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The main works of Lian Sai
"Excuse me, where is the hero?" Is based on real stories and characters. In the play, Jin Song, Benny and Lian Sai play three half-brothers who were adopted by Shen Jiaqi, a gentry in Xiangxi. The three of them treat each other with sincerity and are like brothers, and vowed never to be bandits. However, ten years later, due to fate, they joined different camps of "the state, the communist party and the bandits" and were involved in political infighting one after another. When the director finalized the role of Wushan Tiger, it took a lot of trouble. Six days before the boot, the starring role has not been decided. Because the character Wushan Tiger is an alternative image in the play. He is the most important character among the three brothers in this play, and he represents the spirit of the whole play. This character requires youth, flexibility and integrity.

Feel heroic feelings

The director looked at him with both bandit spirit and bandit spirit.

Reiki, this is exactly what the role of Wu Shanhu in this play needs. The director immediately dialed his number, got to know him and decided to use him as the Wushan Tiger. As a result, he lived up to expectations, the performance in the play was passionate and the role was just right. The vivid image of an outstanding member of xiang opera was deduced to the extreme, which reflected the spirit of xiang opera. In the cold winter, there are only two single clothes in the water and fire, which are supported by a kind of professionalism. I caught a bad cold after filming. As the saying goes, "the eldest is stupid, the second is good, and every family has its own problems." This coincides with the three brothers in Excuse me, where are the heroes? The third Wushan tiger played by Lian Sai is the most ups and downs in the whole play. The early mountain tiger was an out-and-out "bad guy". He idled around all day and took pleasure in gambling, like a frank and free-spirited child. Although he is full of blood, he leads a bohemian life and does whatever he wants. After the separation of brothers, Shanhu joined the Red Army and could not join the Party.

This makes him feel frustrated, makes him strive for the first place in everything, is keen on self-expression, and is slightly inflated. As his beloved wife was taken away by his second brother, he began to mature gradually. The long-term confrontation between the Kuomintang and the Communist Party made him feel the warmth of the world. At this time, the mountain tiger, a little more vicissitudes, has become more determined and open-minded When War of Resistance against Japanese Aggression broke out, the Kuomintang and the Communist Party joined hands to fight against Japan, and Shanhu had completely changed from a rebellious youth to an excellent Red Army commander. Lian Sai said: "Few scripts can describe the growth of characters both truly and delicately, and interpret the Wushan Tiger to the fullest. It's more like reliving the growth process from the age of 20 to 30, and many experiences are empathetic. Lian Sai said: "The most important thing in the interpretation of Wushan Tiger is to grasp the level of role growth. On average, there will be a qualitative increase every five episodes. Grasping the hierarchy can stabilize the context of the characters. After growing up, Wushan Tiger has all the advantages that men should have: broad, calm, domineering, wise and brave, and is a perfect hero. "20 14, starring in the TV series" Kissing the Allen River ". The play revolves around the theme of the "Chinese Dream" and takes contemporary college student village officials as the creative prototype. Through their struggle, it shows the spirit of first-line college student village officials taking root at the grassroots level and making youth have no regrets. Lian Sai plays the only villain in the play-Liu Jian, a college student village official who deviates from the course.

In order to play this role well, Lian Sai went to experience life before shooting and visited many university student village officials. The purpose is to understand their lives and their real needs. In order to find a more humane fulcrum for the role. Lian Sai said: "Good or bad is not born. There must be a reason for the differences between people. When I understand his demands and motives, I can naturally understand his behavior, and it will be easier for me to act. These real lives and ideas of village officials are excellent materials and can become the flesh and blood of the role. " 20 14 1 1, the TV series Tianya Bathing Blood started in Hainan. The drama has been approved by the State Administration of Press, Publication, Radio, Film and Television as a major revolutionary historical drama, with Tang Guoqiang, a famous performing artist, as the general director and Feng Baiju as the leading role in the competition. "Blood at the End of the World" shows the major revolutionary historical events in the history of China's revolutionary struggle, such as the people's revolutionary armed struggle in Qiongya and the crossing of the sea by the People's Liberation Army, and shows the great achievements of the people's revolutionary armed forces in Qiongya that the red flag has not fallen for 23 years. The play is scheduled to air on 20 15 as a gift for the 65th anniversary of the liberation of Hainan Island.