Top Ten Famous Flute Songs

1. A Journey to Suzhou

"A Journey to Gusu" adopts the tune of Kunqu Opera and has a Jiangnan flavor. The music is elegant and expresses the beautiful scenery of the ancient city of Suzhou (called Suzhou in ancient times) and people's happy mood when visiting. The serene introduction is an alluring picture of faint morning mist, pavilions, small bridges and flowing water. The lyrical Andante allows visitors to enjoy the exquisite and beautiful Suzhou gardens. The middle part is the passionate Allegro, where visitors are playful and full of emotion. Then the theme is reproduced. In the compressed tone, the melody is more melodious and melodious, making people immersed in the beautiful scenery for a long time, lingering and thought-provoking. This piece of music has a profound charm, taking advantage of the soft, generous and mellow timbre of the flute. Combined with the common use of duplication, tapping, vibrato and other techniques in southern flute playing, the music performance is more moving and perfect.

02. Spring Arrives at the Xiangjiang River

"Spring Arrives at the Xiangjiang River" is full of Hunan characteristics. The music expresses the beautiful spring scenery on both sides of the Xiangjiang River and people's joy and ambition to build their homes. The factor is vast and full of passion, showing the magnificent scenery of the Xiangjiang River with rolling blue waves and smoke. The light melody of the Andante Cantabile sometimes echoes low like a chant, sometimes soars high and is very soft and moving. The middle section changes from Yu mode to Tonggong Zheng mode, and the artistic conception is fresh. The joyful Allegro is full of the charm of Hunan Flower Drum Opera. There are drum beats hidden in the enthusiasm, and there is also a blend of affectionate feelings. It is free and bold, and the humorous and optimistic attitude is vividly reflected in the flute sound. Several turns of the ascending melody push the emotions to a climax. The performance should complement each other with softness and passion, so as to present the deep friendship with verve. The pronunciation is clear, smooth, and clean, and pay attention to the inhalation point. Each sound range should be able to change freely, and the high notes should be full of resonance.

03. Happy Encounter

This song was originally a folk music in Inner Mongolia. It was later absorbed by Shanxi Bangzi and Errentai as transitional music, used to accompany the characters in the play entering the bridal chamber and giving birth. Dust and other actions. After adaptation, it expresses the emotions of a pair of lovers when they say goodbye and reunite. [1] Starting from the form of Sanban, combined with the use of slow speed and portamento and other techniques, it expresses the inseparable mood of relatives when they say goodbye. [2] Express the joy of reunion after a long absence. [3] Express the joy and excitement when returning to hometown. [4] The atmosphere is more lively, depicting the joyful scene of family reunion

04. Reed Flute

"Reed Flute" was created in 1958. It was adapted by Liu Sen based on the dance music written by Liu Chi for the duet "Mu Flute". It shows the beautiful life of rural young people in the 1950s and can be called "New Little Cowherd". The fresh and bright introduction brings people to the new rural life. The first short section of Allegro expresses the happy mood of young men and women while grazing and playing. The second paragraph is slow, beautiful and moving, expressing young people's love for life, love for nature and love for lovers. The third section of the slightly faster Allegro is the reproduction and development of the melody of the first section of the Allegro. "Mudi" belongs to the northern style of playing Tu, Duo, Hua and Hua, but it is different from the common northern folk playing style. From a technical point of view, the performance of the music can follow the mood, fully and appropriately using breath control, and profoundly express people's thoughts and feelings.

05. Little Shepherd

The flute music was adapted by Lu Chunling. The music is bright and smooth, showing the happy mood of innocent and lively shepherd boys when they ask and answer each other. It is full of pastoral flavor. The flute solo piece was originally a "blow tune" tune in Kun Opera. It describes a village girl asking a shepherd boy for directions. The two answer questions and answers, singing and dancing to each other. It has a strong flavor of rural life. The tone is bright, smooth and expressive. Later, Lu Chunling compiled it into a flute tune and processed it into an instrumental music based on song and dance music, giving full play to the decorative effect of flute playing skills on the tune. The introduction's "Eight Banners" and the first large section use the long, melodious and melodious twists of southern flute music, as well as beats, appliqués, complimentary notes, legato, etc., to make the music full of pastoral flavor, singing, smooth and lively, Full of life. The second section turns to Allegro, the melody is mostly active in the high-pitched area, and the articulation and legato are alternately performed. It is clear and lively, full of charm, and with the change of tonality, the music appears more lively and enjoyable.

06. New Song of Herdsmen

"New Song of Herdsmen" is a flute solo composed by Jian Guangyi in the 1970s, based on the tones of Inner Mongolian folk songs. The introduction of the music depicts the vast prairie, with herds of cattle and sheep under the blue sky and white clouds... The brief deviation from the tune adds charming impetus to the moving introduction. The first lyrical adagio, with its Inner Mongolian folk song flavor, expresses the herdsmen’s love for the Party and their new life.

The second section has a feathery melody and an active rhythm, depicting the joyful scene of herdsmen galloping on their horses. Then entering the third section, the rhythm relaxes and the melody stretches, expressing the herdsmen’s sincere praise of socialism. The fourth and fifth sections of music have an even more emotional climax, using techniques such as tongue twisting, pronunciation, and flying fingers to vividly simulate the neighing of a horse. Finally, with the strong rhythmic sound pattern, the melody becomes more rapid, further exaggerating the warm atmosphere of people and horses barking in the endless grassland, and ends the whole song in a climax.

07. Partridge Flying

This is one of the main representative pieces of Jiangnan flute music. Originally a Hunan folk music, it is also used for flute solo or string and bamboo ensembles. Later, it was adapted by flute player Lu Chunling and injected with the style of Jiangnan silk and bamboo, making the music more beautiful and moving. By depicting the flight of partridges, the music expresses people's lofty desire to yearn for freedom and pursue light. The music is divided into two parts: slow and medium. The Adagio part is a slowed-down addition to the original folk music. The performer gives full play to the rich and lyrical characteristics of the flute, and uses the control and changes of the breath to make use of changes in timbre, volume and portamento. Techniques such as light tones, hitting tones, and overlapping tones make the music melodious, euphemistic, clear, and mellow. The middle section is a variation of the prelude, with lively and fluent music, depicting the scene of a partridge flying high.

08. The Oriole Spreads Its Wings

This song is adapted from Shanxi Bangzi Qupai's "The Great Rescue". The music depicts the artistic conception of an oriole flying freely in a clear sky. The whole song is divided into four sections, plus an ending. The first paragraph: The sun rises in the east, the earth is fresh, and all living things wake up. This is a beautiful picture, and the flute music must be clear and melodious. Second paragraph: The oriole wakes up, jumps around on the branches of the forest, spreads its wings and sings loudly, as if announcing to nature that a day of free and happy life has begun again. The third and fourth paragraphs: Describe the oriole flying and singing heartily in the blue sky, looking at the beautiful nature. Coda: End the whole song with a slow tempo and broad and beautiful flute sound.

09. Five Bangzi

This is a representative traditional piece of northern bangdi music, adapted from a northern folk tune by the famous flute player Feng Zicun. The original song is a cutscene song played by "Errentai", named "Peng Bangzi". The melody is bright, joyful, optimistic and uplifting. The theme has six sentences, fine-tuning style, and the falling tones of the pattern are descending step by step, which are 3, 2, 1, 6, 5, and 5 respectively. The whole song has four sections, with a variation structure. The flute section presents the theme, with a slower speed, clear melody and full of singing quality. Use techniques such as portamento, chop, and tongue-in-cheek to embellish the melody, making it simple and lively. The first variation uses chop sounds, tongue sounds and other techniques to decorate the melody, which is humorous and interesting. The second variation is slightly faster, with the rhythmic tone running through the whole song, making the music brisk and enthusiastic. The third variation has a faster speed, greater improvisation, and multiple "fluttering" (vibrato) sounds, making the music more intense and pushing towards a climax.

10. The whip destroys the horse and is busy transporting grain

The music describes the scene of farmers driving carts full of grain after a good harvest and happily selling public grain to the country.

In addition, there are many other famous songs such as Orchid in Spring, Yihe Song, Wujiang Song, Qinchuan Expression, Looking Homeward, Desert, Mountain Dwelling in Autumn, Qinchuan Love, Birds in the Shade, Selling Vegetables , morning, 357, spring in Ordos, southern rhyme, wild goose autumn colors,,,,, too many. .

Let’s briefly introduce a few more songs. If you want MP3, please call me 371024118.

Zaoyuan Spring Scenery Song This song is full of the local charm of the northwest plateau and expresses the deep affection for the mountain villages in northern Shaanxi and the older generation of revolutionaries. Affection. Zaoyuan is the place where Mao Zedong lived when he was in northern Shaanxi.

Spring in the Pamirs Liu Furong arranged this song and composed it in 1970. The music expresses the Tajik national love for the Pamirs in the Tajik national music style. Labor, love for the motherland, life scenes of singing and dancing. The 7/8 beat is a commonly used rhythm in Tajik songs and dances, with cheerful jumping and elasticity.

Snow Sea Over Fat Liu Furong This song was composed in 1964. The whole song is smooth and gorgeous. The rhythm of the skiing melody shows the lively scenes of people in the border areas actively transporting fertilizers in order to strive for a bumper harvest.

Spring in the Pamirs was composed by Li Datong in the summer of 1975 and is based on Yushu Tibetan song and dance music<< Relying on >> as the material. The music expresses the vast and beautiful scene of the Yushu Prairie, depicts the Tibetan people's infinite love for the motherland, and depicts the lively scenes and atmosphere of their singing and dancing.

Force Cavalry Yang Huilin's Song This song describes the heroic and tenacious spirit of the cavalry soldiers stationed at the northern frontier of the motherland and the heroic spirit of loving the motherland. The band's aggressive prelude and the sound of the flute like a horse's neighing lead to a vigorous and unrestrained theme composed of vibrato and pronunciation, as if The unstoppable cavalry troop came in thick and fast. Then an emotional melody appeared, describing the vigor and vitality of the soldiers. After that, the exciting sound pattern composed of the last sixteenth note and the consecutive lower sixth note was like the cavalry galloping over the mountains. The middle section is broad and cantabile. It is first stated in the middle and low range of the flute. When repeated, it is moved four degrees higher and played in the middle and high range of the flute, showing the heroism and openness of the warrior. After the third section reproduces the beginning melody, the mood becomes more intense. It is more exciting and more powerful.

Jiangnan Yin Huang Xilin Song This song was written in the spring of 1981. It is based on Jiangnan silk and bamboo music. The music uses a fresh, beautiful, cheerful and smooth melody to vividly depict the "Light makeup and heavy makeup" "Xiangyi" the charming scenery of the south of the Yangtze River, and people's sincere praise for her. The performance should be delicate and implicit, smooth and stretched.

Fanzi Diao Huang Xilin notated it, and Yin Mingshan performed this piece to combine "Fanzi Diao" and "Fanzi Diao". It is a series of adaptations of Anhui folk music such as "Zhuizi Tune" and "Calling Sentences". It is one of the representative repertoires of the famous late Anhui folk flute player Yin Mingshan. The music has a cheerful and warm mood, rich and unique playing techniques, and a strong local flavor .

Chao Lake Boating Liu Zhengguo This song was written in 1980 and won the Outstanding Creation Award at the first "Spring of College Students" in Anhui Province. The music uses the beautiful and lyrical tone of Chao Lake folk songs to show the beautiful scenery of Chao Lake and express It expresses people's singing of a better life. The first paragraph expresses the natural scenery of lakes and mountains and the happy mood of people boating on the lake. The contrasting middle part of the second paragraph expresses the lively scene of the boat race with joyful and jumping emotions. The third paragraph It expresses people's yearning for a better life.

Li Xiangli's song "Mountain Spring Morning Morning" was written in 1991. The music vividly depicts the beautiful scenery of the mountainous areas in southern Anhui and the joyful mood of the people in the mountainous areas during spring plowing. The melody Beautiful, jumping rhythm. Full of strong local characteristics.

Camellia Fu Ma Ruming This song was composed in 1987. The music depicts a scene of tea harvest in the border areas of Yunnan: spring returns to the earth, the mountains dance, The camellias are fragrant, and the girl sings. The tea-picking girl is overjoyed, carrying bamboo blues to the hillside. The green tea mountains are infinitely beautiful, and the girl is busy picking tea with skillful hands. The harvest tea leaves are full on her back, and she returns to the mountain village with joy.

The cottage Hymn Ma Ruming This song was composed in 1988. The music describes the picturesque mountain villages on the border of Yunnan, which are beautiful and fertile. The people are well-clothed and well-fed, happy and singing.

The festive song Yan Liwen's music was composed in November 1987 Yue. The whole song is completed in one go, compact and jubilant. The melody is soft, the style is unique, the colors are novel, the rhythm is bright, and the personality is distinctive. It shows a powerful, vivid and warm festive scene with unrestrained passion.

Upper and lower lines

Chen Lifeng's arrangement is based on Shandong folk music. The music uses the technique of echoing the upper and lower sentences, and uses techniques such as pauses, tongues, glissandos, and vibratos commonly used in northern flute music. The tune is cheerful and clear, and there is a sense of chasing after each other. Positive and uplifting emotions.

Field Song by Chen Lifeng The first draft of this song was written in 1961 and revised in 1961. The music describes the vast fields, with rolling rice waves and golden color. The farmers are filled with the joy of harvest, Working in the fields, the songs ripple in the wind.

Chaoyuan Ge Chen Zhonggong compiled this song, which was originally a aria from the Kunqu opera "The Story of the Hosta? Qin Tao", expressing the desire of ancient women to break through the shackles of feudal ethics and longing for Free feelings. "Qin Tao" tells the story of Pan Bizheng, a scholar, who borrowed a nunnery to study, listened to the nun Chen Miaochang playing the piano on an autumn night, and fell in love. "Chaoyuan Song" describes the autumn night, Miao Chang plays the piano under the moon, and Bizheng goes to meet her. Chatting and testing each other in words. The melody is beautiful and loved by southern flute players.

The song "Lotus and Winter Plum Blossoms" people strolled to the lake, and the clear lake was full of flowers. The bright red lotus and the green lotus leaves are surrounded by blossoming flowers. This scene makes people feel relaxed and happy, and they are very excited. They can't help but write poems and paintings to praise the pure and beautiful character and upright demeanor of the lotus. This song was written in 1990. The melody The expression is soft, the colors are rich, and the styles are diverse.

Xiao Balu bravely breaks through the blockade. This song is composed by Chen Dake, using Northeastern folk songs to describe the heroic behavior of Xiao Balu during the Anti-Japanese War. The music is written through Xiao Balu. Riding eight routes to deliver an urgent message, braving artillery fire to pass through the enemy's blockade, and other plots, this is a tribute to this brave and resourceful young hero.

The song "Happy Mountain" can never be finished by Wu Yiqun. This song was written in early 1966. The music describes how people use folk songs to express their inner joy and prospects for a better future during the harvest season.

Spring Breeze Sweeps Jiangnan Zeng Jiaqing Song This song was composed in March 1977. The melody It is euphemistic and fresh, depicting the beautiful spring scenery and picturesque Jiangnan scenery, expressing the people's love for life and yearning for a better future in the water town.

Xuhualuo Xu Guohua arranged this song and wrote it in 1981. It is based on silk and bamboo from the south of the Yangtze River. The melody is simple and smooth, rich in the charm of the south of the Yangtze River. The music expresses the scene of falling snowflakes, auspicious snow heralding a good harvest, and the inner joy.

The music is arranged by Gu Guanren of Peking Opera and is based on the Peking Opera Xipi Liushui. Adapted from a Yunnan folk song with a cheerful mood.

Yunnan folk song Gu Guanren wrote this song in 1960. The music uses Yunnan folk songs as material, and uses the lyrical and fast playing skills of the flute to express people's love for their hometown. and praise for a new life.

Harvest Yu Xunfa adapted this piece of music, originally a Hu tune, composed in 1960. In 1964, it was changed to a plucked instrument ensemble. In 1973, it was adapted into a flute solo piece, and it was finalized in early 1974. It was also recorded on a record, and the music vividly reflects the fiery labor scene of farmers during harvesting.

Yu Xunfa and Peng Zhengyuan’s song on the moonlit night over Autumn Lake is based on Zhang Xiaoxiang’s poem "Nian Nujiao" in the Southern Song Dynasty: "Dongting green grass, The Mid-Autumn Festival is approaching, and there is no scenery at all. The jade mirror is tilted thirty thousand in the Qiongtian, and it is a page for my small boat. The moon is shining brightly, and the bright river is full of shadows. Both the outside and the inside are clear. I understand it from my heart, but it is difficult to explain the beauty to you. I should. Thinking of the mountains and seas for many years, the lonely light shines on me, my liver and gallbladder are all ice and snow. My short hair is fluttering, my sleeves are cold, and the waves are steady and wide. I swim across the Xijiang River, pour my Beidou carefully, and everything is a guest. I whistle alone on the side of the boat, I don’t know what night it is. "This song was composed in July 1981. 1. The wind is gentle and the moon is bright, the lake is sparkling, the water, sky and moon are shining, the blue waves are vast, and the boat is floating in the middle of the lake in the autumn night. 2. The long bells come from the ancient temple, The gentle breeze floats down the sky, and the microwaves stir the heartstrings, drifting towards the depths of the water clouds in the white mirror. 3. Late at night in autumn, the Jade Rabbit sinks to the west, and people in the painting are intoxicated as if in a dream.

The original name of Bai Niao Yin Yin Mingshan's biography "Hundred Niao Yin" is a famous suona song. In the early 1950s, the Anhui blind folk artist Yin Mingshan (late) transplanted this song to the flute. He used his superb The unique playing techniques and special techniques make this piece full of unique national and folk style and vivid

It perfectly displays the rich artistic conception of bright spring and the singing of birds. In 1961, with the discovery and support of He Wuqi, the former head of the Shanghai Chinese Orchestra and the famous flute player Lu Chunling, it was reorganized and became the current "Hundred Birds". .

The Song of Yanhe River by Xu Guohua and Kong Qingbao was composed in June 1981. The music uses a simple, open, bold and hearty melody to describe the beautiful scenery of Yanshui singing and a new scene under the pagoda. , showing the love of the people of the motherland for their beautiful hometown.

The voice of the Kirgiz. Kong Qingbao and Zhai Chunquan composed this music in October 1927. The music is played with a small membrane flute, expressing the Kirgiz people of Xinjiang. The scene of people singing and dancing, as well as the incomparable praise of the new life.

The style of the island Li Hanying composed this song in 1982, based on the folk music of Hainan Province. The music uses beautiful and lyrical melody, unrestrained and delicate The emotions vividly depict the colorful island scenery, as well as the scenes of people's life, labor and yearning for a better future.