Entertainment in Paris: Recently, the third (European) China Screen Film Festival (Les écrans De Chine) opened in Paris, and the documentary "Electroplating Girl" by Zhang Yixin and Lin Jiayi also won the Youth Hope Award of this film festival. At the same time, there are also short-listed or award-winning works in the broad sense, Zhou Weiping's Terrace, and Mary's No Mirror. The screening activities held during the film festival attracted many audiences. Paris, which is known as the "film capital", has many festivals and screening activities about China films. Young names are frequently active in documentary film festivals, and the young director Zhang Yixin, who is different from the traditional documentary creation style, pays attention to the themes: China music, China subculture, youth psychology and so on. Among the series of short films shot and produced by directors Zhang Yixin and Lin Jiayi, "Sex is Coming" tells the story of an AV actress coming to China, which has been enthusiastically embraced by netizens, reprinted by websites such as Netease, Maopu, Youku, Tudou and Ku 6, and spread for a long time. This film has also been included as one of the top ten short films in 212 by China Independent Film Festival, the most serious independent film festival in China. Hitchhiking to the Midi tells the story of Huang Pengcheng, a teenager, who hitchhiked more than 3, kilometers to Beijing to see the Midi. Once the film was released, it was sought after and reprinted by many young people and reported by the media. It was called the China version of On the Road by overseas netizens. The short-listed "Electroplated Girl" in China Screen (Europe) Film Festival tells a touching story of Wang Miao, an outstanding girl who unfortunately suffers from brain cancer, bravely facing the disease and having an optimistic attitude towards life. This spirit not only influenced countless audiences after tears, but also touched the European judges. With the progress of China society and the creators' constant thinking about themselves and the social environment, the vividness, touchability and plainness of China folk images reflect a diversified China society. Whether it's an independent documentary, a drama film or an artistic work with strong personal creation color, it shows the development status of contemporary films and visual arts in China from different aspects. European audiences pay attention to the study and interpretation of China's image. During the film festival, many screenings and discussions were held in French Higher Academy of Social Sciences and other places. French sinologists studying China's contemporary history and society have made a deep analysis of some documentaries and drama films they have shown. Twenty China's works reflect such issues as the elderly, youth culture, environmental issues, contemporary history of China, China diet, etc. Many French sinologists and director China had a heated discussion on these topics. With film as the medium, it goes deep into the changing contemporary society of China. As a medium of cultural exchange, movies have become a concrete way for French people to think and understand China. China's image shows its diversity in different ways of thinking. And this is the meaning of cross-cultural communication. The 213 "China Screen" Documentary Festival provides the western audience with an opportunity to get close to and understand the personal nature or collective daily life of modern China people. In the process of communication and interaction around various themes, the audience can deepen their understanding and understanding of China society and its rapid development. This film festival is a good opportunity to show the outstanding achievements of China as a modern documentary to the western audience. Chinese documentary workers can have in-depth exchanges with the audience on related topics, and increase the western audience's correct and comprehensive understanding of being a modern China documentary and being a modern China society. (Text: Yin Zhou)