The main research content of music sociology is: taking various musical phenomena and forms that are restricted by society as the research object, focusing on the science of the mutual relationship between society and music.
Music sociology is an emerging discipline that emerged in the 1920s and has since formed three major schools.
The research objects of music sociology can be classified into three different forms: "social cause view", "social role view" and "social movement view". In terms of specific research methods, different The music sociology school also proposes different research methods.
As a relatively young discipline, sociology was born in the mid-19th century. It is a science that studies the development laws of social structure, social relations and social lifestyles.
With the boom of sociological research, the field of modern sociological research has begun to penetrate into various fields of human activities, thus giving rise to sociology in various departments, such as industrial sociology, family sociology, science Sociology, family sociology, etc.
Art sociology is one of many fields. However, according to different means and methods of expression, it is also divided into different artistic scientific disciplines. Music sociology is one of its branches. .
The formation of music sociology
Music sociology is a sub-science, whether it is regarded as a branch of musicology or a branch of sociology , There is no doubt that music sociology is closely connected with musicology and sociology. It is an interdisciplinary subject that combines musicology research and sociology research.
From the meaning of the word, music sociology not only emphasizes music, but also involves society. What it marks is the mutual relationship between music and society. Specifically, the relationship between music and society is not A simple linear relationship, but a complex relationship with multiple levels and structures.
The phenomenon of interconnection and interaction between music and social life has not only attracted the attention of ancient Chinese thinkers, but also the attention of Western thinkers in the ancient Greek (Roman) period.
From Confucian teachings, the teachings we can get are that "music is related to politics" and "to examine music to understand politics", "music" is regarded as the same as "ritual", "punishment" and "politics" Parallel statecraft. "Book of Rites" says: "Rites are used to guide one's aspirations, music is used to harmonize one's voice, government is used to conduct one's actions, and punishment is used to prevent one's adultery.
Rites, music, punishment, and government are the same, so they are the same "Government comes from the hearts of the people." By injecting noble moral sentiments and continuous education into music, music has become a political means and tool to cultivate obedient servants for the rulers. The utilitarianism of music has been emphasized beyond measure. To the extent that this tradition has continued in China for thousands of years.