A Study of Conduction Skills
Practical keyboard harmony Studies
Tonality and Harmony of China Scale
Cantata: Barnabas
Anthology of Ode
One of the Essays on Genesis
Hail.
I have been a believer since I was 14 years old. At the age of 16, he served as the director of the church choir and devoted his life to holy music service. He has served as the conductor of the choir of Billg Grrahm Joint Conference and Taiwan Province Joint Conferences, the conductor of the ten thousand people chorus in Taipei City and the conductor of the ten thousand people chorus in Taipei County.
the first chapter of
Song Dashu teaches music
1 episodes of music theory
1 roll call, sound name and notes, rest, time signature
2 sound and keyboard, beat practice
3 starting sound (recognizing major) and staff, dotted notes
4 changing sound, beat practice (continued). The note rest of syncopation and staff
6 Solfeggio and the strength of single beat of staff
7F major, G major scale and double beat
8 12 major key names [scales] and regular rhythm of double beat
9 key signature and minor key names and irregular rhythm
1 various marks and irregular rhythm (continued) < p 2-beat play and preliminary beat
2 expression of four beats and preliminary beat
3 expression of preliminary beat (continuation) and three beats and two beats
4 expression of two beats (continuation) and double beat
5 double beat, six beats and triple beat
6 minor of bass score, Expression of strength
7 expression of major and minor chords and musical names
8 comparison between two-handed command and two-paragraph command
9 dictation of major and minor chords, two-handed command (continued), arrangement of chorus, vowel (basic vowel)
1 chord dictation, actual lead singer, Voice indication
Chapter III Playing of notation and staff 1 episodes
The establishment of p>1 major scale and triad
The name of p>2 chord and the playing of C major
The playing and configuration of p>3C major chord
The substitution of p>4 triad and the positive triad in G major
The playing of p>5G major and the use of genus (7)
Belonging to playing in 7 and D major
playing in minor chord in p>8D major
playing in minor chord in p>9 minor
playing in minor chord in 1 minor chord and arpeggio accompaniment
Chapter IV Composition and chord 1 episodes
1 phrases and parallel phrases (continued arpeggio accompaniment with China's poems and chords)
China tune chord
3 related minor and aa'bb's two-stage melody and accompaniment method in p>4 minor
5 lyrics method
6 forms and lyrics
7 three-stage and varied chords
8 phrase paragraph expansion
9 music with words, chords and accompaniment
19. Accompaniment
Chapter V Harmony and Arrangement 1 Episodes
1 The Law of Mixed Four-part Harmony
2 Mixed Four-part Harmony (plus Ⅱ7 Ⅰ7 Ⅲ7)
3 Hanging Sound and Four-part Harmony (plus Chord Voiceover)
Four-part Harmony in p>4 minor and Two-part Contraposition
Four-part Harmony in p>5 minor (with a big turn) With changing chords)
8 minor tune and harmony
9 actual writing
1 China harmony system of Song Dashu
This is the arrangement of the course, and it will take about an hour to talk about it in detail
Catalogue of "Song Dashu Teaching Music Unit 3 Advanced Edition"
Applicable people: people who want to have professional attainments in music. Such as music producers, piano teachers, freelance musicians, etc. Not applicable to children under 1 years old.
course subjects
volume 1
lesson 1: interval (1)
lesson 2: interval (2)
lesson 3: scale-major scale
lesson 4: scale-minor scale
volume 2
lesson 5: C. Use of pedals
disc 3
Lesson 9: Chord configuration and overtone, passing tone, auxiliary tone and tone change
Lesson 1: Melody-free accompaniment (1)
Lesson 11: Scales and chords in G major
Lesson 12: Positive triad in G major and the termination of June 4th
Disc 4 < Five-degree chain
lesson 14: the playing and termination of the positive triad in f major June 4th
lesson 15: accompaniment without melody (2)
lesson 16: scales and chords in other major
fifth disc
lesson 17: chording with the right hand
lesson 18: playing the main chord on behalf of subordinates
lesson 19. Where the dominant chord is used (continued)
Lesson 22: The * * * in front of the dominant chord Homochords
Lesson 23: No Melody Accompaniment (3)
Lesson 24: Use of Accessory Trichords
Disc 7
Lesson 25: Configuration and Use of Accessory Trichords
Lesson 26: Configuration of Accessory Trichords in Major
Lesson 27: Chord Configuration of China Melody
Lesson 28: Arpa Playing. Lesson 11: Chords and Names in Minor
Lesson 32: Use of Triharmonic in Minor
Disc 9
Lesson 33: Minor Entering Relational Major
Lesson 34: Major Entering Relational Minor
Lesson 35: Proximity Tone
Lesson 36: Use of Proximity Tone
Disc 1
Falsetto Ⅱ
Lesson 4: Prelude, the church stops with China's mode
Disc 11
Lesson 41: Changing Tones and Changing Chords
Lesson 42: The Use of June 4th Chords
Lesson 43: Parallel Tone
Lesson 44: Synthesizing Harmony Materials, and then talking about chord configuration. On the development of China's sacred music
Volume 12
Lesson 45: Tonality and Harmony of China Scale, and keyboard harmony's lesson is over.