Wanbaochang (ca. 556-ca. 595) was a musician of the Sui Dynasty. When he was a child, he learned music from Xiao Zheng, the minister of Zhongshu in the Northern Qi Dynasty, who was good at playing the pipa. Later, he was appointed as a music household after his father was convicted and killed. Proficient in many musical instruments. In the early days of the founding of the Emperor, Pei Guogong Zheng Yi and others called him to consult, and later he was ordered to build musical instruments, using a homemade water ruler as the ruler; he also wrote 64 volumes of music scores, discussing "the method of forming a palace with eight tones and gyrations. Just change the string and move the column" and put forward the theory of "eighty-four tunes".

Lü Cai (600-665), a philosopher and musician in the early Tang Dynasty, was born in Qingping, Bozhou (now Liaocheng, Shandong). He is rarely eager to learn, but he is good at books on Yin and Yang prescriptions, astronomy, calendar, and history. The dragon is good at geography, military affairs, medicine and other academic fields, while the dragon is good at music. In the early years of Zhenguan, he was ordered to discuss music and create the harmonious music of "The Music of the King of Qin for Breaking the Formation". He also taught 128 musicians to dance wearing armor and holding halberds according to the "Music of Breaking the Formation" made by Li Shimin himself. During the Xianqing period, he was ordered by Emperor Gaozong Li Zhi of the Tang Dynasty to revise "Yangchun Baixue" and other music.

Zhao Yeli (563-639) was a qin player in the Tang Dynasty. A native of Jiyin, Caozhou (now Caoxian County, Shandong Province). At that time, he was famous for his qin art, and there were many scholars who followed him. `The notation style he used is "extremely complicated in writing, with two lines of movement and overflow". Later generations believe that it may be similar to "Jieshi Diao Youlan". He is the author of "Qin Xupu", "Piano Playing Gestures", "Right Hand Method of Playing the Qin", etc. The book and more than 50 revised qin music have been lost.

Bai Mingda, a Hu from the Western Regions, whose origin is unknown, was a famous pipa player in my country during the Sui and Tang Dynasties, and was good at composing with the Turkic princess Ashina. After entering Chang'an, he showed extraordinary talent in composition. He went through the Northern Zhou, Sui and Tang dynasties, and was always highly regarded by the court.

Pei Shenfu, a court musician in the Tang Dynasty, was a native of Shule in the Western Regions. He was a famous pipa player during the Zhenguan period. He was the first to abandon the wooden plectrum and use his fingers to play, which revolutionized the pipa playing technique. He was good at composing music, including "Fire Wind" and "Qingbei Music".

Li Gui. In the Tang Dynasty, the three brothers Li Guinian, Li Pengnian and Li Henian, who were musicians, court musicians and performers, were all talented in literature and art. Li Pengnian was good at dancing, Li Guinian and Li Henian were good at singing, and Li Guinian was also good at singing. They are good at playing the 筚篥, the Jie drum, and are also good at composing music. Their "Weichuan Song" was especially appreciated by Emperor Xuanzong of the Tang Dynasty. Because of their superb acting skills, princes and nobles often invited them to sing, and they were rewarded in the thousands every time. Tens of thousands. They built mansions in Luoyang, the eastern capital, even larger than the mansions of princes.