The finale of "The Fog": Zhu Hao returned home and called all his wives and concubines over, apologized for their hard work and grievances for so many years, and asked them to leave him. He divided the property into twelve equal shares, and all his wives and concubines who left had one share. As for the children, those who have grown up can support themselves, while those who have not grown up can follow their father and mother freely. Everyone cried bitterly, then each got his share and left.

The eldest wife also divorced Zhu Hao. The old housekeeper refused to leave, saying that I have been with you all my life and I am used to it. Zhu Hao said that in this case, you are no longer my housekeeper, you are my father, and I will support you as my father.

That night, Zhu Hao was the only one left in the empty yard. The lights suddenly came on. Zhu Hao was stabbed by the light and closed his eyes. I vaguely saw a familiar figure, it was Zhilan. Zhilan asked Zhu Hao if he would marry her, and Zhu Hao said I would. The two hugged each other for a long time and did not separate.

Drama Evaluation

"Fog" abandons the traditional model of war dramas in the past, and relies on its unique perspective to reproduce history and inherit the national spirit, making the Anti-Japanese War drama not simply a drama. Describe war scenes, or just sing hymns of heroism, but create more three-dimensional and diversified characters, showing the truest side of the Sichuan Army's national heroes.

Director Huang Lijia said frankly: ""The Fog" shows the most human side of a hero, but what is different from traditional heroes is that Zhu Hao has personality and shortcomings, breaking the hero's 'zero character' The shortcomings' formula brings a different visual and psychological impact to the audience. ”