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How many types of facial makeup are there in opera? What does it mean?

Based on the way of painting and coloring, facial makeup is divided into four basic types: kneading, hooking, wiping and breaking.

Kneading the face: solemn and majestic, focusing on color adjustment and emphasizing the texture of the facial features to achieve it. It is a very ancient form of facial makeup.

Hooked faces: gorgeous colors, rich patterns, complex and beautiful, colorful, and some are even covered with gold and silver, which is extremely gorgeous.

Powdering on the face: Light colors are more common. It is believed that applying powder on the face does not show the true face and highlights the treacherous and bad character.

Broken face: Asymmetrical face, left and right, describing an ugly face or a negative character.

According to the arrangement of facial makeup patterns, facial makeup is divided into the following four types:

Full face: the most primitive form of facial makeup, using the eyebrows to divide the face into forehead and face Part of Facebook.

Three-tile face: On the basis of the whole face, the face is divided into left and right parts using the nose and mouth.

Flower three-tile face: Artisticize the boundaries of the three-tile face and add facial makeup with various patterns.

Shattered face: A variant of the three-tile face, with a huge flower shape on the dividing edge, destroying the original outline.

Extended information:

The origin of facial makeup:

Facial makeup comes from the stage. It is used on some large buildings, product packaging, various porcelain and people. You can see facial makeup images with different styles on the clothes you wear.

This goes far beyond the scope of stage application, which shows the position that facial makeup art occupies in people's minds and shows that facial makeup has strong vitality. Many international friends and domestic people of insight are exploring the mysteries of facial makeup out of curiosity and love for Chinese opera masks.

The facial makeup that everyone sees can be roughly classified into two categories. One is arts and crafts facial makeup. This type of facial makeup is based on the artist's own imagination, using painting, weaving, embroidery and other techniques to create facial makeup products with different shapes and varied color patterns on the plaster face shape. This type of facial makeup has a certain ornamental value!

The other type is practical facial makeup for the stage. This type of facial makeup is based on the needs of the plot and characters in the play. The actors use exaggerated techniques to outline facial makeup of different colors, patterns and patterns on the face.

There are several theories about the origin of stage facial makeup. One is from the song and dance dramas of the Northern and Southern Dynasties of China, which flourished in the Tang Dynasty. It is also called Da Mian or Dai Mian, which was to praise the military exploits of King Lanling. It is said that the king of Lanling is tall and respectful, brave and good at fighting, and looks like a woman. Every time he goes to battle, he wears a fierce mask and wins every time.

In order to praise King Lanling, people created a solo dance for men, also wearing masks. Opera actors draw facial makeup on the stage to help enhance the personality, appearance, and status of the characters they play, to achieve rich stage colors, and to beautify the stage effect. Stage facial makeup is the harmonious unity of ideas and perceptions in people's minds.

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