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What amazing music, architecture, handicrafts, etc. do the Han people have?

Traditional handicrafts: cloisonné, other various ceramic products, dragon beard mats, various jade carvings, stone carvings, seal carvings, embroidery, inkstones, brick carvings, antique furniture, antique jewelry, etc. Han Chinese.

Han-style architecture refers to; in addition to residential buildings, there are palaces, temples, official offices, Buddhist temples, Taoist temples, bridges, and archways. Garden etc. The layout of Han Chinese buildings is generally flat and develops in depth. It is divided into upper and lower rooms, side rooms of the main house, and inner and outer courtyards. The highest building is no more than two stories. It often forms a strict symmetry on the left and right. The courtyard and the building are integrated, closed and independent. The residential buildings are unique in Han architecture, and the most significant achievements are classical garden architecture. The national form of Han residential buildings is a wooden structure with brackets and overhanging eaves, commonly known as "big roof". This national form of housing architecture first sprouted from the grass-mud wood column grid structure at the Banpo site and the gantry-style mortise-and-tenon structure houses at the Hemudu site.

The Han nationality is a nation with a musical tradition. Han nationality music has a long history and unique creation. Before the Qin Dynasty, the ancestors of the Han nationality had created musical instruments and music, and invented music rhythms. During the prosperous period of the Han and Tang Dynasties, Han nationality music was known for its singing and dancing music; after the Song and Yuan Dynasties, it was dominated by opera music. The musical temperaments recognized in the world today, such as the law of fifths (called the law of thirds by the Han people), the pure temperament and the equal temperament, were independently invented by the Han people, and their results, like the convergence of wheels, have merged into the axis of world music theory.