Mei Lanfang’s song score was written by Qi Xiangji.

Qi Xiang, whose real name is Qi Liangzhi, is Mei Lanfang’s goddaughter and one of the descendants of the Mei School. She studied Peking Opera with her grandfather since she was a child, and is familiar with the various singing styles and performance methods of Peking Opera's old and female actors. She often collaborated with Mei Lanfang and memorized many of Mei Lanfang's classic arias, such as the first turning of the ice wheel on the island in "The Drunken Concubine" and "Seeing the King Sleeping in His Clothes in the Tent" in "Farewell My Concubine". Therefore, it can be said that Qi Xiang is one of the recorders and inheritors of Mei Lanfang's song scores.

The significance of Mei Lanfang’s song score

First of all, Mei Lanfang’s song score is the inheritance and development of Mei School art. Mei Lanfang is one of the representatives of Chinese Peking Opera. His singing, performance and appearance all have high artistic value. Mei Lanfang's song scores record some of his classic arias, including classic arias from his representative repertoire and some outstanding arias. These song scores can help future generations learn and inherit Mei School art, so that it can continue to flourish.

Secondly, Mei Lanfang’s song scores are a kind of cultural and artistic heritage. Peking Opera is one of the representatives of Chinese traditional culture and an important part of China's intangible cultural heritage. As a master of Peking Opera, Mei Lanfang's artistic achievements and performance style have high historical and cultural value. As a kind of cultural and artistic heritage, Mei Lanfang's song scores can help people understand and understand the historical and cultural connotations of Peking Opera art, and promote the inheritance and development of Peking Opera art.

Thirdly, Mei Lanfang’s song scores can help people understand and appreciate Mei Lanfang’s artistic style. Mei Lanfang's beautiful singing, delicate performance and dignified appearance are deeply loved by the audience. Through Mei Lanfang's song scores, people can have a deeper understanding of his artistic style and performance skills, and thus better appreciate his performances.

Fourth, Mei Lanfang’s song scores can promote cultural exchanges and dissemination. By recording Mei Lanfang's classic arias and spreading them around the world, exchanges and dissemination between different cultures can be promoted. This can not only enhance people's understanding and understanding of traditional Chinese culture, but also contribute to cultural diversity and cultural exchanges.

Finally, Mei Lanfang’s song scores can also provide important reference materials for related research. By studying Mei Lanfang's song scores, we can understand the changes and developments in his music style, singing characteristics, performance skills and other aspects in different periods and repertoires, providing important reference materials for related research.

Of course, in the process of protecting and inheriting Mei Lanfang’s song scores, we also need to pay attention to some issues. For example, it is necessary to strengthen the protection and management of Mei Lanfang's song scores to prevent them from being lost or damaged; it is necessary to strengthen the training and support of relevant inheritors and promote the inheritance and development of Mei School art; it is necessary to strengthen the protection and management of Mei Lanfang and his art. Research to deeply explore its historical and cultural value. Only in this way can we better protect and inherit the precious cultural and artistic heritage of Mei Lanfang's song sheet.