No. 10 Shiro Sagisuo’s representative work "Neon Genesis Evangelion" Shiro Sagisuo is a veteran musician in the Japanese animation industry. This musician is well-known to domestic animation enthusiasts for his work in "Neon Genesis Evangelion". The soundtrack provided by the Neon Genesis Evangelion anime series. In the fierce battle atmosphere of the rendering animation, Sagisu Shiro's soundtrack is mainly orchestral, and then carries out magnificent instrumental arrangements and melody creation. Ninth place: Tanaka Hiroshi's masterpieces "Sakura Wars" and "To the Top" Shibu-kun was shocked by Tanaka Hiroshi's animation soundtrack for the first time when he created the OP "Saku! Empire" for the "Sakura Wars" game and anime version. "Hua Huan", similar to Sagisu Shirou, Tanaka Nobita is very good at using orchestral music, piano and other instrumental arrangements to create quite powerful music. Moreover, Tanaka Taoshi truly explained what romance in the universe is in the soundtrack of "Over the Top".

Eighth place: Hiroyuki Sawano's representative works "Mobile Suit Gundam UC" and "Attack on Titan" Hiroyuki Sawano's music style is relatively fusion. He combined symphony and electronic music in his early days. Fusion, in Hiroyuki Sawano's music world, in addition to fusion, strong and distinctive rhythm is also one of them. Seventh place: Toshihiko Sahashi's representative works are the "Mobile Suit Gundam SEED" series and "Hunter". Toshihiko Sahashi is a composer of classical music and symphony, and he brought this music style to the soundtrack of the animation, "Mobile Suit Gundam SEED" In addition to a large number of popular and best-selling animation theme songs, the "Senior Gundam SEED" animation series also has many more classic soundtracks that can enhance the plot atmosphere according to the animation director's requirements.

Sixth place: Noriyasu Uematsu's representative work "Senki Zessou" animation series Uematsu Noriyasu is a well-known mainstream commercial composer in the Japanese animation industry, and is currently the music producer of the voice actor band's cross-media project "BanG Dream" people. Noriyasu Uematsu's creative ideas are very in line with the requirements of commercial animation. He is usually able to provide animation songs with big-selling potential. A typical example is the OP "ETERNAL" sung by Mizuki Nana in "Magical Girl Nanoha A's" BLAZE". Fifth place: Yuki Kajiura's masterpieces "Sora no Kyoukai" and "Puella Magi Madoka Magica" Yuki Kajiura is very well-known in the domestic animation circle. What this female musician is best at is adding female singing soundtracks to animations , in these scores, Yuki Kajiura combines elements of pop music with elements of piano strings.

Fourth place: Yoko Kanno's representative works "Cowboy Bebop", "Ghost in the Shell", "Macross Plus" The most powerful thing about Yoko Kanno as a musician is that she can provide a variety of musical styles Animation soundtracks and animation songs. In "Cowboy Bebop", the main styles of the soundtrack include pop jazz, blues and rock music. In "Ghost in the Shell" and "Macross Plus", Yoko Kanno combined pop music and electronic music in Together.

Third place: Yuji Ohno’s animation music masterpiece "Lupine the Third" Yuji Ohno is not on the same level as ordinary Japanese animation composers. Animation music is only one of Ohno’s fields, excluding animation music , Yuji Ohno is still a very great jazz music master in Asia. The theme song composed by this master for "Lupine the Third" is a true golden song that can be passed down for many generations.

Second place: Kazuo Ohno's masterpiece of animation music "Detective Conan" Kazuo Ohno, like Yuji Ohno, is not on the same level as Japan's general commercial animation composers. For animation audiences, Kafuo Ohno's works The theme song of "Detective Conan" created has a profound influence.

First place: There is basically no suspense that Hisaishi Joe can win the first place with his masterpieces of animation music such as "My Neighbor Totoro", "Princess Mononoke", and "Spirited Away". A composer, he was discovered by Hayao Miyazaki and Isao Takahata, and asked Joe Hisaishi to start scoring animations produced by Ghibli. After the global success of Ghibli animations, Joe Hisaishi naturally became the leader in the Asian soundtrack industry. The master.