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The Original Lyric Fu of Jiang Yan's Biefu and Its Appreciation

Bie Fu

Those who are in ecstasy are just parting! Besides, Qin Wu Xi has never been in the country, and he has returned to Yan Zhao Xi for thousands of miles. Or the spring moss begins to grow, and the autumn wind rises temporarily. Therefore, my son was heartbroken and I felt sad. The wind is rustling and ringing, and the clouds are long and strange. The boat is stuck on the waterfront, and the car is behind the mountain side. Before the tolerance, Ma Hanming kept ringing. He who conceals the gold is royal, and he who crosses the jade column is touched by poetry. If you live in sorrow, you will die. The sun sets on the wall and the color sinks, while the moon flies away on the porch. See the dew of the red orchid, and look at the frost of the green catalpa. The patrol floor is empty and covered, and the brocade curtain is empty and cool. Wandering away from the dream, I don't want the soul to fly.

Therefore, although parting is a thread, it is for the NINEONE people. If the dragon horse silver saddle, Zhu Xuan embroidered the axis, the account drinks the east capital, sends guests to the Golden Valley. Qin Yu Zhang Xi Xiao Gu Chen, Yan and Zhao Ge Xi hurt beauty, Zhu and Yu Xi Yan in late autumn, Luo and Qi Xi Jiao in spring. Surprise the back of the horse, and shrug the red scales of the fish. Breaking up with tears makes me feel lonely and sad.

There is a swordsman, Shame En, Junior Newspaper, Zhao Toilet, Korea, Wugongyan City. Cut kindness and endure love, leave the country and go to the country, weep bitterly and wipe blood at each other. Drive the horse and ignore it, starting when you see the dust. Party title is a sword, not a price in the spring. The stone was shocked and changed color, and the flesh and blood were sad and died.

or the border county is not harmonious, and the negative feather joins the army. The Liao River is boundless, and the Wild Goose Mountain joins the clouds. The boudoir is warm from a stroke, and the grass is fragrant on the stranger. At sunrise, the scenery is bright, and the ground is exposed. Zhu Chen's photo in the mirror is rotten, and the smoke of green gas is smoldering. I can't bear to say goodbye when climbing peaches and plums, and send my beloved son to touch her skirt.

when you go abroad, what is the date of meeting? Depending on the hometown of Qiaomu Xi, I will definitely leave the North Beam Xi forever, and my friends and relatives will cry. Can ban Jing hate, but the wine is sad. It's time for the autumn geese to fly to the sun, and when the white dew falls, I will complain about the distant mountain songs and go back to the long river.

If you live in Ziyou, and my concubine lives in the river, it will be like the morning photo of Joan Pei and the evening fragrance of the golden stove. Your knot is thousands of miles away, and you cherish the fragrance of Yao Cao. Shame on the harps of the boudoir, and the high platform is yellow. The spring palace is this moss color, the autumn account contains this bright moonlight, the summer is clear and the day is not dusk, and the winter is freezing and the night is long! The tapestry is full of tears, and the palindrome is alone.

there is a staff sergeant Huayin, who takes food and returns to immortality. The art is wonderful and still learning, and the Tao has been silent but not passed on. Keep Dan Zao regardless, refine Jinding and be firm. Ride a crane to the Han Dynasty, and fly into the sky. A temporary visit to Wan Li is a thousand years away. But the world is heavy, and I thank my master.

There are poems of peony, songs of beauties, the daughter of Sang Zhongwei, and Chen E of Shanggong. Spring grass is blue, spring water is surging, and it hurts to send you to Nanpu! The autumn dew is like a pearl, the autumn moon is like a laurel, the moon is white, time passes, and I am separated from my son, thinking about my heart.

it's based on the uncertainty of other parties, regardless of thousands. If there are differences, you will complain, and if you have complaints, you will gain. It makes people stunned, and their hearts are broken and their bones are shocked. Although the Mo Miao is deep and cloudy, the pen of strictness and joy is fine, the scholars of the golden ladies, and the heroes of Lantai are endowed with the name of Lingyun, and they can distinguish the sound of carving dragons. Who can copy the shape of leaving temporarily and write the feelings of eternal strategics?

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Bie Fu, like Hate Fu, is the representative work of Jiang Yan Fu, and also the representative work of lyric Fu between Qi and Liang Dynasties in the Southern Dynasties. It is not difficult to see that it is not characterized by the author expressing his parting feelings, but by describing all kinds of parting scenes in the world. In fact, it is written as an ode to things, which not only describes, but also discusses. The author's emotion is not so much sad sympathy as helpless emotion, and he is quite sober. Therefore, ideologically, the author regards human parting sorrow as a universal human nature, describes different parting phenomena, describes the emotional characteristics, atmosphere and degree of different parting sorrows, and does not make political and social comments on the reasons, background and results of parting. In this respect, it has the general characteristics of the Qi and Liang Dynasties, with more emotion than injustice, more euphemistic and weak discussion. On the other hand, in art, we strive to be exquisite, pay attention to elegance, harmony, rhyme and rhetoric. It is in this respect that it can represent the characteristics and achievements of the Qi and Liang Dynasties.

The structure of this Fu is similar to an argumentative essay. Make it clear at the beginning, point out the topic, and list the arguments: "Those who are ecstatic are only different." It is pointed out that the distance and time of parting are long and more sad. Then it summarizes the situation and mood of the two parties, the wanderer and the homesick. Then, it lists all kinds of parting sad scenes, such as officials, chivalrous men, joining the army, going abroad, official travel, becoming immortal, love and so on. Finally, it comes down to the sadness of parting, which is beyond description. Obviously, this is a list theory from the general to the special, with concise structure and clear hierarchy, which is convenient for describing specific types in writing, and this is the highlight of this paper.

The author is good at describing the characteristics of various parting sorrows from different aspects. Generally, parting occurs when a wanderer leaves home and misses his wife and his boudoir. "Heartbreaking" means leaving your loved ones and familiar living environment, embarking on a journey, wading across mountains, all strange, strange and boring in summer and winter, causing lonely and lonely thoughts, and "feeling sad". "Living in seclusion" means that the living environment remains the same. When the husband leaves, he suffers from loneliness and emptiness. Time goes by, thinking about dreams, being familiar with everything, feeling sad and worried, and being bored. The psychological description of both parties adopts the characters' feelings about the situation and the timely situation. The landscape of the journey is changing, and the scene of empty boudoir is customary. Changes are fresh and habits are often intimate, but because of the sense of loss of parting, all of them become eclipsed and listless. This description is meticulous and the performance is characteristic.

Similarly, for all kinds of special parting situations, the author also has its own characteristics, highlighting a certain aspect and showing a characteristic parting. A farewell dinner was held between officials and officials, and guests gathered together to sing and dance beautifully. The music was so moving that it almost became a grand banquet. It was only at the moment of parting that I sadly "felt lonely and sad". Revenge farewell of swordsman chivalrous man is a generous way to go to justice, regardless of family and life and death, showing a tragic atmosphere. Parting from the army to defend the country is another kind of pen and ink. It only takes two sentences to write the mountains and rivers in the north, which makes it look broad in the distance. In two sentences, I wrote to climb peaches and plums, send my beloved son, and touch my skirt with tears. I still wrote to send my "lover" as a husband, not a mother to send my son. "Song of Wu Sheng" contains the sentence "Love your son with good feelings", which means "lover". In the middle six sentences, the scenery is written, rendering the hometown harmony and joy, the scenery is gorgeous and full of warmth, avoiding the positive description of parting sadness, and not touching the patriotic courage of generous death, but euphemistically showing the significance of joining the army to defend the hometown and live a happy life, highlighting the understanding and love of family members. If he goes to a foreign country, he highlights the sadness of his hometown folks; Departure from official travel focuses on the loneliness and hopeless expectation of boudoir women; The death of cultivating immortality is not without humor to show the attachment of ordinary people; The affair loved one is set off by Chun Qing and Qiu Si. The author tries to write different characteristics of different grievances, which are not only different in things, but also different in feelings and circumstances. Therefore, they are not similar in reading, do not repeat, and have different tastes and inspirations.

Only when you are good at grasping features and choosing materials, you must also have corresponding language and art skills can you describe well. This is a parallel prose. First of all, it requires that the whole prose should be parallel to put in order, and the uneven and flexible syntax must be used to make the intonation and sentence order lively and inflexible. At the same time, because the description of types should be concentrated, the words should not be too many, the choice of words must be concise, the meaning can be rich, and the literary talent should be vivid, so words should not be piled up, and allusions should not be difficult. It should be said that the author's language and artistic attainments have made this paper successful: parallel to the finishing, lively sentences, beautiful words, proper use of allusions, sonorous rhyme and harmony.

Qi and Liang's parallel prose basically form the format of four or six sentences. In this paper, in addition to the parallel dialogues with four or six sentences, we pay great attention to the collocation of four or six sentences, the adjustment of function words and modal particles, and the grammatical structure changes of sentences. For example, the four sentences of "Qin Wu Xi is absolutely out of the country", excluding function words and modal particles, are four words and four sentences: "Qin Wu is absolutely out of the country, Yan Song Qianli, spring moss begins to grow, and autumn wind temporarily rises." The words "situation", "complex", "or", "at first glance" and "Xi" are added, mainly because the meaning of the sentence is clear or not, but because the tone and mood are obvious, which makes it soothing and heavy, and expresses the color of * * *. Generally speaking, four-character sentences are compact and concise in middle ancient Chinese, so this paper is mostly used for narration; Six-word sentences have many twists and turns, and they flow away more slowly. This article is mainly about description, so there are many six-character sentences, and the sentence structure changes flexibly, resulting in the artistic effect of intonation and lively rhythm. For example, the sentence "Sunrise on the wall and sink the color" is a subject-predicate structure, and the intonation is "Sunfall on the wall and sink the color"; The following sentence is a verb-object structure that omits the subject, and the tone is "seeing-red-blue-being exposed"; Pairs are opposite and intonation is restrained, and the effect is obvious. It is precisely because of paying attention to the effect that this article begins with scattered sentences to enhance the momentum, and in the middle, it repeatedly uses the three-three-Xi sentences of Chu songs. Moreover, in the four-six collocation, it is not limited to the fixed format of four-four-six-six or four-four-six-six-six, and it is often used to change the sentence pattern because of the situation and the situation. When necessary, it is also used to arrange sentences in the same color.

the brilliant use of ci is the remarkable feature and achievement of this paper. Rich vocabulary is a necessary condition for writing parallel prose. No matter whether it is right or wrong, it requires appropriate vocabulary and shows literary talent in the confrontation. This paper does not pile up words, but accurately uses appropriate words to narrate feelings and convey colors, so it naturally shows rich and colorful words in describing parting scenes with different characteristics. For example, when writing about people's sadness, one is the landscape of the journey, and the other is the scene in the boudoir, each of which is described in clear words and beautiful language, thus forming two opposite frames. Words are the materials and means to form images, and their functions, like color, sound and light, are not much, but appropriate. In fact, many words in this article are repetitive and appear repeatedly, but due to proper use, they do their jobs, which makes people feel repetitive, but they are literary. For example, on the day and the month, there is "the sun goes down the wall and the color sinks, and the moon goes up on the porch and flies away"; "The sun rises and the scenery shines, and the ground is exposed and the text is flourishing"; "The value of autumn geese flying in the sun, when the white dew is falling"; "The spring palace is this moss color, and the autumn account contains the bright moonlight"; "The autumn moon is like a Jue, and the bright moon is white dew", etc., when writing seasonal scenes, the words and materials are inevitably the same, and the key lies in proper use. So do other vivid words.

melting allusions with words is an important rhetorical means of literary language refinement. The allusion in this paper also shows the author's language accomplishment. In this paper, there are many classics in different ways, but they are rarely used, and they don't need to be born, and they don't pursue the renovation of old classics. The author just wants to be concise and appropriate. Some use familiar classics, which can be known as soon as they are read, but they are refined. For example, the story of "Surprising the horse's back and raising the fish's red scales" and "Playing the piano while listening to the fish, and playing the harp while listening to the horse" can be found in the classics such as Biography of Korean Poetry, Xunzi and Huainanzi, which are familiar classics and mean to describe music. Some cooked classics just point out, such as "Zhao toilet in South Korea, Wu Gongyan city", which refer to assassins Nie Zheng, Yu Rang, Zhuan Zhu and Jing Ke in the Spring and Autumn Period and the Warring States Period respectively. Their stories have been known for a long time, so they point out the place where they happened and will not be stated, so readers will understand from the context. Another example is "the tapestry is full of tears, and the palindrome is lonely", and "the poem of peony, the song of beauty, the daughter of Sang Zhongwei, Chen E in the palace. Spring grass is blue, spring water is rippling, seeing off the monarch in Nanpu, what's the injury? "and so on, all of which point out allusions and turn them into articles with obvious intentions, but they add luster to literary talent and have a clear image.

In the literary world of the Southern Dynasties and in the history of ancient literature, Qi and Liang were the times when the art of poetry and fu made great strides. Jiang Yan is a representative writer who is famous for his imitation and excellent art. Although there have always been criticisms about Jiang Yan's good imitation, there is even a legend that mocks him for "Jiang Lang is exhausted", saying that his literary talent is from Guo Pu or Zhang Hua, and he has no talent and creation, and has no unique style; However, Jiang Yan himself stated that imitation is a way and a method to learn from predecessors' art, and should learn from predecessors' various artistic experiences and absorb different styles (see Thirty Prefaces to Miscellaneous Poems). He really studied the artistic skills of poetry and fu language seriously and achieved great success. "Bie Fu" and "Hate Fu" are actually articles that show his artistic accomplishment and talent. It should be said that this article is indeed a good work with brilliant literary talent.

[note]

dejected: look sad and pale. Ecstasy: lost my mind, distracted.

Qin Wu: It refers to the State of Qin and the State of Wu in the Zhou Dynasty. One is in Shaanxi today, and the other is in Jiangsu and Zhejiang today. Therefore, it is said that the country is isolated.

Yan and Song Dynasties: Yan State in the Zhou Dynasty was in the northern part of Hebei Province, and Song State was in the eastern part of Henan Province, which was far apart.

Hangzi: a wanderer or traveler who leaves home, referring to her husband.

stagnation: I feel sleepy when I am blocked.

tardiness: the appearance of slowness.

ba: paddle, which means sailing. Tolerance: describe the slow progress. Qian Qian: How to move forward means to move forward slowly.

non-stop: unable to breathe, having difficulty breathing.

Yu: for drinking.

horizontally: horizontally, which means to put aside and not play. Yuzhu: Qin column, which means Qin. Zhan Shi: Tears fell on the crossbar in front of the car.

a householder: a wife at home.

awkward: same as "dreamy", in a trance.

Xuan: doors and windows.

Catalpa bungeana, a deciduous tree. Suffer: suffer.

catalpa: the pillar at the front of the hall. A story refers to a tall building.

meaning: think.

one thread: the same emotion.

event: refers to the specific phenomenon of parting. Wan ethnic group: Wan ethnic group refers to all kinds of situations.

Zhu Xuan: refers to the red carriage in which your official rides. Embroidered axle: refers to a car with a splendid curtain.

drinks on account: in ancient times, when your officials went out, they set up drinks on account at the water's edge in the suburbs to make a toast. This sentence uses allusions. When Emperor Xuandi of the Han Dynasty was proclaimed, Prince Taifu Shuguang and nephew Shushou retired to their hometown together, and Dr. Gongqing gave them drinks outside the East Gate of Chang 'an and saw off hundreds of vehicles.

Dongdu: The Book of Han Shu Guang Zhuan says, "Set up the ancestral road to pay the bill outside Dongdu Gate." Su Lin was quoted as saying, "Chang 'an is the East Gate." In fact, it refers to the East Gate of Chang 'an, not the "East Gate" of Chang 'an, nor the "East Capital" of Luoyang, the capital of the Eastern Han Dynasty.

Jingu: refers to Jingu Garden, a villa of Jin Shi Chong in Jingujian, northwest of Luoyang. In the sixth year of Emperor Yuan Kang of Jinhui (296), Shi Chong sent Wang Xu back to Chang 'an in Jinguyuan and held a grand banquet.

Feather: A bird feather held by a dancer is a dancing tool, as opposed to a piano as a musical instrument. Qin and feather are two things. Zhang is also the "Chen" in the following article. Chen, display, also refers to playing.

Yanzhao Song: In ancient times, it was rumored that Yan and Zhao had many beautiful women singing and dancing musicians. Yan Zhao, a prostitute and a beautiful woman sing sadly and moving.

The sentence of "Surprising the Horse": According to The Biography of Han Poems, "In the past, Boya played the piano and the fish came out to listen, while the harps were played on the drums and the horses were played on the horses", which means that the ancient musicians Yu Boya and Xianba played the harps wonderfully, making the deep diving fish surface to listen, and the horses eating forage looked up to enjoy them. This is used to describe that music is beautiful. Surprise, alarm.

shrug, shrug. Well, horse material. Red scales and fish scales turn red, exaggerating the excitement of fish.

make: near, arrive.

shame: I feel ashamed that I have not been repaid.

Bao Shi: a person who revenges others.

South Korea: Nie Zheng, a chivalrous man of the Qi State, was made friends with Baijin, the son of Yan Zhongzi of South Korea, and went to South Korea for him to assassinate his enemy, Chivalrous Man, and killed himself. Zhao Toilet: During the Warring States Period, Yu Rang was treated with courtesy by Zhi Bo of the State of Jin, Zhi Bo was destroyed by Zhao Xiangzi, and Yu Rang changed his name and surname, pretending to be a sinful slave and hiding in Zhao Palace.