C.Y.KONG, whose real name is Jiang Zhiren, first studied in the UK with Lei Songde and joined BAND. Since his debut in the early 1990s, he has created a large number of excellent works. Miriam Yeung's "Sisters", Leslie Cheung "Dream of the River", Sammi Cheng's "Color...Smell"...etc. The creative style is mainly based on British trendy rock and dance music. Among the collaborations with many singers, the collaborations with Faye Wong and Ge Ge are the most outstanding. C.Y.KONG first appeared in the 1993 album "Unrepentant" with "No More Child's Play". At the end of the year, he even promoted the then-current Wang Jingwen to the top with the song "Liu Feifei". Then began a long-term close cooperation with Faye Wong. He has composed such masterpieces as "Lost", "Toy", "Incredible", "Love Letter to Myself", "One Hundred Years of Solitude", "It's Blooming" and "Fireflies". His works have a strong electronic component, and the arrangement emphasizes rhythm. The expression of imagery is similar to Gao Leiqiao's oil paintings, with heavy colors and thick ink, which seems quite extravagant. Among these works, the lyrical work "Love Letter to Myself" arranged with a piano key is fresh and somewhat different. The piano-based arrangement mostly gives people a sense of introspection. In addition to TORIAMOS, there are also Singaporean music that are impressive. "Clear Water" written by Ye Liangjun for Peng Ling can easily touch the depression and emotions deep in the listener's heart. And "Love Letter to Myself" uses the piano to express a kind of optimism after the death of a thousand sails. Such expressiveness is even more rare. From this point of view, it is not surprising that this song is widely accepted. CYKONG also won the "Best Arrangement Award" from Commercial Station that year for this song. One of the songs from the album "Only Love Strangers" released by Faye Wong in 1999 is "Open to Tumi", which is the favorite choice of many fans. It is a rock work created in the form of a march, with an extraordinary style and melody. Smooth, coupled with Lin Xi's imaginative lyrics and Faye Wong's subversive free and easy singing, it is definitely a masterpiece. In addition, Wubing also admires the song "(Untitled)" from the "DIDAR" album. The melody is smooth and smooth, making it a perfect work. CYKONG's later works were influenced by F.P., and their compositions and arrangements had complex timbres. "One Hundred Years of Solitude" collaborated with ADRIANCHAN is an example. Overlapping and confusing strings create a windy and sandy texture between the choruses. Compared with ADRIANCHAN's "Butterfly" from the same album, which complains about the coldness of the wind, "One Hundred Years of Solitude" overlays and conjures up the vastness of the mad swordplay.