Ji's wife, surnamed Ma, appeared twice in Yuewei Caotang Notes. Appeared for the first time as a "local book". "Huaixi Volume Two Eighty-eight" is a biography of Ji's servant girl, saying that Mrs. Ma likes this servant girl very much: "So, Mrs. Ma loves her as a charming girl." The second time, she appeared as her mother-in-law "Huaixi" Volume III Article 214: "The groom said that she (the second daughter-in-law) is very cultivated in work, tolerance, speech and morality." Ji cherish ink like gold, twice mentioned Mrs Ma, a * * * with more than 20 words. In terms of brushwork, I can't read the emotional color between husband and wife, but it looks a little polite and respectful from a distance. This is reasonable. To guess the life between Ma and Ji is nothing more than parents' orders and matchmakers' words. They got married in their teens and twenties. For a bureaucrat like Ji, the daughter-in-law to be married must be suitable and the horse must have a good family background. Education must be three obeisances and four virtues, entering the door of Ji's family, being filial to relatives and friends and being polite to Ji. When I first got married, I might be immersed in a gentle hometown with Ji for a while, but later Ji was promoted, and Ma's main responsibility was to honor his in-laws and raise children at home. Ji has a side room, and the responsibility of the horse is mainly for example. When I went to Ji Xiaolan, I had my own personal property and didn't live with my parents. As a wife, Ma Shi legally became the general manager of the Ji Xiaolan family, managing the daily life of the family (although there will be a housekeeper, but at most it is the executive general manager of foreign affairs). However, Ma Shi's official duties when he was not at home had nothing to do with this, but he assumed the role of family chairman. Between Ji and Ma, the necessary transformation from the relationship between husband and wife from childhood to the cooperative relationship between family chairman and general manager has finally been successfully completed. When the general manager is in office, regardless of whether the work is done well or not, the chairman is always polite and respectful. It is estimated that General Manager Ma Shi did a good job, so Ma Shi was mentioned in Notes of Yuewei Caotang, highlighting her management of the wing and daughter-in-law.
Guo Tsefu is one of Ji's maids. Article 141 of the second volume of Huaixi is devoted to this woman, with more than 300 words, quite a lot. Ji briefly talked about the origin and fate of this woman. Focus on two things. First, when Ji was demoted to Xinjiang, he was "terminally ill" and went to Guandi Temple for a visa, knowing that he could wait until Ji came back, but he could not get well. Sure enough, Guo died soon after Ji came back. Second, after Guo's death, he dried his relics at home and wrote two poems to commemorate Guo: "Fenghua is still burning old clothes, and melancholy flies away." I only remember the vulgar language of Xiangshan, and I returned with Su Fan in spring. "(Guo died on the day of seeing off the spring)" A hundred folds of Hunan skirts are painted, and the breeze still remembers Shanshan, knowing the gods first, and finally regretting that Furong is not cold-resistant. "
Ai is another Historical Records of Ji, and it is the most used one in Ji, with 7800 words in two parts. Eighty-eight articles in the second volume of Huaixi, besides introducing Shen Shi's life experience and volunteering to be a rich concubine, are almost a biography of Shen Shi. "Women died before the age of forty, people will mourn. Green skirt and white hair, I don't want to be an orphan and rotten mouse ",and recorded a small poem she wrote:" Thirty years of dreams, my body is given to my daughter for collection. He told me all about my life, and he recognized the fifth mother of Gusu. " In addition, Shen Shi visited him at the residence of "Serving Yuanmingyuan" in Ji Xiaolan before his death. After Shen Shi's death, Ji mentioned two poems in Portrait, one of which is: "There are some similarities and some mistakes, but the sweet soul returns to the moon. When the spring dream is traceless, the most important thing is ambiguity. " Article 28 of Volume I of Continued Records of Luanyang specifically records a poem "Flower Shadow" written by Shen Shi shortly before his death. In the poem, there is a rhyme saying: "The number of red peaches reflecting the moon is oblique, and the shadow falls on the screen. Like three whirling flowers, only two are empty flowers. " It is said that Shen Shi's poem "Two empty flowers make a poem unpredictable" (a flower for Shen Shi died soon, and a flower for Shen Shi's handmaid died soon).