Stand-up crosstalk belongs to our own artistic way, which has a history of 100 years. However, stand-up crosstalk is rarely played when it is related to the generally accepted counterpart crosstalk. Talk shows have become popular in recent two years, especially with the appearance of Talk Show Conference and the appearance of stars such as Li Birthday and Founding of the People's Republic, talk shows are increasingly loved by young audiences.
Then let's talk briefly. Which is more difficult, stand-up comedy or talk show?
First, from the perspective of creation.
Stand-up crosstalk originated from the jokes of storytelling programs, and the main element of participating in crosstalk is the content of participating in the package. Generally speaking, stand-up crosstalk tells a complete story, which can be found in most of Liu Baorui's stand-up crosstalk works, such as Ascending to the Third Grade and Pearl Emerald White Soup.
The biggest burden in these works is at the end, and there will be some small burdens in the middle, but not as frequent as talk shows. The most typical example is Su's "Throwing Boots", which lasts for more than ten minutes. As long as there is the last burden, there is almost no joke in the middle, but this stand-up comedy is also established. If the last sentence of a talk show makes people laugh, then the work is definitely a failure.
However, in recent years, Degang Guo's stand-up comedy has changed, which mainly adds more burden to his works, so his works make people laugh closer and closer.
In addition, if stand-up comedy is classic, actors can repeat it, but talk shows are not allowed to do so. The audience needs to hear new content and find new fun from time to time.
Secondly, from the aspect of play.
Although stand-up crosstalk does not refuse interaction, it is still relatively static. Many times, actors no longer play well on the stage, and there is not so much interaction with the audience. This is far from the stage interval of stand-up crosstalk, and it also has a certain relationship.
Talk shows are very close to the audience, and most of the time they are played in small theaters or even bars, so the interaction between the audience and the actors is very easy. And many times, especially at the end, actors should take the initiative to interview several audiences in the first row, one is to narrow the gap, and the other is to create a burden. Stand-up crosstalk usually doesn't stop this kind of communication.
Interaction means that actors should stop improvising and try to be smart, which requires a lot of efforts, and experienced actors are not difficult to be competent. Some actors were well prepared, and the audience interrupted one sentence after another, and the actors were completely blinded.
Talk shows are harder to grasp.
To sum up, whether it is creation or acting, talk shows are more unknown and therefore more difficult to grasp. Or let's put it this way, talk shows related to more stylized stand-up comedy are relatively easy to get started, but if you want to speak brilliantly, it's very difficult to stick to the state.
However, some stand-up crosstalk performers, such as Fang Qingping, are always more and more like talk shows.
Fang Qingping also plays cross talk, but as long as he speaks alone on the stage, it is more like a talk show from content to baggage. Just because he is a cross talk actor, he is called stand-up cross talk. And Zhou, a newcomer from Hebei. Although he plays stand-up comedy in a gown, that state is also a talk show state, and the same content can also be staged on the talk show stage.
Yan Hexiang of Deyun Society said publicly some time ago that there is nothing novel about talk shows, but it is actually crosstalk. There is nothing wrong with this sentence. After all, both of them are verbal humor dramas, and it is also a good thing to create and grow together.