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Two musical genres of Tibetan folk songs (standard answer)

Lu style harmonious style

"Lu style" folk songs are divided into "Lalu" - folk songs and "Zhuolu" - pastoral songs. Literati poetry is the same as "Lu style" folk songs. Tibetan Buddhist scriptures "Tsolu" are also similar to "Lu style" folk songs. "Lu style" folk songs generally have varying numbers of sentences, with three, five, or six sentences, and as many as Zhi Yuming. The syllables of each sentence are equal, usually six to eleven syllables. Its rhythmic characteristics are *** ** ***, and paragraphs and paragraphs and sentences correspond to each other to form a relatively stable formula. This application of folk song form has been recorded in writing as early as the eighth century, and can be said to be the earliest type of Tibetan folk song.

There are many varieties of "harmony" folk songs. Divided by region, "Dui Xie" is popular in the upper reaches of the Yarlung Zangbo River; "Kang Xie" is popular in the Tibetan areas east of Qamdo; "Ba Xie" is Batang Xianzi. In terms of content and form: "Xieqing" - carols sung exclusively at ceremonies and ceremonies; "Lexi" - songs about labor; "Guoxie" - circle dance; "Daxie" - arrow songs; "Re Xie" - a song sung during bell drumming; "Youcang Xie" - a drinking song and so on. "Hymonic style" usually has four lines in each song, sometimes six lines, but all have even lines. Each sentence has six syllables, divided into three beats, each beat has two syllables, and the rhythm is ** ** **.