Name: Zhu Zheqin

English name: Dadawa

Zhu Zheqin, whose ancestral home is Changsha, Hunan, was born in Guangzhou and is the third eldest child in the family. He is a representative figure of China's new music and the first Chinese music prodigy to truly go global. He studied music and vocal music in Beijing, Chengdu and Shanghai. In the early days, he won the runner-up in the "China Young Singer TV Grand Prix" with "A True Story" (1990).

Birthplace: Guangdong

Blood type: A

Graduated from Guangzhou Normal University in 1990 and won the runner-up in the "China Young Singer TV Grand Prix"; in Beijing He studied music and vocal music in , Chengdu, Shanghai and other places; he visited Yunnan, Tibet, Inner Mongolia, Xinjiang and Aba Tibetans in Sichuan and other ethnic areas across the country; he was invited to visit more than 20 countries in Europe and the United States, and successively visited London, Toronto, Tokyo, Madrid, Singapore, Held solo concerts in Taipei, Hong Kong and other places.

1989 "A True Story"

1990 Won the second place in the 4th "China Young Singer TV Grand Prix" for singing "A True Story"

1991 Won the Shanghai Radio Station's annual "Top Ten Golden Songs Champion" / "Jianpai Top Ten Songwriting Award"

1992 "Yellow Child" album

In 1995, the work "A "Sister Drum" was published and distributed in 56 countries around the world. It was the first Chinese album released globally and won numerous international praises

In 1997, the CD album "Yangjinma" was once again released simultaneously around the world; "Lhasa Ballads" ” and “Yangjinma” music videos were simultaneously premiered in 81 countries and regions around the world.

Some media once commented: "If you find only one CD from China in a foreign record store, then it is most likely Zhu Zheqin's." Zhu Zheqin, known as "the only internationally recognized Chinese singer", collaborated with the creative musician He Xuntian and released three studio albums in the 1990s, "Yellow Child", "Ajie Drum" and "Yangjinma". In 1995, the CD album "Ajie Drum" was simultaneously released in 56 countries and regions, becoming the first Chinese album to be released globally in the history of international recording. Zhu Zheqin became famous in the world music scene and became an international singer. 5'57

Lyrics: Zhu Zheqin

Music/Arrangement: He Xuntian

The moon without shadow

Tree without shadow

A home without shadows

A road without shadows

The rain god embraces the newly washed body like a baby

I was tempted by you

Jasha without shadows

Flowers without shadows

No shadows Pray

Lamps without shadows

The God of Wind kisses the passing body

I was inspired by you

"Home without Shadows" tells the story of a young girl who was inspired to face the mysterious snowy land and felt that everything was so pure, so natural, and so like the home in her heart. The lives of the Tibetan people have been closely related to Tibetan Buddhism since its formation and establishment in the second half of the 10th century AD.

5'45

Lyrics: He Xunyou, He Xuntian

Music/Editor: He Xuntian

My sister has not been able to speak since she was a child

In I left home that year when I can remember

From then on, I thought about my sister every day

My sister

I always thought about my sister being as big as her

I suddenly understood her

From then on I looked for her every day

A sister

There was an old man sitting on the Mani pile

Reciting one sentence over and over again

Um, Mani, Padme, Moo

Um, Mani, Padme, Moo

My Ah My sister couldn’t speak since she was a child

I left home in the year that I can remember

Since then, I have been thinking about my sister every day

My sister

I always thought of her being as big as Ajie

I suddenly understood her

From then on I looked for her every day

Ajie

There are bursts of drum sounds from the horizon

That’s my sister talking to me

Um um Mani Padme Moo

Um om Mani Padme Moo

Through the singer's narration, we saw a girl praying for blessing in front of an old man sitting in front of a mani pile and reciting a six-character mantra. The song uses some scenes of Buddhists chanting sutras in Tibetan temples as the background music, accompanied by the heart-pounding sound of Ajie's drum, which will move you and leave you solemn. This song is the one with the greatest mutation in the entire album. At about 2 minutes, the low frequency suddenly emerges, which is thick and powerful. It can be used to test the bass dynamics and explosive power of the equipment. The Tibetan people's view of life and death, deeply influenced by Tibetan Buddhism, appears to be extremely detached and peaceful. 7'21

Lyrics: He Xunyou

Music/Arrangement: He Xuntian

The final death is as warm as the first birth

Time

The last sunset is the same as the first dawn

Both are the sun's glory

The time when life is close

The mountains and rivers here are far away from the blue sky Recently

When I gave away my life

The folks here held high hopes

Let the wind blow away their years

Sprinkle to Flying Eagle

Let the clouds hold up the body

Leave it to the sky

"Singing from the Sky" is the concrete embodiment of this view of life and death. Singer Zhu Zheqin said: "In the recording studio, when recording "Heavenly Sing", our souls seemed to fly out. I seemed to really see another me, flying to a very high place." When we were listening to this song , can feel the vibration of the singer's heart, and make our souls fly to the sky with the singer. The chorus part of this song seems to give people the feeling of infinite light, the cycle of life and death, and the unity of heaven and man. The music and singing are broader, as if they are in the heavenly realm. 4'40

(Tibetan: heaven, hell)

Lyrics and music/arrangement: He Xuntian

Hands on my head

Suspend You go to heaven

Is there a smiling face in heaven

Ah

Dewei Xingang

Everyone is yearning for heaven

Why do people turn around when they see you

Ah

Dewei Xingkang

Hands on your head

Go to hell with you

There are no tears of Dawa in hell

Ah

Neway Xingang

Everyone is afraid of hell

Why do people never come back once they leave

Ah

Neway Xinkang

Tibetan means: heaven, hell. A soul floating in the sky, will it go to heaven or hell? The song reflects the confusion and confusion of real people about these two mysterious situations.

5'55

Lyrics: Lu Yimin

Music/Arrangement: He Xuntian

That day the antelope crossed the hill

Looking back

Looking back

The clear figure looks back

It is very desolate

The sky is so low

The grass is so bright

Yake shakes the saffron

Want to keep the antelope

That day the antelope crossed the hill

Looking back

Looking back Looking back

The clear figure looked back

It was very desolate

The sky was so low

The grass was so bright

Looking down The distant antelope

After passing the hill

The melodious bamboo flute and the beautiful singing are intertwined with the long shouting of the Tibetan youth to call the sheep, allowing us to see the snowy land The pastoral scenery is like "the sky is vast, the fields are vast, the wind blows and you can see cattle and sheep on the meadows." This piece has a strong stereophonic feel, clear layers, and a wide sound field that is truly rare. If you use high-quality equipment to play it back, you can feel that the vast mountains are right in front of us, with antelopes running towards the hills and then over the hills. There is a section of the song that has no lyrics, just some sounds made by the singer to express what the singer feels is an indescribable feeling. This section is another test of the subtle reproducibility of the equipment 4'50

Lyrics: He Xunyou

Music/Arrangement: He Xuntian

Dolma

Dolma

Ama calls me Dolma

My name is Ama Dolma

Dolma

Dolma

There are almost no lyrics in the entire song, only a group of male backing singers and lead singers chanting sometimes high-pitched and sometimes low-pitched, as well as the whispers of several Tibetan girls heard from far and near. However, beneath the seemingly empty repeated chanting, there is a rich connotation that makes people think. This song has the richest and most elastic bass in the album. When played, there is no feeling that the vocals and instruments are mixed together. Instead, they are in their respective places, clear and organized, which can test the comprehensive performance of the sound system. 9'05

Lyrics: He Xunyou

Music/Arrangement: He Xuntian

A rotating scripture

Engraved with the sun, moon and stars Morning

A story full of white hair

Pray repeatedly

Repeatedly warn

The sheep are coming

The cow is here

Chew carefully

This charming nostalgia

The sheep is here

The cow is here

Listen quietly

This familiar voice

For the ever-shaking devotion

For the unbreakable dream

For the icy peaks that cannot be covered with heat

For the green grass that cannot be left behind

A rotating center

There are cycles of spring, summer, autumn and winter on it

A wrinkled legend

Singing repeatedly

Crooning repeatedly

White Mountain is coming

Black Water Come over

Meditate deeply

This fate cultivated

White Mountain comes over

Black Water comes over

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Waiting bitterly

This destiny

For the ever-shaking piety

For the unbreakable dream

For the icy peaks that cannot be covered with heat

For the green grass that cannot be left behind

As soon as "Zhuan Sutra" starts, the powerful and powerful music unique to Tibetan temples The sound of trombone immediately brought us into the solemn holy place. Let us pray along with the rotating scriptures engraved with the sun, moon and stars, and feel the vastness of the white mountains, black waters, greenery, and snowy peaks. Afterwards, the sudden chorus and drum sound were majestic and the scene was so grand that it made people feel like they were in the chorus of tens of millions of people. This is the most explosive song on the album. Under the long bass and electric sound, a chorus of chanting appeared, and a female voice intervened, with persistence for life, and the intensity of emotion was shocking.

The climax of the chorus appears, majestic and encompassing everything. It expresses a kind of Buddhist thought about the cycle of life and death, the cause of blessing and misfortune, and the eternal pursuit of good fortune, which is the essence of this album.