The "post-folk style" Qin Haiqun's "Beautiful Growth" music album press conference was held in Beijing on December 7, 2013. Important guests and leaders were invited to the scene to share the "post-folk" style, which is praised as the most distinctive, and received unanimous praise from the media and the public.
“Good growth” is a true portrayal of Qin Haiqun’s growth. Qin Haiqun was born in Pingyang County, Wenzhou, Zhejiang. Influenced by his parents' love for music, Qin Haiqun showed a talent for music since he was a child. He studied at Zhejiang Art School, Wuhan Conservatory of Music, and China Conservatory of Music, where he studied under professors Zhao Jun, Feng Jiahui, and Shen Shisong, majoring in folk vocal singing. During his studies, he participated in various competitions at the national, provincial, local, and municipal levels. Won many awards. Looking back on his own growth experience, Qin Haiqun said that personal growth is inseparable from the development of the country. He has experienced a great era, so he paid tribute to his motherland with the title "Dedicated to my motherland, Qin Haiqun 2013" on the title page of the album. Qin Haiqun said: "To achieve true "beautiful growth" in life, one must transcend. Therefore, in planning her life path, she did not choose a professional personal acting path. After completing her studies, she resolutely returned to On the mass cultural and artistic front, which gave her a lot and deserved to be repaid throughout her life, she persisted in going deep into the grassroots and into the community, and selflessly presented popular literary and artistic works to the masses. She was also rated as the "National Advanced Social Service Work of the Kuomintang." Individual, Outstanding Female Party Member of Hubei Province during the Kuomintang.
The album "Good Growth" starts from the perspective of artistic creation. The song composition of the album can be roughly divided into three parts. The first part consists of "Honghu Water, Waves Beat" It is composed of "Wang Lang", "Osmanthus Blossoms Bloom and Happiness Comes", "Chu Nostalgia" and "Ding Ding Dong", with the theme of beautiful hometown, a metaphor for innocent childhood; the second part consists of "Whisper from the Heart", "Along with", "Flower Sorrow" The composition is based on the theme of lingering emotions, which is a metaphor for youth; the third part is composed of "Weiyang·Xingge", "Amitabha Mantra" and "Aspirational Prayer", which is based on the theme of spiritual transcendence, which is a metaphor for adulthood. A higher spiritual pursuit. Qin Haiqun's "post-folk" singing style has been recognized by music researchers. First of all, in Qin Haiqun's singing, the timbre of the songs is not the popular "academic folk song" singing voice, nor is it the so-called singing voice. The original, "pre-folk" sound sometimes draws on popular and opera singing methods. This bright, clean, and expressive sound presents a brand-new timbre. Secondly, in the composition and arrangement of the songs. Pei did not follow the old path of ordinary folk song creation, but tried to find a new path. Even when using folk songs that have been sung for a long time as creative materials, he tried his best to maintain his distinction from them, thus highlighting their contemporary nature.
Qin Haiqun sang the two title songs "Chu Hometown Love" and "Weiyang·Xing Ge" from the "Beautiful Growth" album at this press conference. First of all, she specially recommended the song "Chu Hometown Love", which expressed her views on life and life. The deep feelings of Hubei, the "second hometown" of work, are expressed in singing to praise that land of mountains and rivers and its glorious history. "Weiyang·Xingge" has the pure, natural and ethereal feeling of traditional Laozhuang. "Green mountains and setting sun, green water and misty rain, rain and mist and spring breeze" are meant to show people's inner peace, tranquility and freedom. Beautiful songs can directly reach people's hearts and bring coolness to people who are busy all day long.