Dancing requires not only technical jumps, but also learning thoughts, which is very important. The scope of thought is so wide that I really don't know how to say it. Take pop as an example. What kind of music should be interpreted and how to connect all kinds of POPs in series need your support. Learn only techniques, not ideas, and many techniques are not used when dancing. When you dance, your mind will only be blank. You don't know what you are dancing at all. You only know the sound effects of cards and other music, which proves that your ideological theory needs to be improved.

To learn ideas, we should start with the history, understand the history of poppin, and then understand the history of various elements and style and the principles that should be paid attention to when jumping. Then research into music, express and feel music. These things can't be done by one person. You need to communicate with others and sum them up in your heart, or ask teacher occupation around you.

In fact, poppin, who has been dancing for more than a year, is just a novice who has just taken a driver's license and is on the road. The real road is still long. So, dance for life. I have danced for five or six years by myself, but seriously, what I have been exposed to for such a long time and learned in poppin is just the tip of the iceberg. . . Even if you often go to competitions and communicate, that knowledge is still far from enough. . . I am now in the bottleneck period, and I don't know how to break through and struggle.

I hope these are useful to you.