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Introduction to traditional pipa repertoire

1. "Song on the Sea" is a traditional pipa opera. The music expresses Wang Zhaojun's sadness and grief by describing Wang Zhaojun's longing for his motherland. The clever interweaving of single tones such as playing, picking, and panning with linked fingers such as pulling, pushing, and ringing makes the melody more euphemistic and soft, expressing the emotion of "the sound suppresses the sound and thinking" and expresses the oppression of ancient women. The inner pain has a strong artistic appeal.

2. "Sunset Flute and Drum" is a lyrical song with an elegant and beautiful melody. "Sunset Flute and Drum" is also known as "Xunyang Night Moon", "Xunyang Pipa" or "Xunyang Song". With its soft melody and peaceful mood, this song depicts the beauty of the good time in the world: the evening drum bids farewell to the sunset, The sound of the flute welcomes the evening of the full moon; people float on the spring river in small boats; the green hills on both sides of the bank are green, and the flowers and branches make shadows; the moon is dancing in the heart of the water, and the oars and oars add to the sound?

3. "Ten" The majestic and brilliant content of "Ambush" and the majestic and unique style are rare in classical music. The pipa song "Ambush from Flying Daggers" brilliantly uses musical means to express the fierce battle conditions of this ancient war, showing the world a vivid and touching picture of the ancient battlefield. In traditional pipa music, literary music generally has a lyrical melody and gentle rhythm, while martial arts music has a delicate and dense structure, distinct melody levels, intense and majestic emotions, and complex and changeable rhythms. Therefore, the pipa music "Ambush from Flying Daggers" is majestic and exciting. The style is graceful and magnificent, and it is a treasure of classical music.

4. "The Overlord Takes Off His Armor" is a famous traditional pipa martial arts song. The protagonist of "The Overlord Disarms" is Xiang Yu, so the music is dull and tragic. Legend has it that when Xiang Yu heard Chu songs, she composed a poem and said: "The Han Dynasty has fallen to the ground. In the sound of Chu songs on all sides, the king's spirit is exhausted. How can I live a humble life!" Su Shi also wrote a poem: "The beauty under the tent is wiped. Tears, the morale in front of the door is like clouds, Cang Huang lives up to the king's wishes, only Yu Ji and Zheng Jun "The Peking Opera "Farewell My Concubine" is famous at home and abroad, and the pipa song "The King Disarms" will give you a deeper feeling.

5. The music of "Big Waves Washing the Sand" expresses the author's infinite emotion towards the unfair world and his attitude towards fate. According to Yang Yinliu's research, this song does not exist in Taoism. The melody of the first section of the piece is similar to the melody of the first piece of Guangdong music "Three Pools Reflecting the Moon". It is very likely that Hua Yanjun composed this piece based on the tones he is familiar with.

6. The music "Zhaojun goes out of the fortress" depicts Zhaojun's emotional changes when he goes out of the fortress. One of the six new tunes in "Yi Suzi Pipa Score" is "Zhaojun Leaving the Fortress", annotated with "Flowing Spring on the Stone"; it is included in the pipa repertoire of the Zhejiang Chen Mufu School in Hua Qiuping's "The True Biography of the Secret Book of Pipa Scores of the Northern and Southern Schools" There is "The Resentment of Zhaojun", and later Li Fangyuan's "New Score of Thirteen Daqu Pipa of the Northern and Southern Schools" appeared in the suite "Song on the Fortress", which describes the story of Zhaojun's departure from the fortress.

7. "Yangchun White Snow", referred to as "Yangchun", is an excellent ancient pipa song that is widely circulated. The simple and rich musical language expresses people's aggressive, optimistic and infinite spiritual temperament towards nature. The whole song presents a bright tone, with fresh and smooth melody, lively and propulsive rhythm, depicting the vitality of all things and the scene of spring. It feels refreshing to listen to it, and it has become an excellent traditional piece of music that is both elegant and popular.

8. "Little Sisters of the Prairie" is played by Liu Dehai as a pipa soloist and accompanied by an orchestra, which is the first pipa concerto. Pipa Concerto was composed by Wu Zuqiang, Wang Yanqiao and Liu Dehai in 1973 and premiered by the Central Orchestra in 1977. The music describes the deeds of Mongolian girls Long Mei and Yu Rong fighting a blizzard to protect the collective sheep, and expresses the noble style and brave spirit of children in New China who love the collective and are not afraid of storms.

9. "Haiqing Nahe" appeared in the Yuan Dynasty and is a solo piece specially composed for pipa. The theme of this song is taken from the hunting life of the northern nomads. Haiqing, also known as Haidongqing, is a kind of raptor raised by the northern hunting people to hunt animals. The Khitan royal family at that time often took Haiqing out hunting, so this song may have been performed in It is processed and compiled based on the traditional music of the Khitan or Jurchen people.

10. "Dance of the Yi Nationality" is an extremely lyrical piece of music with a rich flavor of life. With its beautiful lyrical melody and rough and powerful rhythm, the music vividly depicts the charming night scenery of the Yi minority village, young men and women. A joyful scene of their enthusiastic dancing. This piece is rich in national characteristics and has a strong flavor of the times. It is loved by many musicians and has been adapted into guzheng, sanxian, dulcimer, Ruan solo pieces and orchestral pieces.