Methods for learning simplified musical notation:

(1) First of all, you need to figure out the level of unvoiced sounds. The pitch of the notes on the simplified musical notation is represented by 1, 2, 3, 4, 5, 6, and 7.

Among them 3--4 and 7---1 (adding a dot to 1 indicates the next octave) are semitones, and the others (1-2 2-3 4-5

5-6 6-7) are all whole tones. 1, 2, 3, 4, 5, 6, and 7 rise in sequence, just like we go up the stairs, one step at a time. (There are only 3-4 7 in the middle to the next high treble 1, which can only go up a half-height step).

A dot under 1, 2, 3, 4, 5, 6, and 7 means it is one octave lower than the undotted note, and two dots means it is two octaves lower. In the same way, adding a dot above means that the note without a dot is one octave higher.

0 is a rest sound (no sound)

(2) The length of the sound.

"5 - - -" is a whole note (if its duration is four seconds)

"5 -" is a half note (then its duration is for two seconds) two half notes equal one whole note.

"5" is a quarter note (duration is one second). Two quarter notes equal one half note.

"5 plus a small straight line" is an eighth note (the duration is one-half second). Two eighth notes are equal to one quarter note.

"5 plus two parallel straight lines" is a sixteenth note (the duration is a quarter of a second). Two sixteenth notes are equal to one eighth note.

(3) Beat.

4/4 (the 4 below means one beat is a quarter note; the 4 above means four beats per measure [singing or playing]).

2/4 (the 4 below means one beat is a quarter note; the 2 above means there are two beats in each measure)

3/4 6/8...all Same as above.

The prototype of numerical notation first appeared in Europe in the 16th century. At that time, there was a Catholic monk named Sueti; he used 1, 2, 3, 4, 5, 6, and 7 to represent He used seven tones to compose and teach songs, and then wrote a booklet called "A New Way to Learn Plain Songs and Music." At that time, Westerners attached great importance to individual issues such as invention, creation, and copyright, and this was recorded in history.

In the 18th century, a Frenchman named Rousseau read a paper "Proposal for New Musical Notation" to the Academy of Sciences in Paris, France, in 1742, and mentioned this "digital simplified notation" again. After the mid-18th century, a group of French musicians, doctors, mathematicians, etc. organized and perfected the "numerical musical notation". In the 19th century, after the continuous improvement and promotion of P. Garland, A. Paris and E.J.M. Scheve, it became widely used among the masses. Therefore, this kind of simplified notation is called "Jia-Pa-Xie's notation" in the West.

The basic symbol indicating the pitch of a sound, marked with seven Alapat numbers. Their writing and pronunciation are as follows:

Writing: 1 2 3 4 5 6 7 i

Pronunciation: Do Re Mi Fa Sol La Si Do

The relative relationship between the above tones is fixed. Except for 3-4 and 7-i, which are semitones, the other two adjacent tones are whole tones.

To mark higher or lower notes, add small dots above or below the basic symbol. In simplified notation, the basic symbol without a dot is called alto; adding a dot above the basic symbol is called treble; adding two dots is called double treble; adding three dots is called super treble; adding a dot below the basic symbol is called bass ; Adding two dots is called double bass; adding three dots is called subwoofer.

Reference material: Baidu Encyclopedia - Simplified musical notation