1. Knowledge of Huangmei Opera

Huangmei Opera: formerly known as "Tea Picking Opera" and "Flower Drum Opera", it is one of the main local operas in Anhui Province. With its beautiful tunes, lively performances, easy-to-understand artistic language, and rich and fresh flavor of life, it is deeply loved by people all over the country and overseas, and has become an emerging famous opera in the country.

Huangmei Opera originated from the tea-picking tune in Huangmei County, Hubei Province, and was later combined with folk songs and dances. During the Daoguang period of the Qing Dynasty, it was introduced to Anqing, Huaining, Susong and Wangjiang areas. It absorbed folk music, Yuexi Gaoqiang, Qingyangqiang and Huizhou singing arts, and developed rapidly. Huangmei Opera's singing style is famous for its lyricism and rich charm. , beautiful and beautiful. Singing tunes can be divided into two categories: Pingci and coloratura: Pingci is the main singing tune in the original play, and is often used for large sections of lyrical and narrative; coloratura is mostly folk songs and minor tunes. The main accompaniment instrument is Gaohu, which is combined with other ethnic instruments and gongs and drums, and later a Chinese and Western mixed band is formed. Famous actors include Yan Fengying, Wang Shaofang, etc.

Huangmei Opera developed rapidly with Anqing as the center.

Is 100 words too little?

2. Knowledge about opera

Opera (traditional opera) The five major types of Chinese opera: Peking Opera, Yue Opera, Huangmei Opera, Ping Opera, and Yu Opera. Explanation: Opera is a traditional Chinese drama form. It is It is composed of literature, music, dance, art, martial arts, acrobatics and various performing arts factors. Its origin has a long history. Song and dance have sprouted as early as in primitive society. In the long process of development, after more than 800 years, Continuously enriched, updated and developed, a relatively complete opera art system has gradually formed. Although its origins come from three different art forms: folk singing and dancing, rap and comedy, the biggest characteristics that distinguish one opera type are still reflected in the It comes from the music singing tunes of different vocal systems. These music singing tunes are based on the languages, folk songs, and folk music of the regions where they are produced, and incorporate music from other regions. Most of the characters in each type of drama are composed of Sheng and Dan. He plays roles with different face changes such as , Jing, Mo, Chou, etc. The performance focuses on the use of programmed movements based on life, and virtual space processing. Pay attention to the arts of singing, chanting, doing, and playing, etc. The transportation and dance characteristics are highly technical, forming a complete opera art system that is different from other operas. Among them, Beijing Opera (Beijing Opera) is the quintessence of our country. According to incomplete statistics, there are about three types of operas in various ethnic areas in our country. There are more than 160 kinds and tens of thousands of traditional plays. After the founding of the People's Republic of China, many adapted traditional plays appeared. New historical plays and modern plays showing modern life themes are all warmly welcomed by the audience. They are relatively popular. Famous opera types include: Peking Opera, Kun Opera, Yue Opera, Henan Opera, Hunan Opera, Cantonese Opera, Qin Opera, Sichuan Opera, Ping Opera, Jin Opera, Han Opera, Chao Opera, Fujian Opera, Qi Opera, Hebei Bangzi, Anqing Huangmei Opera, Hunan Huagu Opera... and more than fifty Opera types, especially Peking Opera, are the most popular, spreading all over the country, and are not limited by regions. Ancient Chinese dramas are called "operas" because they use "drama" and "qu" as the main elements. Chinese operas mainly include Southern Opera of the Song and Yuan Dynasties, Ming dramas, legends and legends of the Ming and Qing Dynasties, as well as traditional repertoires of modern Beijing opera and other local operas, are the general name of Chinese national drama culture. [Edit this paragraph] The three major artistic characteristics of opera are comprehensive, virtual and procedural. Nature - (1) Comprehensiveness Chinese opera is a highly comprehensive national art. This comprehensiveness is not only reflected in its integration of various artistic categories (such as dance, acrobatics, etc.) to create new ideas, but also in its In terms of exquisite and profound performing arts, various artistic factors are closely integrated with the performing arts, and all the functions of opera are realized through the performances of actors. Among them, the organic composition of singing, reading, doing, and acting on the actors is the essence of opera. The most concentrated and prominent manifestation of comprehensiveness. Singing refers to the singing technique, which emphasizes "the words are correct and the tone is round." Kung Fu refers to body and expression techniques; fighting refers to martial arts movements in performances, which is a combination of dance-like martial arts skills based on traditional Chinese martial arts. These four performance techniques are sometimes connected with each other and sometimes intersected with each other. The composition method depends on the needs of the plot. It depends on the situation, but they are all unified into a comprehensive whole, reflecting the beauty of harmony and full of the spirit of music (sense of rhythm). Chinese opera is a dramatic form rich in formal beauty centered on the comprehensive performance of singing, reading, acting and fighting. (2) Virtuality Virtuality is the basic technique for opera to reflect life. It refers to the use of actors' performances to simulate real environments or objects in a deformed way to express life. The virtuality of Chinese opera is first expressed in the processing of stage time and space. In terms of flexibility, the so-called "walking all over the world in three or five years, six or seven people and millions of soldiers", "in an instant, a thousand years of work, an abbot's land thousands of miles in the country", "in the blink of an eye, a few years, an inch of fragrance will last for thousands of generations", this is a breakthrough The limitations of the "three unities" and the "fourth wall" of Western drama. The second is in the specific stage atmosphere scheduling and the actors' simulation of certain life actions, such as wind and rain, boats and horses, threading needles and threads, etc. etc., embodying the virtual characteristics of opera more concentratedly and distinctly. Opera facial makeup is also a virtual method. The virtuality of Chinese opera

Sexuality is not only the result of the limitations of the crude opera stage and backward stage art technology, but also and mainly the product of the accumulation of traditional national aesthetic thoughts that pursue the resemblance of gods and describe gods in form. This is a kind of beautiful creation. It greatly liberates people. The creativity of writers and stage artists and the artistic imagination of the audience have greatly improved the aesthetic value of opera. (3) Procedural procedures are the form of expression in which opera reflects life. It refers to the standardization and standardization of life actions. Dance performances are used repeatedly. The program comes directly or indirectly from life, but it is formed by refining, summarizing, and beautifying life according to certain standards. It embodies the efforts of artists throughout the past and present, and it has become a new It is the starting point for a generation of actors to re-create art, so the art of opera performance can be passed down from generation to generation. In opera performances, closing the door, pushing the window, mounting the horse, boarding the boat, going upstairs, etc., all have a fixed format. In addition to the performance program, Opera has a certain formula in terms of script form, role roles, music and singing, makeup and costumes. Excellent artists can break through certain limitations of the formula and create their own personalized standardized art. The formula is a model of beauty. . [Edit this paragraph] The origin and formation of opera. Chinese opera has a long history. It first emerged from songs and dances that imitated labor. (1) Pre-Qin Dynasty - the budding period of opera. "Ode" in "The Book of Songs", "Ode to Chu" The "Nine Songs" in "Ci" are the lyrics of songs and dances during sacrifices to gods. From the Spring and Autumn Period and the Warring States Period to the Han Dynasty, entertaining songs and dances gradually evolved from the songs and dances performed to worship gods. From the Han and Wei dynasties to the mid-Tang Dynasty, there were successively more competition-based songs and dances. The "Jiaodai" (i.e. Baixi), the "Joining the Army Opera" performed in the form of questions and answers, and the song and dance "Ta Yao Niang" playing short stories about life, etc., are all nascent dramas. (2) Tang Dynasty (Middle and Late Period) ) - the formative period of opera. After the mid-Tang Dynasty, our country's drama developed rapidly and drama art gradually took shape. (3) Song and Jin - the development period of opera. The "zaju" of the Song Dynasty, the "yuanben" and talks and singing of the Jin Dynasty The form of "Zhu Gong Diao", from music, structure to content, laid the foundation for the Yuan Dynasty Zaju. (4) Yuan Dynasty - the mature period of opera. In the Yuan Dynasty, "Zaju" developed greatly on the original basis. Become a new type of play.

3. Knowledge about opera

Five major types of opera Chinese opera is mainly composed of three different art forms: folk song and dance, rap and comedy.

It originated from primitive singing and dancing and is a comprehensive stage art style with a long history. Chinese opera, Greek tragedy and comedy, and Indian Sanskrit opera are known as the three oldest drama cultures in the world. After a long period of development and evolution, it has gradually formed a five-part opera genre with "Peking Opera, Yue Opera, Huangmei Opera, Ping Opera, and Henan Opera" as the core. Chinese Opera Baihuayuan.

Kun Opera: the ancestor of all operas. Also known as "Kun Opera" and "Kun Opera", it is an ancient type of opera.

It originated from Kunshan, Jiangsu Province and became popular after the mid-Ming Dynasty. At that time, most of the legendary plays were sung with Kun opera. His representative works include "The Peony Pavilion" and "The Palace of Eternal Life".

Peking Opera: the quintessence of Chinese culture, also known as "Pi Huang". It was formed in Beijing around 1840, became popular in the 1930s and 1940s, and was sometimes known as "national drama".

Mainly popular in Beijing, Tianjin and Shanghai, there are now Peking Opera troupes all over the country. His representative works include "The Drunken Concubine", "Farewell My Concubine", model opera "Shajiabang", etc.

Pingju Opera: It was formed in the late Qing Dynasty on the basis of the ditty "Counterpart Lotus Falls" in Luanxian County, Hebei Province. It was first popular in rural areas of Hebei Province and then entered Tangshan, where it was called "Tangshan Luozi". After 1950, plays such as "Liu Qiaoer", "Flower as Matchmaker", "Third Sister Yang Complains" and "Qin Xianglian" had a great impact across the country, and famous actors such as Xin Fengxia, Xiaobai Yushuang and Wei Rongyuan appeared.

Pingju opera is still popular in Hebei and Beijing. Yue Opera: Mainly popular in Jiangsu and Zhejiang areas. Since the roles in the opera are all played by women, it is also called a women's opera.

It originated from the "De Du Ban" in Shengxian County, Zhejiang Province, and entered Shanghai around 1916. After 1938, the name "Yue Opera" was used.

His representative works include "A Dream of Red Mansions", "Butterfly Lovers", "The Romance of the West Chamber", "Five Daughters on Birthday", etc. Henan Opera: also known as "Henan Bangzi".

It was developed from the Shanshan Bangzi introduced to Henan in the late Ming Dynasty, combined with Henan dialect and folk tunes, and is now popular in Henan, Hebei, Shanxi, Shandong and other provinces. His representative works include "Mulan" and "Mu Guiying Takes Command".

Huangmei Opera: A type of opera originated in Anhui and popular in Anhui, Jiangxi and Hubei. Its predecessor is the tea-picking tune in the Huangmei area. It formed a folk opera after the middle of the Qing Dynasty, called "Huangmei tune", and is sung in Anqing dialect.

His representative works include "The Consort" and "The Fairy Match". Shengdan Jingmo Chou Sheng: male role.

According to the different roles of the characters, they are divided into various roles such as Laosheng (such as Zhuge Liang, Liu Bei, Xue Rengui, etc.), Xiaosheng (such as Xu Xian, Zhang Sheng, etc.), Wusheng (such as Zhao Yun), Wansheng, etc. Dan: female character.

According to the needs of the characters, it can be divided into Zhengdan, also known as Qingyi. Generally refers to more dignified characters who mainly focus on singing (such as Wang Baochuan, Qin Xianglian, etc.), Lao Dan (such as She Taijun), Huadan refers to young and lively young girls (such as matchmaker), Wu Dan, Daoma Dan, Caidan (matchmaker), Hua Shan (First created by Master Mei Lanfang, it combines the expertise of Tsing Yi Hua Dan, singing and dancing like Yu Ji) etc.

Jing: Male character, commonly known as "Hua Lian" or "Hua Mian". Such as Bao Zheng, Cao Cao, etc.

According to the character, identity and artistic characteristics of the characters, it is divided into many specialties, such as Zhengjing, Fujing, Wujing, etc. in Peking Opera. End: Traditional opera role profession.

He often pretends to be a middle-aged man or above who has a lower social status than the person he is pretending to be, and he puts equal emphasis on singing and acting. In modern times, most operas have been merged into Laoshengxing.

Chou: Harlequin, such as Jiupin Zhimaguan, etc. According to the identity, personality and technical characteristics of the characters, it is divided into two branches: Wen Chou and Wu Chou.

Singing, chanting, doing and playing. Singing skills. Reading: musical reading.

Doing: Doing work, that is, performing. Fight: martial arts.

Extended information: Opera character facial makeup. Red face: represents loyalty and bravery. Such as Guan Yu.

Black face: represents intelligence, integrity and neutrality. Such as Bao Zheng and Zhang Fei.

White face: represents insidiousness and cunning. Such as Wang Mang and Cao Cao.

Blue and green faces: represent the heroes of the green forest. Such as Doulton.

Gold and silver faces: represent mystery. Such as Sun Wukong.

4. What are the tips for singing in Huangmei Opera?

1. First of all, you should listen to it more and become familiar with it. Secondly, you should sing more along with the TV, and don’t be afraid of not singing well. It sounds good, and you should carefully appreciate the charm.

2. To sing Huangmei Opera well, you must pay attention to pronunciation. Huangmei Opera uses Anqing Mandarin as the main language and has a strong charm. You must learn Anqing dialect and pay attention to its pronunciation and pronunciation. /p>

The most important thing is the use of breath. It is difficult to do it well. It depends on your accumulation in the future.

3. The most important thing is the accurate and appropriate application of Anqing local dialect. Many people can hum the melody well, but when they sing it they don't have the charm of Huangmei Opera. What's the problem? The problem lies in the grasp of the local dialect of Anqing: In one case, all the lyrics are sung in Mandarin, and the result is that the Huangmei Opera deviates too far and completely loses the charm and local flavor of Huangmei Opera; in another case, some words are sung in Mandarin. Isolated and deliberate imitation of Anqing's singing, either the beginnings of the words are wrong or the endings of the words are off. The result is often like imitation.

4. After more than 200 years of inheritance and development, Huangmei Opera has evolved from a little-known rural opera to one of the five famous operas that is well-known in Chinese pear gardens. It is deeply loved by people across the country. Its greatest feature It's its intoxicating music and euphemistic Anqing local dialect. After understanding that the skill of learning to sing Huangmei Opera lies in mastering the few Anqing dialects, the key is to listen more and sing more. Practice makes perfect, and success will come naturally.

5. Knowledge about opera

The lowest price is 0.27 yuan to become a library member and view the full content gt; Original publisher: Li Fengqin Little knowledge about opera 1. Introduction to the main types of opera 1. Kunqu Opera Kunqu Opera , also known as "Kun Opera" and "Kun Opera", is an ancient type of opera.

It originated from Kunshan, Jiangsu Province and became popular after the mid-Ming Dynasty. At that time, most of the legendary plays were sung with Kun opera. In addition to Nan Kun Opera, which maintains the characteristics of early Kun Opera, many branches have also formed across the country, such as Kun Yi, Xiang Kun, Sichuan Kun, etc. in the north.

Kun Opera’s style is clear, soft, delicate and lyrical, with singing and dancing performances and rigorous routines. It is a representative of Chinese classical opera. 2. Gaoqiang Gaoqiang is a general term for an opera vocal system.

It was originally called "Yiyang Tune" or "Yi Tune" because it originated in Yiyang, Jiangxi. It is characterized by simple performance, popular lyrics, high-pitched and exciting singing, one person sings while others sing along, and only golden drums are used to beat the music without orchestral accompaniment.

Since the middle of the Ming Dynasty, it began to spread from Jiangxi to all parts of the country, and different styles of Gaoqiang were formed in various places, such as Sichuan Opera Gaoqiang, Hunan Opera Gaoqiang, Gan Opera Gaoqiang, etc. 3. Bangzi Qiang Bangzi Qiang is a general term for a system of opera tunes.

It originated from the "Shanshan Bangzi" at the junction of Shanxi and Shaanxi. It is characterized by high-pitched and exciting singing and wooden bangs. Then, it developed eastward and southward, forming different forms of Bangzi tune in different regions, such as Shanxi Bangzi, Hebei Bangzi, Henan Bangzi, Shandong Bangzi, etc.

4. Peking Opera Peking Opera, also known as "Pihuang", consists of two basic tunes of "Xipi" and "Erhuang" as its musical material. It also sings some local tunes (such as Liuzi tune, Chui tune) Qiang, etc.) and Kunqu Qupai. It was formed in Beijing around 1840, became popular in the 1930s and 1940s, and was sometimes known as "national drama".

It is still a major drama with national influence. With its comprehensive range of skills, mature performances and magnificent momentum, it is a representative of modern Chinese opera.

7. Jin Opera 13. Sichuan Opera.

6. Knowledge of opera

Knowledge of opera There are five major types of opera in China: Peking Opera, Yue Opera, Huangmei Opera, Ping Opera, and Henan Opera.

Definition Opera is a traditional Chinese drama form. It is a combination of literature, music, dance, art, martial arts, acrobatics and various performing arts factors.

Its origins have a long history. Songs and dances have sprouted as early as in primitive society. In the long process of development, after more than 800 years of continuous enrichment, renewal and development, it has gradually formed a relatively complete art of opera. system. Although its origins come from three different art forms: folk singing and dancing, rapping, and burlesque, the biggest feature that distinguishes a type of opera is that it comes from different vocal systems.

These musical tunes are based on the languages, folk songs, and folk music of the regions where they are produced, and incorporate music from other regions. Most of the characters in various dramas are played by different roles such as Sheng, Dan, Jing, Mo, Chou and so on.

The performance focuses on the use of programmed movements based on life and virtual space processing. It pays attention to the arts of singing, chanting, acting, and fighting, and the performance is transportation and dance. It is highly technical and constitutes a complete opera art system that is different from other dramas.

Among them, Beijing Opera is the quintessence of our country. According to incomplete statistics, there are about 360 kinds of operas in various ethnic regions in my country, and tens of thousands of traditional operas. After the founding of the People's Republic of China, many adapted traditional plays appeared. New historical plays and modern plays showing modern life themes were warmly welcomed by the audience.

The more popular and famous operas include: Peking Opera, Kun Opera, Yue Opera, Henan Opera, Hunan Opera, Cantonese Opera, Qin Opera, Sichuan Opera, Ping Opera, Jin Opera, Han Opera, Chao Opera, Fujian Opera, Qi Opera, Hebei Bangzi, Anqing Huangmei Opera, Hunan Opera Flower Drum Opera, etc., there are more than 50 types of operas, especially Peking Opera, which is the most popular and spreads all over the country without being restricted by region. Ancient Chinese drama is called "opera" because "drama" and "qu" are the main elements.

Chinese opera mainly includes Southern Opera of the Song and Yuan Dynasties, Zaju of the Yuan and Ming Dynasties, legends and legends of the Ming and Qing Dynasties, as well as traditional repertoires of modern Beijing opera and other local operas. It is a general name for Chinese national drama culture. The three major artistic characteristics of opera are comprehensive, virtual and procedural - (1) Comprehensive Chinese opera is a highly comprehensive national art.

This comprehensiveness is not only reflected in its integration of various art categories (such as dance, acrobatics, etc.) to create new ideas, but also in its exquisite and profound performing arts. Various artistic factors are closely integrated with the performing arts, and all functions of opera are realized through the performances of actors.

Among them, the organic composition of singing, chanting, acting, and acting on the actors is the most concentrated and prominent embodiment of the comprehensiveness of opera. Singing refers to the singing technique, which pays attention to "the words are correct and the tone is round"; Nian, that is, reciting Bai, is a recitation technique with strict requirements, the so-called "singing with four ounces of white words"; Doing refers to doing exercises, which is the body and expression techniques; Fighting refers to The martial arts movements in the performance are a combination of dance-like martial arts skills based on traditional Chinese martial arts.

These four performance techniques sometimes connect with each other, sometimes intersect with each other, and the composition method depends on the needs of the plot, but they are all unified into a comprehensive whole, reflecting the beauty of harmony and full of the spirit of music (sense of rhythm). Chinese opera is a dramatic form of formal beauty centered on the comprehensive performance of singing, reading, acting and fighting.

(2) Virtuality Virtuality is the basic technique for opera to reflect life. It refers to the use of actors' performances to simulate real environments or objects in a deformed way to express life.

The virtuality of Chinese opera is firstly manifested in the flexibility of stage time and space processing. The so-called "three to five people walk all over the world, six or seven people and millions of soldiers", "in an instant, a thousand undertakings, an abbot's land." "Thousands of miles of land", "A few years pass in the blink of an eye, and an inch of fragrance lasts for eternity", which breaks through the limitations of the "three unities" and "fourth wall" of Western dramas. Secondly, in terms of the specific stage atmosphere scheduling and the actors' simulation of certain life actions, such as wind and rain, boats and horses, threading needles and threads, etc., the virtual characteristics of the opera are more concentrated and distinct.

Opera facial makeup is also a virtual method. The virtuality of Chinese opera is not only the result of the limitations of the opera's crude stage and backward stage art technology, but it is also and mainly the product of the accumulation of traditional national aesthetic thoughts that pursue the resemblance of gods and describe gods in form.

This is a beautiful creation. It greatly liberates the creativity of writers and stage artists and the artistic imagination of the audience, thereby greatly improving the aesthetic value of opera.

(3) Procedural Procedural is a form of expression in which opera reflects life. It refers to the standardized, dance-like performance of life movements and their repeated use.

Programs come directly or indirectly from life, but they are formed by refining, summarizing, and beautifying life according to certain norms. It embodies the efforts of artists throughout the ages, and it has become the starting point for artistic re-creation by a new generation of actors, so that the art of opera performance can be passed down from generation to generation.

Closing doors, pushing windows, mounting horses, boarding boats, going upstairs, etc. in opera performances all have a fixed format. In addition to performance procedures, opera has certain procedures in various aspects such as script form, role roles, music and singing, makeup and costumes, etc.

Excellent artists can break through certain limitations of the program and create their own personalized standardized art. Program is a model of beauty.

The origin and formation of opera Origin Chinese opera has a long history. It first emerged from songs and dances that imitated labor. (1) Pre-Qin - the budding period of opera.

The "Ode" in "The Book of Songs" and the "Nine Songs" in "Chu Ci" are the lyrics of songs and dances during sacrifices to gods. From the Spring and Autumn Period and the Warring States Period to the Han Dynasty, entertaining songs and dances gradually evolved from the songs and dances performed to worship gods.

From the Han and Wei dynasties to the mid-Tang Dynasty, "Jiaodian" (i.e. Baixi), which was mainly about competition, "Joining the Army Opera" performed in the form of question and answer, and songs and dances "playing life stories" appeared successively. "Walk Up" and so on, these are all dramas in their infancy. (2) Tang Dynasty (middle and late period) - the formative period of opera.

After the mid-Tang Dynasty, our country’s drama developed rapidly and drama art gradually took shape. (3) Song and Jin Dynasties - the development period of opera.

The "Zaju" of the Song Dynasty, the "Yuanben" of the Jin Dynasty and the "Zhugong Diao" in the form of speaking and singing, from music, structure to content, all laid the foundation for the Zaju of the Yuan Dynasty. (4) Yuan Dynasty - the mature period of opera.

In the Yuan Dynasty,.

7. Basic knowledge of drama

(1) The script must be suitable for stage performance. The performance must be limited by time and space, and major events that happened in different places and over a long period of time should be concentrated on a limited stage and performed within two or three hours.

For knowledge about the "Three Unities", see the fourth paragraph on page 162.

(2) There must be concentrated and sharp conflicts.

Drama reflects the conflicts in real life. Without conflicts, there would be no drama. This conflict is a reflection of social contradictions, and it has a certain development process. This process constitutes the plot structure of the script.

The plot structure of the script can be divided into: beginning - development - *** - ending

Beginning: introducing character relationships and revealing conflicts

Development: Describe the ups and downs of the plot, one after another, pushing the conflicts to the climax step by step.

***: The conflict reaches its peak and shows a dramatic transformation

Ending: The ending is the inevitable result of the plot development and the resolution of the conflict.

Epilogue: Echoing the preface, it provides some inspiration for the ideological content of the script and arouses people's associations and prospects.

(3) The language and actions of the characters must be consistent with their respective identities and characteristics

3. The methods used in the script to portray characters to advance the plot and express thoughts are:

(1) Stage description: including character list, stage art, environment, sound, character entry and exit, character dialogue postures, movements, expressions, psychological activities, etc.

(2) Character dialogue and lyrics: including monologue, narration, and dialogue. It is the main component of the script, and its task is to develop the plot, remind the characters, and express the theme.

(3) Structural form: Acts and scenes. The tomb is a large unit, and the field is a small unit

4. Drama classification:

(1) Different art forms and expression techniques: drama, opera, dance drama, poetic drama, musical , cross talk drama.

(2) The complexity and structure of the plots are different: multi-act drama, one-act drama

(3) The themes reflect different eras: historical drama, modern drama

(4) The nature and expression of conflicts are different; tragedy, comedy, drama (tragic comedy).

(5) Different regional colors: Peking Opera (Beijing), Shanghai Opera (Shanghai)), Yu Opera (Henan), Lu Opera (Shandong Jiangsu), Sichuan Opera, Han Opera (Hubei), Chu Opera (Hubei Jiangxi), Jin Opera (Shanxi), Huangmei Opera (Zhejiang), etc.

(6) Different performances: stage plays, radio plays, movies, TV series, etc.