Difficulties in violin playing technique - double tone

Looking through all the violin concertos, sonatas, technical music, and even those melodious music pieces, we find that almost every work There are double-music sections in all the works. This is because the double-notes can not only give full play to the violin's playing skills - the performance functions given to it by the four strings, but more importantly, the double-notes can reflect the work in a deeper, broader and more comprehensive way. connotation. Technical Difficulties in Violin Playing - Double Tones

In classical violin works, players still have to deal with regular and commonly used double tones of thirds, sixths, octaves, and tonic and dominant function chords. I found it very difficult. However, people will find it difficult to master Bach's fugues, Paganini's capriccios and other technical music. In some modern and modern works, a large number of dissonant chords are used, which requires players to put in more effort in terms of habits, hearing and performance. Those complex two-music sections reflect the composer's more complex mentality and deeper requirements for musical performance, which also requires the performer to have more mature skills to be competent.

The mastery of double tones must be trained from an early age. Psychologically speaking, children do not have any fear or fear of difficulties when learning double tones; functionally speaking, the younger they are, the more flexible they are and the easier it is to control and master. In short, as long as the method is appropriate, the two-tone playing technology is by no means insurmountable. But generally speaking, if you cannot pass the test before your teenage years, it will become more difficult to learn as your bones change with age.

The intonation of double-notes cannot be distinguished solely based on the interval relationship of the twelve average piano rates. We should pay attention to the tendency of the leading tones of various tones and the appropriate coordination between various intervals. Only in this way can the best hearing effect be achieved.

Learning double-notes must also start with scales, but double-note scales are more difficult than single-note scales. Practicing too hastily, using improper methods, and practicing blindly will bring disadvantages to hand shape, handle change, intonation, etc. Therefore, before learning double-notes, you must first have a strict, good, and proficient foundation in single-note scales, and then start practicing from thirds, sixths, and octaves that are easy to play, and combine them with various rhythms and bowing techniques. Use it step by step, and gradually extend it to etudes and music. After breaking through the two-note difficulty, you will feel relaxed and comfortable when playing music, like a fish in water, and you will no longer be afraid of difficult works.

The training of double tone is really important. As a professional performer, failing to pass the double tone will make most works unable to be involved, and the number of examination repertoires for Level 3 and Level 4 has also been increased. The content of double tone playing, so we must pay attention to double tone practice as early as possible.

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