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What kind of background music is good for reciting (Pipa line)? It needs to be able to match the artistic conception, preferably Pipa music.

Pipa song "Complaint - Impressions after reading Pipa"

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This song already fits the title. When there is a need, it is easier to bring in emotions.

Excerpt an analysis of the music:

In the introduction of the music, the author is creating a sad atmosphere. In the choice of tone area, the author mostly chooses phase position, and the tone is low and melodious, as if he is imitating the meditative sound of the guqin. The two big slips are like the autumn wind rolling down the flowers on the branches, and the overtones behind the autumn wind are like the bright moon hanging high, far away from the hustle and bustle of the world, quietly watching the joys and sorrows of the world, and the impermanence of things. This is also consistent with the poem "The first night in the Xunyang River sees off guests, and the maple leaves and flowers rustle in autumn. The host dismounts and the passengers are on the boat. He raises his wine and wants to drink without the orchestra. He is too drunk to say goodbye happily, and the vast river is soaked in the moon during the farewell" [2] The bleakness coincides with that. It is precisely because of the good preparation in the introduction that when the theme of the second paragraph appears, it becomes even more elegant and free. It seems that the sound of pipa coming from the boat does not belong to this world, but the sound is exciting. As soon as this theme melody appears, it is not difficult for us to understand the poet's surprise when he "suddenly heard the sound of pipa on the water, and the host forgot to return home." The author chose the tempo of adagio and adagio, and the bright melody progresses like a girl dancing with her long sleeves waving. At that time, it was as if time and space had frozen, and the heavenly sound of the piano seemed to be a key through the door of memory. The poet and the guests were brought back to the days of singing and dancing in the past. The overtone at the end of this paragraph is both the end of the previous paragraph and the beginning of the next paragraph. "Who is the one who is asking about the sound in secret? The sound of the pipa has stopped and it is too late to speak. Move the boat closer to invite us to meet, add wine, turn back the lights and resume the feast." The overtone is just like this poem, which not only inherits the above, but also leads to the pipa in the following. The woman and the poet met and became acquainted.

The fourth paragraph after that starts from the phase position and ends with the second appearance of the theme. Although this paragraph is brief, it is deeply emotional. "The three or two sounds of the strings being plucked by the rotating shaft are sentimental before the melody is formed. The strings muffle the sounds and thoughts, as if complaining about a life of failure." The composer combines the virtual and the real, and does not correspond to the original poem one by one, but it is for the theme of the following text. The reappearance laid the groundwork, and there was a degree of relaxation. Through the gradual progression from the second string to the first string, the emotion is pushed to the climax, and the music naturally moves towards the reappearance of the theme. In the passage where the theme reappears, the composer shifts the mode to a subordinate key of the original key, which makes the theme a little more clear and passionate, and deepens the audience's impression of the theme without appearing monotonous. This paragraph seems to be telling about the glamorous and beautiful life of Pipa as a young girl. "I learned the pipa at the age of 13, and my name is the first one in the school. I once taught good people how to dress, and I was jealous of Qiu Niang every time I made it. When Wuling was young, he was obsessed with his head, and there were countless pieces of red silk. The silver grate on his head was The knots are broken, the bloody skirt is stained by wine. This year's laughter will return to the next, and the autumn moon and spring breeze are spent leisurely." Those are the years without worries. The emotion of the music gradually accumulates as the register becomes higher. From the moment she hits the panel, the Pipa Girl's life suddenly falls into another state. After briefly recalling the theme, we entered the sixth paragraph. This section is "My brother left to join the army and my aunt died, and I went to court at dusk. There were few horses and horses in front of the door. The boss married a merchant's wife. The merchant valued profit over separation. The month before last, I went to Fuliang to buy tea. I came and went to guard the empty ship at the mouth of the river, and went around the ship. The moon is bright and the river is cold. Late at night, I suddenly dream about my youth, and my eyes are full of tears. "At this time, she has lost her glory, but those brilliant memories are still lingering in her mind. These experiences of hers are exactly similar to those of the poet before and after he moved to the left. Therefore, it can arouse more resonance with the poet. However, this quarrel is not just between her and the poet?

The following Allegro is the seventh paragraph. After experiencing this series of changes and pain, the poet and the lute girl tried to break free, but failed, and could only cry loudly in their hearts. The author believes that the key points of this quick practice are, firstly, the strong sense of rhythm brought by the accent, otherwise the performance will become very confusing and unclear, and the musical feeling and melody lines of the left hand cannot be ignored. , otherwise it will feel mechanical and nervous to the audience. At the end of this paragraph, it starts from the phase position again, with intense emotional strumming, and then the repetition of the four lines. This seems to be a spiritual dialogue between the pipa girl and the poet. Emotions reached their climax. With the emergence of the highest note of the whole song, the emotions of both the pipa girl and the poet are released to the greatest extent.

"I sighed when I heard the pipa, and I groaned again when I heard these words. We are both fallen people in the world, so why should we know each other before we meet!" I think this is the emotion I want to express most in the last part!

At the end of the music, after a series of jumping overtones, the range returns to the phase position, which echoes the introduction. Everything calmed down, as if nothing had happened. However, I believe that the timeless melody and Bai Juyi's mood of "we are both fallen people in the world, why have we met before" will remain in the hearts of every listener forever.

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