Cui Jian’s era has passed. Now China is nurturing another similar and more revolutionary new music wave, which is the trend of the times and necessary.
To be honest, every time I return to China, whether it is on TV or radio , or the music heard in various channels such as bars and clubs is overwhelming, including domestic and foreign music.
1.
Folk music lacks the popularization of ideas and depth:
The Twelve Women Band held a repertoire in 2006
Any breakthrough? ! Will it still exist?
2.
The symphony lacks diversity and pioneering simplicity:
It always sounds like there are only a few composers, and I can recite them by heart. ;
3.
Pop music lacks quality and individuality and is backward in an era:
A group of economic people who are eager for quick success and quick profit, and a group of so-called "singing stars" who are just trying to make ends meet. , coupled with a group of short-sighted investors (let’s call them speculators)...who is the unlucky one?
--Chinese Music;
Who is paying? --Chinese people.
This is also a way to fool the people, to fool the people through culture.
4.
The lack of revolutionary flavor in rock music is powerless:
When it comes to Chinese rock music, basically it is Cui Jian except for Cui Jian. It has been more than thirty years, and the original energy seems to have been worn away. The spirit of rock music is to be revolutionary.
5.
Punk music lacks understanding of other music forms and techniques and blindly follows Japanese acoustics:
To put it bluntly, it is still in its infancy. status.
6.
Electronic music lacks musicians with good ears:
There is plenty of software, and programming is no problem, but the final effect is difficult to justify. However, electronic music is the one I am most optimistic about among all domestic genres. The reason is very simple: short history, globalization of language, similarity, uniformity, and simplicity of production methods.
7.
avant
garde:
It is basically the zero stage, and it is also the most exciting.
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Challenge,
and the most malleable type. This genre can combine all the above-mentioned music genres into one, and can be developed and explored freely without boundaries. The difficulty lies in how to understand, how to examine, and how to check the artistic quality. There is also a very important foundation: the cultivation of the audience. This road will be bumpy, but it is a natural and inevitable artistic phenomenon that arises in the course of the times. It has a history of at least six to seventy years in the West.
It’s time.
Completely personal opinions, please feel free to express your opinions. The purpose is for the present and future of Chinese music.
Finally, what I said is a common phenomenon and does not mean that there are no talents in the country. On the contrary. It’s just that those who are truly talented and thoughtful lack “space” to put their talents to use.