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Works written by Song Jizheng

A Study of Conduction Skills

Practical keyboard harmony Studies

Tonality and Harmony of China Scale

Cantata: Barnabas

Anthology of Ode

One of the Essays on Genesis

Hail.

I have been a believer since I was 14 years old. At the age of 16, he served as the director of the church choir and devoted his life to holy music service. He has served as the conductor of the choir of Billg Grrahm Joint Conference and Taiwan Province Joint Conferences, the conductor of the ten thousand people chorus in Taipei City and the conductor of the ten thousand people chorus in Taipei County.

the first chapter of

Song Dashu teaches music

1 episodes of music theory

1 roll call, sound name and notes, rest, time signature

2 sound and keyboard, beat practice

3 starting sound (recognizing major) and staff, dotted notes

4 changing sound, beat practice (continued). The note rest of syncopation and staff

6 Solfeggio and the strength of single beat of staff

7F major, G major scale and double beat

8 12 major key names [scales] and regular rhythm of double beat

9 key signature and minor key names and irregular rhythm

1 various marks and irregular rhythm (continued) < p 2-beat play and preliminary beat

2 expression of four beats and preliminary beat

3 expression of preliminary beat (continuation) and three beats and two beats

4 expression of two beats (continuation) and double beat

5 double beat, six beats and triple beat

6 minor of bass score, Expression of strength

7 expression of major and minor chords and musical names

8 comparison between two-handed command and two-paragraph command

9 dictation of major and minor chords, two-handed command (continued), arrangement of chorus, vowel (basic vowel)

1 chord dictation, actual lead singer, Voice indication

Chapter III Playing of notation and staff 1 episodes

The establishment of p>1 major scale and triad

The name of p>2 chord and the playing of C major

The playing and configuration of p>3C major chord

The substitution of p>4 triad and the positive triad in G major

The playing of p>5G major and the use of genus (7)

Belonging to playing in 7 and D major

playing in minor chord in p>8D major

playing in minor chord in p>9 minor

playing in minor chord in 1 minor chord and arpeggio accompaniment

Chapter IV Composition and chord 1 episodes

1 phrases and parallel phrases (continued arpeggio accompaniment with China's poems and chords)

China tune chord

3 related minor and aa'bb's two-stage melody and accompaniment method in p>4 minor

5 lyrics method

6 forms and lyrics

7 three-stage and varied chords

8 phrase paragraph expansion

9 music with words, chords and accompaniment

19. Accompaniment

Chapter V Harmony and Arrangement 1 Episodes

1 The Law of Mixed Four-part Harmony

2 Mixed Four-part Harmony (plus Ⅱ7 Ⅰ7 Ⅲ7)

3 Hanging Sound and Four-part Harmony (plus Chord Voiceover)

Four-part Harmony in p>4 minor and Two-part Contraposition

Four-part Harmony in p>5 minor (with a big turn) With changing chords)

8 minor tune and harmony

9 actual writing

1 China harmony system of Song Dashu

This is the arrangement of the course, and it will take about an hour to talk about it in detail

Catalogue of "Song Dashu Teaching Music Unit 3 Advanced Edition"

Applicable people: people who want to have professional attainments in music. Such as music producers, piano teachers, freelance musicians, etc. Not applicable to children under 1 years old.

course subjects

volume 1

lesson 1: interval (1)

lesson 2: interval (2)

lesson 3: scale-major scale

lesson 4: scale-minor scale

volume 2

lesson 5: C. Use of pedals

disc 3

Lesson 9: Chord configuration and overtone, passing tone, auxiliary tone and tone change

Lesson 1: Melody-free accompaniment (1)

Lesson 11: Scales and chords in G major

Lesson 12: Positive triad in G major and the termination of June 4th

Disc 4 < Five-degree chain

lesson 14: the playing and termination of the positive triad in f major June 4th

lesson 15: accompaniment without melody (2)

lesson 16: scales and chords in other major

fifth disc

lesson 17: chording with the right hand

lesson 18: playing the main chord on behalf of subordinates

lesson 19. Where the dominant chord is used (continued)

Lesson 22: The * * * in front of the dominant chord Homochords

Lesson 23: No Melody Accompaniment (3)

Lesson 24: Use of Accessory Trichords

Disc 7

Lesson 25: Configuration and Use of Accessory Trichords

Lesson 26: Configuration of Accessory Trichords in Major

Lesson 27: Chord Configuration of China Melody

Lesson 28: Arpa Playing. Lesson 11: Chords and Names in Minor

Lesson 32: Use of Triharmonic in Minor

Disc 9

Lesson 33: Minor Entering Relational Major

Lesson 34: Major Entering Relational Minor

Lesson 35: Proximity Tone

Lesson 36: Use of Proximity Tone

Disc 1

Falsetto Ⅱ

Lesson 4: Prelude, the church stops with China's mode

Disc 11

Lesson 41: Changing Tones and Changing Chords

Lesson 42: The Use of June 4th Chords

Lesson 43: Parallel Tone

Lesson 44: Synthesizing Harmony Materials, and then talking about chord configuration. On the development of China's sacred music

Volume 12

Lesson 45: Tonality and Harmony of China Scale, and keyboard harmony's lesson is over.