The writing should be in two-four (2/4) time, three-four (3/4) time, four-four (4/4) time, and sixty-eight (6/8) time.

1. Notes:

Two and four beats: a quarter note is one beat

Three and four beats: a quarter note is one beat

Six-eight beat: an eighth note is one beat

2. Number of beats:

Twenty-four Beats: Two beats in one measure

Three beats in one measure: Three beats in one measure

Four-four beats: Four beats in one measure

Sixty-eight beats: Six beats in one measure Beats

3. Rhythm performance:

Two and four beats: strong, weak

Three and four beats: strong, weak, weak

Four-four beats: strong, weak, sub-strong, weak

Six-eight beats: strong, weak, weak, sub-strong, weak, weak

Extended information:

"Metro can be defined as a pattern of regular alternations of strong and weak beats. At the beginning of a work, a time signature is used to identify this recurring pattern of duration...Although the tempo It is usually specified by a time signature, but beat is more than just a notation element.” (Benward and Saker 2003, 9) Defining beat requires first identifying patterns of strong pulses that appear regularly—pulse groups.

A common way to define a pulse train is to treat the repeat as the first pulse and then count all pulses before the next repeat as one burst (MacPherson 1930, 5;? Scholes 1977). Beats can generally be broken down into double and triple beats (MacPherson 1930, 5; Scholes 1977). ?

The musical structure organization presented by the beat is the lowest foundation of the musical form (MacPherson 1930, 3). Rhythm is classified according to various attributes of time, and can generally be divided into beat rhythm, duration rhythm and free rhythm (Cooper 1973, 30)

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