There are very few domestic children's dramas that can be considered classics and excellent. They are basically from state-owned groups, such as "Treasure Ship" and "Ma Lanhua" by China Children's Theater, and "Big Head Son and Little Head Dad" by China Puppet Theater. ", "You Look Tasty" by Beijing Children's Art Troupe, "The Last War Elephant" by Shanghai Puppet Troupe, "Snow White" by Yangzhou Puppet Troupe, "The Mouse Marriage" by Tianjin Children's Art Troupe, etc.

As for private children's theater troupes, there are very few that have been established for more than 10 years, such as Ugly Duckling and Hand in Hand, which are considered the earliest private children's theater troupes. I have never seen the performance of Ugly Duckling, Hand in Hand's musical "Snow Child" I heard the production is good.

Beijing Beiyi Children's Theater and Chocolate Children's Theater, which have been established for nearly 10 years, have performed more frequently in "The Wizard of Oz" and "Frozen: Turning the Clock" and "Chocolate" in Beijing. Go ahead! The production of "Autobot" is also very careful.

There are relatively few children's dramas that have been established for about five years, because most of them have gone bankrupt. The industry has low barriers to entry and low profits. It is difficult for people who don't really like it to stick to it.

As for the children’s theater troupes that have been established for a year or two, they were basically established around this special period. Under the influence of the general environment, they will not invest too much experience in development. Many of them were established earlier. I have worked in some well-known children's theater troupes, but now my family doesn't know what to do, so I have to do it myself. Therefore, such start-up groups rarely have official websites. They basically fill in various question and answer platforms and ask questions on their own. This kind of troupe has basically never performed ticketed performances in large and medium-sized theaters, and has never been tested by thousands of audiences. It basically relies on warm-up performances in real estate and shopping malls to maintain its existence. And just a year and a half after its establishment, it has promoted dozens of works on the public account, using stills from other well-known theater troupes to deal with new customers. Once a customer accepts an order, it will immediately use simple props and costumes to fake the real thing.

Time is the criterion for testing everything. It takes time to verify the classics of works and the excellence of characters.

There is no way to talk about the excellence of children's dramas. It can only depend on whether the children's drama troupe has accumulated experience and whether it is consistent and persistent. Choosing cultural products still requires a pair of discerning eyes, and it also requires an in-depth understanding of the founder of the theater troupe. As for the performance, you can be picky about it. Some theater companies will also tell you what's wonderful in various ways. But after the performance is over, the performance fee cannot be refunded.