Lazy loading pictures. Provide detailed information on each key signature. Now, do your own research.

Major key

C major: C, D, E, F, G, A, B, C

G major: G, A, B, C, D, E, F#, G

D major: D, E, F#, G, A, B, C#, D

A major Key: A, B, C#, D, E, F#, G#, A

E major: E, F#, G#, A, B, C#, D#, E

B major: B, C#, D#, E#, F#, G#, A, B

#F major: F#, G#, A#, B, C#, D#, E#, F#

#C major: C#, D#, E#, F#, G#, A#, B#, C#

F major: F, G, A, Bb, C, D, E, F < /p>

bB major: Bb, C, D, Eb, F, G, A, Bb

bE major: Eb, F, G, Ab, Bb, C, D, Eb

bA major: Ab, Bb, C, Db, Eb, F, G, Ab

bD major: Db, Eb, F, Gb, Ab, Bb, C, Db

bG major: Gb, Ab, Bb, Cb, Db, bE, F, Gb

bC major: Cb, Db, Eb, Fb, Gb, Ab, Bb, Cb

Minor key

a minor: A, B, C, D, E, F, G#, A

e Minor: E, F#, G, A, B, C, D#, E

B minor: B, C#, D, E, F#, G, A#, B

# F minor: F#, G#, A, B, C#, D, E#, F#

#c minor: C#, D#, E, F#, G#, A, B#, C#

#g minor: G#, A#, B, C#, D#, E, F*, G#

#d minor: D#, E#, F#, G#, A#, B, C*, D#

#a minor: A#, B#, C#, D#, E#, F#, G*, A#

p.s.* is raised another half tone for #. (e.g. F-F#-F*)

D minor: D, E, F, G, A, Bb, C#, D

G minor: G, A, Bb, C , D, Eb, F#, G

c minor: C, D, Eb, F, G, Ab, B (reduction), C

f minor: F, G, Ab, Bb, C, Db, E (reduction), F

bb minor: Bb, C, Dd, Eb, F, Gb, A (reduction), Bb

be Minor: Eb, F, Gb, Ab, Bb, Cb, D (reduction), Eb

ba minor: Ab, Bb, Cb, Db, Eb, Fb, G (reduction), Ab

p.s. b sharp by half a tone is the restoration. (e.g. Bb-B)

You will find that keys with the same key signature, such as C major and a minor, G major and e minor, etc., are six places different from each other. Ti in a minor key is always raised half a step. The half-tone will not be marked after the clef but will appear next to the note to be sharpened in the score.

For example: if the key signature is 2 #s, and most of the A in the score has a # hanging to the left, then the music is in the key of B minor.

The rise and fall of the clef (half tone)

bb-b-(reduction)-#-*

e.g. Ebb-Eb-E (reduction) -E#-E*