Current location - Music Encyclopedia - QQ Music - Beginner of piano, I would like to ask for advice on memorizing music notation.
Beginner of piano, I would like to ask for advice on memorizing music notation.

The piano staff speed reading method includes four principles and three requirements

1. Principles

1. Memorize formulas

In In the staff, the five lines of the treble staff are arranged from bottom to top, with the first line at the bottom, and by analogy, the second, third, fourth and fifth lines going up. It is these lines that we need to memorize. The sound on.

Treble clef: first line mi, second line sol, third string si, fourth line re, fifth line fa

Bass clef: first line la, second line fa, third string re, fourth line si, fifth line sol?

2. Be sure to memorize the notes on these lines according to the keyboard. The first line mi on the treble clef is the mi to the right of middle C, and the first line la on the bass clef is the one to the left of middle C. la, and then the notes on the line on the treble clef are arranged to the right in order, and the notes on the line on the bass clef are arranged to the left in order.

3. Look at the progression direction of the notes and the distance between them. On the staff, if the notes go higher and higher, they will go further and further to the right on the keys. On the contrary, they will go to the left. Walking sideways, this is the relationship between the direction of the notes on the staff and the direction of the notes on the keyboard.

4. In the musical notation, the relationship between the notes on two adjacent lines is that they are separated by one note. The relationship between the two adjacent lines (that is, the space between the lines) The relationship between sounds is that of one sound apart, and the relationship between adjacent lines and the sounds between them is the relationship of being next to each other.

5. The two lines should be facing together and read together

The two lines should be together and the staff should be read up and down. For example, if there is a single note in the upper line and a chord in the lower line, then Just look at these notes together and reflect the position of your fingers on the keyboard. Then, look at the next set of notes horizontally, also looking up and down. In this way, you can see the intersection and coordination between the two voices (that is, counterpoint), you can also see the direction of the two voices, and you can also narrow the scope of concentration to be 100% correct.

6. The correct way of thinking

Look first (look at the first note up and down)-à analyze which hand to use to play, which finger to use to play, and which to play How many beats to play, what is the rhythm, how the rhythm between the two hands matches (that is, counterpoint), what playing method to use, etc. àAfter analyzing, use the corresponding fingers to play it. While playing this note, use the same method to continue looking at the next note with your eyes, analyze it again, and play it again...

2. Requirements

1. When playing with your eyes straight, your eyes must look at the music score first, and while your fingers are playing this note, your eyes must look at the next note. Therefore, you must not look at it with your eyes. When playing by hand, when the note you want to play with your fingers exceeds 8 degrees, or exceeds the position that your fingers can measure with the distance between your fingers, you should use your peripheral vision to look at the keyboard, and then quickly return to Here comes the score.

2. Eyes are faster than hands. When sight-reading, you must first look and then think, and then you can play with your hands. Therefore, your eyes are generally one note faster than your hands. Only in this way can we achieve coherent thinking.

3. Your fingers should be familiar with the distance between the notes on the keys. When sight-reading, try not to leave the music with your eyes, and your fingers should have a very good sense of distance. In this way, when we see the direction and distance of the notes on the staff, we can respond accordingly on our fingers.

Musical Notation is a notation method commonly used in the world. Music is recorded by marking notes of different time values ??and other symbols on five equally spaced parallel horizontal lines. One of the most widely used musical scores.

Staves mainly serve keyboard instruments, and familiarity with staffs is the basis for keyboard players to perform well.

It is composed of five parallel "horizontal lines" and four parallel "betweens", and their order is numbered from bottom to top.

Since there are so many notes, the gaps between the "lines" must not be wasted. That is, the places between the "lines" and the "lines" are called "spaces", and these spaces are also natural. Counting from bottom to top.

Just like the "line", the bottom room is called the "first room", and counting up are the second, third, and fourth rooms.

If the lines and spaces are not enough, you can add lines and spaces above or below the staff. The added lines and spaces are respectively called the 1st line above, the 1st space above, and the 1st space below. Line, add the first room, etc.

The higher the position of the sound on the staff, the higher the sound. On the contrary, the lower the position of the sound, the lower the sound. But how high or low it is cannot be determined. To determine the pitch of a note on the staff, it must be marked with a clef.

The clef is marked on a certain line of the staff, so that this line has a fixed name and height of the note level, and it also determines the name and height of the note level on other lines or spaces. .

There are three commonly used clefs:

1. The G clef represents a group of small letters "g", which is recorded on the second line of the staff and is also called the treble clef; The one recorded on the first line is called the old French treble clef.

2. The F clef represents the small group of f, which is recorded on the fourth line of the staff, and is also called the bass clef; there is also the one recorded on the fifth line, which is called the double bass clef.

3. The C clef is equal up and down. Whichever line the middle part is aligned with, the note marked on this line will be sung (do), and so on. The C clef represents a group of small letters called c, which can be recorded on any line of the staff.

Reference material: Baidu Encyclopedia of Staff