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Original song of Love in Late Autumn

The original singer of the song "Love in Late Autumn" is Zheng Yuan.

"Love in Late Autumn" is a song sung by Zheng Yuan and included in the album "Tolerance" released on July 29, 2010. It was written and composed by Cao Kaiwan. In 1982, Zheng Yuan was born in Longshi Township, Chengcun Town, Yangxi County, Yangjiang, Guangdong. His hometown is very close to the seaside. There are four brothers and sisters in the family. Zheng Yuan is the youngest. The eldest sister Zheng Lipin is a national second-level actor and a famous singer in the Hongdou Cantonese Opera Troupe of Guangdong Province. The second sister graduated from Xinghai Conservatory of Music and is engaged in literary education in her hometown.

Brother Zheng Dong is a full-time singer at Peacock Records. All four brothers and sisters are influenced by their parents, so all the brothers and sisters are engaged in literature and art. He began to learn Cantonese opera from his grandfather at the age of 4. He learned Gaohu, piano and other musical instruments at the age of 5, and received professional training on various instruments including guitar, erhu, jazz drums and other instruments. Zheng Yuan then participated in a series of singing competitions.

Zheng Yuan’s character evaluation:

Listen to Zheng Yuan’s love songs. Love is the constant theme of art, and Zheng Yuan sings about the love of our time, so it is closer to people's hearts. Zheng Yuan is the male version of Teresa Teng. Listening to Zheng Yuan's concerts is the most enjoyable. There are no fancy stage looks or passionate dancing. It is music, and it is really rare for a male singer to handle songs as delicately as a female singer.

With an attitude of singing with heart, Zheng Yuan’s love songs are frank, straightforward and unpretentious. He is low-key, simple and unassuming. It is this peaceful and ordinary mentality that makes Zheng Yuan popular among the big waves. The music scene maintains a rare independence and can break out of the old love song framework. It has not only established an extraordinary position in the Chinese music scene, but also won the enthusiastic pursuit of a large number of young fans.

Zheng Yuan’s voice is clean and translucent, and it also faintly exudes the sadness in his heart. The singing surrounds the ears, making the listener deeply involved in the play. If a good actor can play all kinds of scenes in the world, then a good singer can sing all kinds of tastes in life. Zheng Yuan relies on his penetrating voice to turn every song into a spiritual journey full of experience.