Question 1: Which singing method does Zhang Bichen belong to? European and American singing methods are generally more advanced, and South Korea also learns from them. The feeling of blowing air when Zhang Bichen sings, and the closing of the mixed area. It is a typical SLS singing method

The full name of SLS is speech level singing. The core is to sing like you talk, to effectively remove impurities in your voice step by step, and to get rid of bad habits in vocalization, and the most rare thing is that it does not limit the student's music style. It won't have a strong bel canto flavor. It is a sound technique that is applicable to various music styles. There are currently three voice coaches in China who have passed the assessment and studied with Seth. There are four people qualified to teach SLS methods. The three Hong Kong people are Pan He, Liu Yaokang and Lu Weilun. There is only one coach in mainland China, Aikoyang, who has a doctorate from the Chinese Academy of Sciences and has passed the teaching qualification. I can teach sls methods, but I am not currently registered in sls after completing the course. Instead, he established mssvocal and is currently teaching artists from mainland China. By the way, there are currently 700 to 800 people who have passed the SLS exam, but there are only over 100 registered on the official website. Some of the rest are anonymous, and some have gone to the IVA Advanced Sound Institute in the United States, an organization that splits SLS, which includes many former SLS coaches. aikoyang is also an IVA certified voice coach who has learned the SLS method.

Question 2: How to practice Zhang Bichen’s singing method? Listen to her songs more, imitate more, and practice more

Question 3: Zhang Bichen’s singing skills are very touching and metallic. First of all, her own voice quality is very good and clean. Her singing skills are mainly from Korea. For the customary singing method, you can refer to the best singers in idol groups, EXO CHEN, SHINEE and Jonghyun. The technique is to press the throat a little

Question 4: How can Zhang Bichen’s voice be perfected? The timbre is natural

Question 5: Why does Zhang Bichen’s Korean singing style sound good? Zhang Bichen’s main voice is thick.

Question 6: Should Zhang Bichen sing from the front or back? Let’s do a macro analysis first. It feels like she uses her voice to perform a unique style, and her handling of the songs is very good. cover up some of their own problems. If you can do this, it is natural to win the mentorship. But in terms of singing skills, there are too many things that need to be improved.

1. Insufficient breathing and insufficient handling of the ending

2. Abuse of breath sounds.

3. The channel is at the front

Let’s talk about the two songs mentioned by the subject.

In "She Said", we can see Zhang Bichen's use of breath sounds everywhere, especially in the prefix with "q" in the pronunciation. Her rendering of the breathy voice brings a sense of incoherent emotional expression. The lyrics of this song are quite special, and it is easy to find the fulcrum of the vocalization. For example, in this sentence: She came quietly, it is easy to place the fulcrum in the nasal cavity for each word to convey a thick and stable sound. However, nasal humming also has emotional flaws, that is, the emotions conveyed are relatively blunt and direct, far less leisurely and lingering than oral humming. When performing slower, more lyrical songs, I prefer oral tinnitus to nasal tinnitus. The endings of the few words in this song that highlight the singing skills are promise, mistake, destruction, loneliness, the ending, and the transition. Judging from these tail sounds, the breath sound phenomenon is still very serious, resulting in air leakage, insufficient breath, lack of brightness at the end, insufficient ringing, sharp sound, and short duration. Let's look at the word "nuo". The method she uses is to change the emotion from light to heavy, then change the tone and stop. The transposition brings highlights, the sudden stop seems abrupt, and the memories and endless sadness and pain in one's mind after separation from the lover are not well expressed. The word "wrong" is followed by a falsetto with a long final sound.

Those who have studied bel canto must know very well that the prefix of "er" is rounded. When the vocal tone is fully opened, it should be open and distant, not sharp. Judging from her pronunciation, the throat position is relatively high. , causing the fulcrum of the sound to be in the larynx, and the vocal cavity is not well utilized. Judging from the ending sounds without transitions, the pronunciation of some words is intermittent, mainly in the "end", "sui", "ru", the transitions "oh", "wei". This is a typical lack of breath and pronunciation. Channel front performance. We usually use the breath voice in the bass, while using the breath voice in the high notes is a wrong singing method. Using the breath voice when singing high notes will lead to air leakage, weak singing, and strenuous throat. In fact, it means using the voice too hard. Breath sounds can embellish a song when used well, but misuse can also cause many problems. Let’s talk about a very good aspect. Her voice transposition is handled very well. Generally speaking, difficult voice transpositions are driven by the breath. She changes the sounding position and uses her real voice to sing a nearly continuous sound with clear layers. It feels like it, but pay attention to how she handles the word "meaning". She sings intermittently when changing notes, which also gives us a sense of layering and avoids more problems. In comparison, the word "ruin" in the chorus is much weaker, with blurred and unclear layers.

Her singing skills are even more evident in her performance of the song "That Man". Judging from the front bass part, there is no blessing and the unmodified sound looks rough and lifeless. The previous part of the performance still showed a problem: the emotional expression was incoherent, and the angry voice was too bad. I prefer that true singing skills abandon flashy techniques and show the most essential voice. In the sentence "How long and how long it hurts", she still focused her emotions on each word and did not do too much at the end. This is also an aspect of the abuse of angry voices. In fact, the use of breath in long characters and hurt characters, coupled with the ** tone to stabilize the final sound, will increase the sound field effect and give people broader and deeper emotions. "Strong as a lie" some prefixes are written with a heavier breath, and the force is uneven. The characteristics brought by this way of interpretation are also very obvious. I won’t go into details later, but the situation is actually the same for the high notes. Her high notes are overused, and the vibrating point is tight and rapid. This is the result of the breath being forcibly pushed up, and it does not come out naturally through the vocal tone. This point is a big shortcoming.

Generally speaking, she has packaged her voice quite well. Under the existing conditions, it is not easy to achieve such a level. The abuse of breath is her most fatal part. , and it is also her most distinctive feature. In the video of her singing the live version of the man, compared to the male singer who appeared later, her skills are too rich and her performance is too emotional. Her use of the nasal cavity focuses on the posterior nasal cavity, making some sounds clear and transparent, which is also quite good.

It’s just that this kind of technique can...gt;gt;

Question 7: What singing method does Zhang Bichen use? Koreans sing differently from us! ! ! ! 5 points European and American singing methods are generally more advanced, and Koreans also learn from them. The feeling of blowing air when Zhang Bichen sings, and the closing of the mixed area. It is a typical SLS singing method

The full name of SLS is speech level singing. The core is to sing like you talk, to effectively remove impurities in your voice step by step, and to get rid of bad habits in vocalization, and the most rare thing is that it does not limit the student's music style. It won't have a strong bel canto flavor. It is a sound technique that is applicable to various music styles. There are currently three voice coaches in China who have passed the assessment and studied with Seth. There are four people qualified to teach SLS methods. The three Hong Kong people are Pan He, Liu Yaokang and Lu Weilun. There is only one coach in mainland China, Aikoyang, who has a doctorate from the Chinese Academy of Sciences and has passed the teaching qualification. I can teach sls methods, but I am not currently registered in sls after completing the course. Instead, he established mssvocal and is currently teaching artists from mainland China. By the way, there are currently 700 to 800 people who have passed the SLS exam, but there are only over 100 registered on the official website. Some of the rest are anonymous, and some have gone to the IVA Advanced Sound Institute in the United States, an organization that splits SLS, which includes many former SLS coaches.

aikoyang is also an iva certified voice coach who has learned the SLS method, and is involved in it

Question 8: How is Zhang Bichen singing? I’ve never heard of it, please give me an introduction

Question 9: How would you rate the singing performance of Zhang Bichen’s cover of Eason Chan’s “Red Rose”… but the artistic conception of the song is really gone and completely destroyed. The emotion that the song was originally intended to express

Question 10: Are there any teachers in China who teach Zhang Bichen how to sing? I want to learn it, because this European and American singing method is generally more advanced, and Koreans also learn it. The feeling of blowing air when Zhang Bichen sings, and the closing of the mixed area. It is a typical SLS singing method. The full name of SLS is speech level singing. The core is to sing like you talk, to effectively remove impurities in your voice step by step, and to get rid of bad habits in vocalization, and the most rare thing is that it does not limit the student's music style. It won't have a strong bel canto flavor. It is a sound technique that is applicable to various music styles. There are currently three voice coaches in China who have passed the assessment and studied with Seth. There are four people qualified to teach SLS methods. The three Hong Kong people are Pan He, Liu Yaokang and Lu Weilun. There is only one coach in mainland China, Aikoyang, who has a doctorate from the Chinese Academy of Sciences and has passed the teaching qualification. I can teach sls methods, but I am not currently registered in sls after completing the course. Instead, he established mssvocal and is currently teaching artists from mainland China. By the way, there are currently 700 to 800 people who have passed the SLS exam, but there are only over 100 official Chinese names. Some of the rest are anonymous, and some have gone to the IVA Advanced Sound Institute in the United States, an organization that splits SLS, which includes many former SLS coaches. aikoyang is also an IVA certified voice coach who has learned the SLS method.