Question 1: What are the three categories of the Book of Songs according to the characteristics of music? The three parts of "Wind", "Ya" and "Song" are based on the differences in music.

Question 2: What categories are the Book of Songs divided into based on music? The Book of Songs is the oldest collection of poetry in China, a collection of realistic poetry. It contains 305 poems from the early Western Zhou Dynasty to the middle Spring and Autumn Period, that is, around 1100-600 BC, 6 of which are Sheng instruments. The poem only has a title and no poem, so it is also called "Three Hundred Poems". There are only folk songs (wind), works of scholar-bureaucrats (elegant), and hymns to worship gods (song) from four to five hundred years ago. According to the purpose and music, it is divided into three parts: "wind, ya, and song". The wind refers to the folk songs of various places, the ya is mostly the palace music of the nobles, and the song is used by the emperor of Zhou and the princes to worship the ancestral temple. dance music. The main expression techniques of "The Book of Songs" are Fu, Bi and Xing. Among them, directly stating the thing is called a poem; using an analogy is called a comparison; and speaking of other things first to arouse the excitement of the thing being chanted is called a poem. The expression techniques of "The Book of Songs" are divided into Fu, Bi, Xing and Feng, Ya and Song, collectively known as the "Six Meanings". The Book of Songs is mostly composed of four words, with some miscellaneous words.

Question 3: What three types of Fengya Ode can be divided into in the Book of Songs according to the nature of music?

“The distinction between Fengya Ode and Fengya Ode is also based on the difference in music”

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Question 4: 1. "The Book of Songs" has 305 chapters, which are divided into three categories: Feng, Ya and Song according to different music Let’s briefly describe the major categories. The sound of wind is the music of every place. The so-called Qin Feng, Wei Feng, Zheng Feng, etc. are music songs performed in various local tones. Ya is music that expresses the orthodox content of the dynasty using the tunes from the Gyeonggi region of the Western Zhou Dynasty. Songs are dances and songs used in ancestral temple rituals.

Question 5: What are the three categories of The Book of Songs? . The Book of Songs is divided into three parts: Feng (160 chapters), Ya (105 chapters), and Song (40 chapters). They all get their names from music. The meaning of "wind" is tone. The ancients called "Qin Feng", "Wei Feng" and "Zheng Feng", just like now we say Shaanxi Diao, Shanxi Diao, Henan Diao, "Ya" means Zheng. People in the Zhou Dynasty called Zhengsheng Yale, just like people in the Qing Dynasty called Kunqiang Yabu, which has a sense of respect. Daya and Xiaoya may be divided according to the chronological order. "Song" is a song used in ancestral temple ceremonies.

Question 6: What three categories can the Book of Songs be divided into according to its content? The 10-point style is divided according to the nature of the music, and is divided into three categories: Feng, Ya, and Song.

①Wind. It is local music from different regions. "Wind" poems are folk songs collected from 15 regions including Zhounan, Zhaonan, Bei, {, Wei, Wang, Zheng, Qi, Wei, Tang, Qin, Chen, Hui, Cao, and Bin. ***160 articles. Most of them are folk songs. ②Elegance. It is the music of the areas under the direct jurisdiction of the Zhou Dynasty, which is the so-called formal music. "Ya" poems are songs for palace banquets or court meetings. According to different music, they are divided into 31 poems in "Daya", 74 poems in "Xiaoya" and 105 poems in "Xiaoya". Except for a small number of folk songs in "Xiaoya", most of them are works by aristocratic literati. ③Ode. They are dance songs and lyrics used in ancestral temple rituals, mostly praising the ancestors' achievements. The "Song" poems are divided into 31 "Zhou Songs", 4 "Lu Songs", 5 "Shang Songs", and 40 *** poems. All are works by aristocratic literati. From a time perspective, "Zhou Song" and most of "Daya" should have been produced in the early Western Zhou Dynasty; a small part of "Daya" and most of "Xiaoya" should have been produced in the late Western Zhou Dynasty to the eastward movement; "Guofeng" Most of them and "Songs of Lu" and "Songs of Shang" should have been produced in the Spring and Autumn Period. From the perspective of ideological and artistic value, three poems are not as good as two elegances, and two elegances are not as good as fifteen national styles. Ideological content "The Book of Songs" comprehensively displays the social life of China during the Zhou Dynasty, and truly reflects the historical appearance of China's slave society from its prosperity to its decline. Some of the poems, such as "Shengmin", "Gong Liu", "Mian", "Huang Yi", "Da Ming", etc. in "Daya" record the birth of Hou Ji to King Wu's conquest of Zhou, which is the origin and development of the Zhou tribe. and the historical narrative poem of the founding of the country. Some poems, such as "Wei Feng? Shuo Shu" and "Wei Feng? Cutting Sandalwood", etc., use a sarcastic tone to vividly reveal the greedy and parasitic nature of slave owners who get something for nothing, and sing the people's voice of resistance and ideals. The yearning for life shows the awakening of slaves during the collapse of slavery.

Some poems, such as "Xiaoya? Why the grass is not yellow", "Binfeng? Dongshan", "Tangfeng? Bustard Yu", "Xiaoya? Picking Wei", etc. describe the husband's homesickness, love for the land and sorrow for the war; "Wang Feng? Gentleman in Service", "Wei Feng? Bo Xi" and so on express the missing woman's yearning for the conscript. They reflect from different angles the endless suffering and disaster that the unreasonable military service system and war corvee brought to the people during the Western Zhou Dynasty. Some poems, such as "Zhou Nan?]q" completely depict the labor process of women collecting plantain; "Binfeng? July" describes the labor life of slaves throughout the year; "Xiaoya? No Sheep" reflects the The shepherding life of slaves. There are also many poems that express the love life of young men and women, such as "Qin Feng? Jianjia" expresses the dreamlike pursuit between men and women; "Zheng Feng? Qin Wei" and "Bei Feng? Jingnu" express the relationship between men and women. "Wang Feng? Picking Ge" shows the painful lovesickness between men and women; "Wei Feng? Papaya" and "Zhaonan? Keng Xin" show the mutual gifts between men and women; "{Wind? Cypress" "Boat" and "Zheng Feng? General Zhongzi" reflect the pain caused by parental interference and public opinion to young men and women. In addition, "Beifeng? Gufeng" and "Weifeng? Meng" also express the sorrow of abandoned women, angrily condemn the ungratefulness of men, and reflect the tragic fate of the majority of women in class society.

Question 7: What are the three musical parts of the Book of Songs? "Wind", "Elegance", "Song"