Dancing Music in the Change of the Pure Land in the West describes a band composed of six people on both sides, and a maiko in the middle bounces the pipa and dances while playing, with a very graceful posture.

The lines of the whole picture are concise, smooth and soft, which not only has high artistic value, but also has important data value for studying the sounds, dances and costumes of the Tang Dynasty.

Origin analysis:

The grotto murals are rich and colorful, with various Buddhist stories, architectural paintings such as mountains and rivers, pavilions, landscape paintings, flower patterns, flying Buddha statues and various scenes produced by working people at that time, which are artistic representations of folk customs and historical changes from the Sixteen Countries to the Qing Dynasty for more than 1,5 years.

In a large number of mural art, it can also be found that ancient artists absorbed the strengths of ancient art in Iran, India, Greece and other countries on the basis of nationalization, which is a symbol of the developed civilization of the Chinese nation.

Murals in different dynasties show different painting styles, reflecting the political, economic and cultural conditions of China feudal society, which is a glorious chapter in the ancient art history of China and provides precious image historical materials for the study of ancient history of China.