academy once again amazed us at the exquisite carving skills of ancient Huizhou craftsmen.

Chongshan Hall: Chongshan Hall, originally located in Sixi Village, Wuyuan County, Jiangxi Province, was built in the reign of Kangxi, with an area of 260 square meters, and was built by the Zhang family. Chongshantang means "if you want to be tall, you should be good. If you want to be good, your children and grandchildren should study." The third generation master of Chongshan Hall was a scholar, and the Zhang family was an official for generations. He was famous for a while, and he spared no expense for the glory of his ancestors. Therefore, the "Three Carvings of Brick, Wood and Stone" in the house are mostly Shao Shi Stone, Carp yue longmen, a stone at once, a set of No.1 stone, a pair of drum stones, a fish pond, a pair of flagpoles, and the stone plaque of the concierge "Cai Yun Qing Ji".