D-sharp minor is a musical minor that begins with D-sharp, and key signature has six sharp signs (FCGDAE). The modal scale consists of D-sharp, E-sharp, F-sharp, G-sharp, A-sharp, B-sharp, xC-sharp and D-sharp (harmony minor), that is, all the notes in D-sharp minor scale rise by a semitone. It is a relative minor in F-flat major, with parallel major in D-flat major (9 sharp signs, replaced by E-flat major) and equal tones in E-flat minor (six flat signs, all tones in E-flat minor are semitones).

D-sharp natural minor: D-sharp, E-sharp, F-sharp, G-sharp, A-sharp, B-sharp, C-sharp, D-sharp minor scale (natural, harmony and melody minor from top to bottom)

D-sharp harmonic minor: D-sharp, E-sharp, F-sharp, G-sharp, A-sharp, B-sharp, xC-sharp. C-sharp major and A-sharp minor (seven sharp signs, generally replaced by D- sharp minor) are mostly adjusted to A-sharp (B-sharp minor) major, which is the key furthest related to the basic key A minor.

major chords in D sharp minor: D sharp, F sharp and A sharp

subordinate chords: G sharp, B sharp and D sharp

major chords: A sharp, xC sharp and E sharp

Extended information:

Twelve-tone system of scales:

One of the modern composition techniques. Founded in 1921 by Austrian composer Schoenberg.

The composer abandons the traditional mode, tonality and harmony system, arranges the twelve tones in the chromatic scale into a tone train at will, and then deals with them by inversion, retrograde and other techniques. Unless all the tones have appeared, none of them can be repeated.

Berger and Webern (1883-1945) inherited and developed this method. Other composers influenced by this method are Dallapiccola, Stravinsky, Wolff, Britten, Hindemith and Shostakovich.