First of all, I personally agree with this sentence. Although Li Xueqin is very hot on the Internet recently, everyone's comments on him are mixed. But personally, she really deserves the title of master of golden sentences. Specifically, he said something about Peking Opera, and everyone can conduct archaeology on the Internet. But for this sentence: sometimes, listening to songs is an inner line. Personally, I really feel the same way. I don't know what I like at first, but I'm already in the middle of it. A large part of the charm of songs lies in the singing point. And Li Xueqin just happened to find such a connection, and then put it out well.

give an example. As far as my personal preference is concerned, I especially like the lyrics written by Mao Nan and Joker Xue. Both of their songs are very story-telling. Its performance is not only about their singing and timbre. What matters is the skill of their wording. Their words have no special sentence patterns, but if you look at them abstractly, you will see a concrete picture in your mind. To put it bluntly, the description is in place, but it leaves a lot of imagination for the audience and listeners. This is the * * * song, and the space left by these words can let many people bring themselves in.

Of course, I think what Li Xueqin said is not only a kind of * * * singing feeling of songs to the public. This phenomenon can occur because people are emotional. When a person has something on his mind, his heart will become relatively fragile, so when he hears a sad song at this time, he will easily feel that he has brought himself in. This is actually a psychological search for a potential dependence.

So, on most online music platforms, we can also see a lot of stories. When you hear the songs with * * *, you can't help sharing the stories hidden in your heart on the platform, which is also a way to vent. After all, in real life, we may not be able to tell our worries, and sharing them on the platform may also be able to rely on each other with similar people.