Marilyn Manson Band album introduction

Publication date: 1994

01.Prelude (The Family Trip)

02.Cake and Sodomy

03.Lunchbox

04.Organ Grinder

05.Cyclops

06.Dope Hat

07.Get Your Gunn

08.Wrapped in Plastic

09.Dogma

10.Sweet Tooth

11.Snake Eyes and Sissies

12. My Monkey

13. Misery Machine

Album review:

marilyn manson may be the band with the most contemporary appeal after nirvana in the 1990s. This American cult messenger is obsessed with the inspiration of evil forces, exaggerating and magnifying the ugliness in his music, and adopts a fashionable eclectic approach, cleverly combining the nihilism of post-grunge and the carrion atmosphere of gothic music with the The sensational elements of pop music were combined to create the most devilishly charming rock music of the mid-to-late 1990s.

In this 1994 album, the carnival scene of hell always oppresses the listener's nerves. The post-hardcore mechanical monotonous drumming and the dark and solemn chord passages of industrial metal fully render the weird atmosphere. Marilyn Manson sings about the coming of the Antichrist with a demonic voice from hell.

The strange rhythm in dope hat is like a dance of demons, coupled with Manson's bloodthirsty roar, depicting a feast of ghosts and ghosts at the end of the century.

Don’t doubt why so many young people regard him as their totem like moths to a flame, because in this so-called information age, God is already dead. Date of publication: 1995

01. The Hands of Small Children

02.Diary of a Dope Fiend

03.Shitty Chicken Gang Bang

04.Kiddie Grinder (Remix)

05.Sympathy for the Parents

06.Sweet Dreams (are made of these)

07.Everlasting Cocksucker

08.Fuck Frankie

09.I ??Put A Spell On You

10.May Cause Discoloration of the Urine or Feces

11.Scabs, Guns and Peanut Butter

12.Dance of the Dope Hats (Remix)

13.White Trash (Remixed by Tony Wiggins)

14.Dancing with the One-Legged...

15.Rock 'N' Roll Nigger Publication date: 1996

01.Irresponsible Hate Anthem

02.The Beautiful People

03. Dried Up, Tied and Dead to the World

04.Tourniquet

05.Little Horn

06.Cryptorchid

07.Deformography

08.Wormboy

09.Mister Superstar

10.Angel With the Scabbed Wings

11.Kinderfeld

12.Antichrist Superstar

13.1996

14.The Minute of Decay

15.The Reflecting God

16.Man That You Fear

17.Track 99

Album review:

“What a character! "In fact, everyone with no good intentions will always mutter this when they see Marilyn Manson's ghostly appearance. It is easy to regard him as a simple-minded cross-dresser like Alice Cooper or Kiss. ??However, in the end, I I still regret my stupid prejudice.

The change of perception was due to an angry denunciation by a user of "Rolling Stone" magazine: "The worst artist of '96", I think it can be called "Rolling Stone". It shouldn't be easy to make such an evaluation. After listening to this 77 minute and 26 second long film with great interest, and listening to it again and again, I finally understood that people are afraid to face this fact: Marilyn Manson The popularity of punk rock proves that the end of punk rock is coming.

Looking forward to revolution is a delusion of mediocre people in peacetime, but when the revolution actually comes, it will definitely scare many people, and most people are not interested in this kind of bloodshed. Be fully prepared. With post-Nirvana madness and Alice Cooper-like ferocity, Marilyn Manson obviously caused a violent impact when she appeared, and people were frightened by her dark and gaudy devilish packaging. His deep anti-establishment passion shocked him to death.

It is obvious that Marilyn Manson's appearance at that time was very unexpected. People originally thought they were expecting a Kurt Cobain-style self-destructive hero, but unexpectedly, another Johnny Rotten came, even more outrageous than him. However, his cultural influence aside, Marilyn Manson's contribution to metal music is huge. He revolutionized the outdated concepts of hardcore such as Pantera and Ministry, and gave many punks a sharp edge. The producer of the album is Trent Rcznor, the lead singer of the famous electronic noise band Ninc Inch Nails. This makes Marilyn Manson's music seem to be infected with a lot of post-industrial taste, but it is more exaggerated and weird, and suffocating introspection. Marilyn Manson's musical legacy stems directly from death metal and hardcore industrial rock, which attracted countless allergic and angry teenagers to join his death team like moths to a flame.

Marilyn Manson actually only expresses one concept in this long "Antichrist Superstar": deformity is just an external decoration, and terror and anger are the eternal complexes of this era. The furious music is full of temptation, filthy but only seems to be mocking everyone.

Don’t be fooled by those 77 minutes of seemingly noisy sounds. Marilyn Manson is by no means full of food and wants to make some routine and unconventional noises to fool people. The opening song of the album, "I'm irresponsible Hate An Them", provides an excellent example for angry people. In "The Beautiful People", Marilyn nervously hisses his demonic, shrill and terrifying voice, making a sickening scream. Yelling, the music seems to be flowing with the corrupt atmosphere of ancient tombs.

In the depressing death march "Cryptorchid", he actually showed a bit of sentimentality, looking back on his sweet teenage years. "1996" is a rebel's manifesto. Marilyn talks about the conflict between political culture and self-thought. After venting, he proposes his own simple solution: "Anti...!Anti...!Anti...!". He made no secret of his influence on Alice Cooper in "Tourniquet," but he also revealed his true feelings. What really interests me is his ruthless mockery of the modern era in "Mister Superstar" and "Antichrist Superstar," in which the proudest values ??of this star-making era become worthless in his eyes. The words are as hollow and ridiculous as "shit"!

"Antichrist Superstar" dances with indifference, ominousness and mockery everywhere, with weird whistles and synthesizers, distorted electronic feedback, thick snorts, and beasts. Like moaning - the instrument seemed to explode in a fatal explosion. This was undoubtedly a powerful nuclear explosion.

Mrylin Manson is obviously destined to become the next "Mister Superstar" as he mocks himself. His aggressive music, cool image, and angry irony are always reminding mediocrity: "Hey Hey! You guys!" The nightmare is coming!" Publication date: 1998

01.Great Big White World

02.Dope Show

03.Mechanical Animals

04.Rock Is Dead

05.Disassociative

06.Speed ??of Pain

07.Posthuman

08.I Want to Disappear

09.I ??Don't Like the Drugs (But the Drugs Like Me)

10.New Model, No. 15

11. User Friendly

12.Fundamentally Loathsome

13.Last Day on Earth

14.Coma White

Album review:

What I enjoyed this time was the album "Mechanical Animal". Before listening to Manson, I was used to not listening to any music. This was entirely to bring out the eerie and beautiful violence that Manson emits after tearing apart his bone marrow.

In the past, I heard that Manson needed to lie half in bed, surrounded by quilts, to avoid self-mutilation in extreme madness; he also needed to dial 120 in advance on his mobile phone to avoid sudden death. No one knows the decomposition of the body after the bed, and the perfect white bones exposed after complete decomposition.

And this is a clean and slightly gorgeous record (which can be seen from the androgynous visual performance of Manson on the cover), just like his red color in the cover photo Eyes covered by contact lenses. Of course, the cleanliness and gorgeousness here are compared to his previous violent industrial metal. From a conservative perspective, these music are still violent and extremely aggressive.

Removing the airtight heavy chords, Manson's music still has his delicate aspects - it is his pale face; it is his poignant and frightening visual performance. These would be the medals Manson would use to prove himself in the face of death.

Judging from the tracks selected for this album, Manson's style has changed a lot in this album. The calm guitar picking and neat electronic rhythm in the fifth song "Disassociative"; the still depressive and hysterical voice and the beautiful and pure female chorus at the end. Manson gradually pushed his music from the absolute violence of industry to the misery and thinness of goth. And when listening to certain clips, I even felt as if the CD player was spinning the dying "The Suede" or the lead singer's voice changed due to excessive drinking.

These are more obvious in the sixth song "The Speed ??Of Pain". There is no industrial metal chord inserted throughout the entire music and even the climax. In the relatively calm and beautiful melody Under the cover, Manson's desire to kill that radiates from his bones is fully poeticized.

The gradual transformation in music indicates that Manson will completely get rid of the influence of his mentor and producer Frent Reznor (Nine Inch Nails), and it also indicates that Manson will smear more in the future. A bleak gray sky. This is undoubtedly good compared to an "evil angel" constantly dancing in a gloomy world and many listeners hiding in the deep Gothic forest with their pale hands stretched out. But from the sudden burst of heavy chords and a large number of distorted and dark industrial electronic samples in many tracks, it can still be vaguely seen that Manson does not want to completely abandon the sharp and bloody dagger of industrial music.

Different from the hoarse roar that Manson is used to in his music, his singing style in this record is closer to eerie soliloquies, terrifying murmurs and moans. The sound of his sinister breathing was mixed with the monstrous and beautiful soundtrack that echoed all around.

How was this change in people's hearing conceived and how was it born? Because of Manson's maturation or aging?

Manson once said a very famous saying: "In order to prevent myself from going completely crazy, I made a choice between becoming a musician and becoming a murderer. If anyone is like me, it should be It's time for you to make a choice." There is no doubt that he chose to be a musician, but behind the music, he never put down his sharp knife as a murderer. In this album, the sharp knife is still present, but compared with the original nakedness, the murder here has been poeticized.

This is a beautiful but sharp blood-dropping rose that blooms in the pile of corpses, takes root in the corpse and absorbs the decay. It is the eye-catching and dancing bones that Manson proposed to the Goth Kingdom. Date of publication: 1999

01.Inauguration Of The Mechanical Christ

02.The Reflecting God

03.Great Big White World

04.Get Your Gunn

05.Sweet Dreams/Hell Outro

06.Rock Is Dead

07.The Dope Show

08.Lunchbox

09.I ??Don't Like The Drugs (But The Drugs Like Me)

10.Antichrist Superstar

11.The Beautiful People

12.Irresponsible Hate Anthem

13.The Last Day On Earth

14 .Astonishing Panorama Of The Endtimes "Holy Wood (In the Shadow of the Valley of Death)"

Publication date: 2000

01.Godeatgod

02 .Love Song

03.Fight Song

04.Disposable Teens

05.Target Audience (Narcissus Narcosis)

06.President Dead

07. In the Shadow of the Valley of Death

08. Cruci-Fiction in Space

09. Place in the Dirt

10.Nobodies

11.Death Song

12.Lamb of God

13.Born Again

14.Burning Flag

15.Coma Black: Eden Eye/The Apple of Discord

16.Valentine's Day

17.Fall of Adam

18 .King Kill

19.Count to 6 and Die

Album review:

In 2000, Marilyn Manson had not yet recovered from fans’ rejection of Mechanical Animals God has it, Columbine Records has left him deeply traumatized. The worst thing is that he no longer belongs to the image of the American devil. What was Brian Warner prepared to do - stand on such a precarious footing.

As a smart man, and as a rational businessman, he knew it was time to consolidate his strength - combine Omega with Antichrist Superstar, and return to the brutal, controversial and operatic chapter of music - To create a conceptual album that would appeal to alienated teenagers and guardians of traditional culture in general. The resulting album, Holy Wood (In the Shadow of the Valley of Death), is intended to be the concluding chapter of the three-step series begun by Antichrist Superstar. The esoteric story threads in it are actually quite Marilyn Manson's autobiography. color, but it's not the story that's surprising - he ended up fusing the melodies and subtle sonic shadings of Mechanical Animals with the gritty neo-industrial metal style of Antichrist. Therefore, it is easy for people to regard this album as Marilyn Manson's music-defining album - the album has beautiful tunes and hoarse voice. The album's brilliance lies in the near-perfect detail that Manson's thoughtfulness created - in the lyrics, the album's themes, the album's production, the song sequencing, the comic parody and self-plagiarism embodied in the lyrics and music. Self-blasphemous cover art effect. This hard work on the album makes Holy Wood an excellent album that is stronger and more consistent than Marilyn Manson's other works. If there's a problem with the album, it's that Manson's hard-hitting rock music seemed bizarre at this time in 2000. Eminem's surrealist fantasy was the iconic music of that year, while Marilyn Manson's rock operas, religious torture and gothic sounds all belonged to that bygone era. But this did surprise Warner - because Holy Wood turned out to be quite successful. Publication date: 2003

01.Thaeter

02.This Is the New Shit

03.Mobscene

04.Doll- Dagga Buzz-Buzz Ziggety-Zag

05.Use Your Fist and Not Your Mouth

06.The Golden Age of Grotesque

07.(S)aint

08.Ka-Boom Ka-Boom

09.Slutgarden

10.Untitled

11.Para-Noir

12.The Bright Young Things

13.Better of Two Evils

14.Vodevil

15.Obsequey (The Death of Art)

Album review:

The influence of time is the essence of pop music. Marilyn Manson perfectly embodied the spirit of the times with Antichrist Superstar. With his dark and artistic industrial metal , sending post-alternative music to the top of the music charts. He is a proud visual artist, an artist who dared to face his opponents in that era and dared to use his composure and clear reasoning to refute the arrogance of that era. However, like other visual artists, the musical innovation began to dry up, and with it the shift from horror to self-parody emerged.

After many years of performing career in the field of rock music, Manson tried to overcome the common problems of visual music by quickly jumping out of the musical limitations of Mechanical Animals, which was full of magical elements. However, doing so also caused him to lose a large number of fans, so when he was there When Zhang returned to the terrifying industrial metal of the past in Holy Wood in 2000, Marilyn Manson seemed a bit outdated and could not win much attention. Three years later, he used his own development trend to release his fifth album-The Golden Age of Grotesque. At the same time, until 2003, rock music - especially heavy metal, was in strong need of an artist with a noble image and grand ambitions, and Marilyn Manson was just such an artist. After all, The Golden Age intends to reinterpret the charm of Germanic art, musical theater art, and the long-dead Hollywood 30s by using heavy metal with a strong rhythm, giving it a modern meaning so as to keep up with the trend of the times. But in this day and age, rock artists have little memory of the 1980s, let alone the 1930s, and people often ignore this factor, even though music is not their career.

Musically speaking, Manson has not abandoned their most essential musical characteristics—he is still relentlessly adhering to the most fundamental musical elements of Holy Wood—but this is the first time he has produced this album. The album feels shallow and light, although the music is still shrouded in distortion and roar. It feels as if Manson has escaped the constant spotlight, and his music has become more extroverted. This newfound freedom also allows him to sound a little silly and comical at times—like the nonsensical sound on “This Is the New Sh*t” and his take on Faith No More’s “Be Aggressive” on “Mobscene.” " and the lyrics "You are the church/I am the steeple/When we f*ck we are God's People" - but none of this darkens the album, and in other ways, becomes its signature A place of prominence. The problem now is that Marilyn Manson's previous albums have always reflected the concept of outline. However, there is indeed a certain theme in The Golden Age of Grotesque, but this time it is difficult to distinguish. Although the overall feeling of the album Speaking from the outside, there will still be quite a powerful roar. Manson's chaotic, arrogant and noisy performance may suffer some setbacks. The positioning of his music is quite awkward this time, neither up nor down. Manson is not like before - he doesn't sound very serious in the album. The sound seems too stiff. But overall, this can still be regarded as an excellent album - it may not be Manson's best album, and it is certainly not an album that attracts everyone's attention, but the grandeur and magnificence created by the album The momentum of it overwhelms all of Manson's peers, and is no worse than his previous albums. The Golden Age also contains a slightly witty and humorous element, which also adds a lot to the album itself. .

Original work by Stephen Thomas Erlewine Translation disding Excerpted from AMG

The Stephen King of rock music? A terrifying demon who kidnaps sight and hearing...liberates the Hollywood song and dance feast of the 1930s with dramatic and evil splendor.

The United States has declared its allegiance to the leader of terror, Marilyn Manson/Marilyn Manson Band, with actions. The United States alone has accumulated a total sales volume of 6 million copies. This gothic industrial rock The group's status in creating visual and auditory horror in the music industry is no less than that of Stephen King, the master of horror in the literary world.

Marilyn Manson has always been known for her shocking appearance and provocative remarks against moralists. Her first album "Antichrist Superstar/deviant" in 1996 caused controversy for advocating anti-religious atheism, and also established Marilyn Manson. The unparalleled image of a destroyer and the ghostly look of a pale ladyboy in 1998, "Mechanical Animals/Mechanical Animals" even topped the Billboard pop album chart and swept across the United States. Later, he released the ultra-violent album "Holy Wood/Desperation" at the end of the 20th century. "Sacred Grove" sold 1.5 million copies worldwide. Although it was a pity that Manson worshipers shot up teachers and students on campus in 1999, their bold words and creativity that challenged worldly views remained uncompromising.

The creative concept of the new album "The Golden Age Of Grotesque/Shocking" after two years was inspired by Marilyn Manson's Hollywood in the 1930s. It was produced by Marilyn Manson and Tim Skold and mixed by Ben Grosse. The first hit "Mobscene" topped the British Rock Singles Chart No. 8 (5/4) and the German Chart No. 8; "This Is The New Shit" was even selected to star in the sequel to the blockbuster movie series "This Is The New Shit" starring Keanu Reeves. "The Matrix: Reloaded" movie theme song; in addition, the international version also includes a special song "Tainted Love", which is definitely worth collecting. Publication date: 2004

01.The Love Song

02.Peronsal Jesus

03.Mobscene

04.The Fight Song

05.Tainted Love

06.The Dope Show

07.This Is The New Shit

08.Disposable Teens

09.Sweet Dreams (Are Made Of This)

10.Lunchbox

11.Tourniquet

12.Rock Is Dead

13.Get Your Gunn

14.The Nobodies

15.Long Hard Road Out Of Hell

16.The Beautiful People

17.The Reflecting God

Album review:

With Alice Cooper taking the lead, the group name itself combines the sexy goddess Marilyn Monroe (Marilyn Monroe) and the serial killer Charles Manson's subversive concept of good and evil, and Marilyn Manson strengthened the magic of shock-metal rock. Through different types of rock elements such as gothic rock/industrial rock/punk/alternative rock, they converged into a counter-mainstream rock genre.

In 1994, Marilyn Manson released his debut album "Portrait Of An American Family" and immediately served as the opening act for the Nine Inch Nails tour concert to gain popularity. However, his erratic behavior at the concert ended Continuously making newspaper headlines. The first and most controversial move was that he tore up the Book of Mormon in public at a Salt Lake City concert, and Anton LaVey, the founder of Satanism, named Marilyn Manson a priest of Satanism.

The third place album "Antichrist Superstar" in 1996 used the role of the nihilistic rock god to implement his deviant thoughts, and also launched the prelude to his own "illusory autobiography trilogy", and has since been dubbed "the most controversial album in history". "Rock Star", "The Man Who Sold His Soul to Satan" and other titles; during this round of concert tours, an even more shocking incident occurred - he tore up the Bible in public. This move brought the anger of moralists across the United States to the limit, demanding that Calls to ban the group from performing in public roiled the United States.

In 1998 (the second part of the Fantasy Autobiography Trilogy) "Mechanical Animals" was released, describing the process of selling her soul by the androgynous rock monster Marilyn Manson. On the eve of its release, it was boycotted by K-mart and other large supermarkets and Time magazine's loud criticism still couldn't resist the album's strong buying momentum, and it powerfully landed the title of champion. In 1999, the tragedy of Columbine High School in the United States was shockingly reported that students shot teachers and students with guns, and Marilyn Manson became the target of public criticism. In 2000, the album "Holy Wood (In The Shadow Of The Valley Of Death)" was written as the final chapter of the flashback (illusory autobiography trilogy), explaining the true face of the nihilistic rock god before his sinking and fall. . The 2003 album "The Golden Age Of Grotesque" found another theme, using scenes of Hollywood celebrities, singing and dancing, palaces, and bars in the 1930s to explore the ruins of degenerate art. The rock magazine KERRANG! It was praised as the group's best masterpiece since their debut.

In 2004, Marilyn Manson released the first collection album "Lest We Forget - The Best Of" since the band was founded, which included the band's earth-shattering rock songs, including: covers of British electronic rock from the 1980s. Representative team Eurythmic, Soft Cell band's representative works Sweet Dreams (Are Made Of This), Tainted Love (interlude of the comedy film "Uncommon"), and has been selected for the movies "The Matrix" and "The Matrix: Reloaded" Rock Is Dead, This Is The New Shit, as well as blockbuster hits such as mOBSCENE and The Beautiful People. The selected album also includes the 1989 British gold chart TOP13 signature song Personal Jesus by Depeche Mode, a new challenger to the German new wave electronic rock powerhouse. . The specially selected Phantom Disc is a special value-added DVD with a luxurious collection of 20 music videos of the group's best-selling tracks over the years, and the soul figure Marilyn Manson's always shocking weird creativity and unique evil aesthetics are all included.

Publication date: 2007

1. If I Was Your Vampire

2. Putting Holes In Happiness

3. Red Carpet Grave,The

, 4. They Said That Hell's Not Hot

5. Just A Car Crash Away

6. Heart-Shaped Glasses (When The Heart Guides The Hand)

7. Evidence

8. Are You The Rabbit?

9. Mutilation Is The Most Sincere Form Of Flattery

10. You And Me And The Devil Makes 3

11. EAT ME, DRINK ME

Album review:

Marilyn Manson’s latest album Eat Me, Drink Me in 2007 is the lead vocalist After Marilyn Manson divorced her wife DitaVon Teese, she co-produced the album with Tim Skold***. Compared with previous albums, Eat Me, Drink Me is like the autobiography of lead singer Marilyn Manson. Personal mood (especially Marilyn Manson's love experience) and introspection occupy most of the album, which is completely different from the previous style of promoting her personal philosophy. different. In addition, Marilyn Manson's articulation in the songs has also become much clearer. If I Was Your Vampire, which is placed at the beginning of the album, was an improvised lyrics he wrote after his wife informed him of the divorce. When talking about this song, he said: " This song is like a new Bela Lugosi's "Dead", which has always been recognized as a Gothic song." Marilyn Manson said of the inspiration for the album: "The name. Inspired by a German man who asked to be eaten a few years ago, and the man who ate him, although I have no connection to their relationship, I find the story to be very romantic and I don't think people will take it seriously. For the sake of romance, it’s disgusting for them, but it also agrees with me a little bit.” In addition, Marilyn Manson’s girlfriend Evan Rachel Wood also appeared in the MV for Heart-Shaped Glasses (When the Heart Guides the Hand). Here, because the MV of this song involves sexual scenes, it is natural that it will not escape the fate of being banned or deleted.

1. Devour

2. Pretty As a Swastika (censored for retail as Pretty as a ($))

3. Leave a Scar

4. Four Rusted Horses

5. Arma-Goddamn-Motherfuckin-Geddon

6. Blank and White

7. Running to the Edge of the World

8. I Want to Kill You Like They Do in the Movies

9. WOW

10. Wight Spider Manson, Ramirez, Vrenna

11 . Unkillable Monster

12. We're from America