The plot setting of episode 3 also revolves around the story of the craftsmen of the Forbidden City restoring cultural relics in preparation for Daqing. With the full support of the Palace Museum, the film crew of "I Restored Cultural Relics in the Palace Museum" made an exception and entered the Cultural Protection Science and Technology Department of the Palace Museum, the most confidential and mysterious cultural relics restoration unit in China, to shoot.

After five years of project investigation and four months of uninterrupted documentary shooting, the film has three episodes, each of which shows several closely related and temperamental masters of cultural relics restoration.

abstract

The first episode of "I Restored Cultural Relics in the Forbidden City" tells the story of the restoration of bronzes, court clocks and ceramics, the second episode is the story of the restoration of woodwork, lacquerware, treasure inlay and embroidery, and the third episode is the restoration, copying and copying of calligraphy and painting.

For the first time, the film fully presents the world-class restoration technology and technology of China cultural relics, showing the original state and collection state of cultural relics; Show the inner world and daily life of cultural relics restoration experts at close range for the first time; For the first time, the historical origin of cultural relics restoration in China is completely sorted out;

Through the interaction between "Temple" and "Jianghu" in the field of cultural relics restoration for the first time, the inheritance code of the only one of the four classes of traditional China "scholar, agriculture, industry and commerce" and their beliefs and changes are displayed.

Refer to the above? Baidu Encyclopedia-I am repairing cultural relics in the Forbidden City.