Question 1: What are the musical instruments used in the music played at temple fairs? Erhu, flute, sanxian, gong, drum and other traditional Chinese folk instruments

Question 2: In the 1993 version of Happy Events in the Flower Field, there is a cheerful piece outside the temple fair. It is pure music. What is its name? Laughing in the Flower Field - Huang Zhan< /p>

Question 3: Please provide the background music for the temple fair in Episode 15 of Glory of the Tang Dynasty at 33 minutes. Gu Zheng and Xiao 20 minutes At the Guangping Palace, Li M happily discussed the name of the unborn child with Pearl. Pearl wanted to name the child Shi'er. Like parents all over the world, she hoped that the child could grow up healthily. Big, Li M agreed. The servants reported to Li M that An Lushan had raised troops to rebel. Li M immediately rushed to the palace to discuss countermeasures with the emperor. The emperor was a little worried about the unstable situation in Hebei, but Yang Guozhong said that there was only one military envoy in Anlushan District and no assistance, so there was no reason to worry. Li M bluntly said that An Lushan had many generals and should not be underestimated. Li, who had been training in the army for some time, volunteered and asked the emperor for permission to lead the army to Hebei together with General Guo. After some thought, the emperor thought that what Li M said was reasonable and asked Li M to go to Hebei with Guo Ziyi to quell the rebellion in Anlu Mountain. He also agreed to Li M's proposal and asked him to send troops to guard Tongguan. Yang Guozhong was determined to be a traitor, so he took the opportunity to recommend his own man, Feng Changqing, to the emperor and placed him in the army.

Question 4: Does anyone know about the temple fair in March in Fuping County, Hebei Province, Gaofukou on the first day of March?

Question 5: Does anyone know where there is a ** on the 6th day of the 6th lunar month in Hunan? * Or temple fairs and the like Langli Town Note 1, Taogong Temple and temple fairs. The temple fairs are held on the 13th day of the first lunar month and the 17th day of the eighth lunar month every year. Each temple fair lasts about ten days.

The Xianniang Ancient Temple, built in the Ming Dynasty, is located in Qili Town, the eastern suburbs of Ganzhou City. In the Ming Dynasty, the Xianniang Ancient Temple was a place where people prayed to the gods to protect their children from smallpox. After reconstruction in the 1980s, it was listed as a cultural relic protection unit in Ganzhou City, bringing vitality back to the once neglected Xianniang Ancient Temple. The annual Qili Temple Fair has evolved into a gathering place for local culture, entertainment, business, and leisure friends. It is an influential temple fair in Fangyuan for more than 100 miles, and it is also the only temple fair in Ganzhou City. Every year on March 20th of the lunar calendar, it is the time for the Qili Temple Fair. People who come to the temple fair will offer a stick of incense to Xianniang, expressing their simple wishes to pray to the gods to protect their families, safety and health. The rest of the time is spent watching a big show.

Question 6: Does Hequ in Hequ Zhisou mean "the bend of the river" or is it the place name "Hequ"? "Meander of the River" is the correct answer. The understanding of "the bend of the river" is also a reasonable error. It is very likely that this place name originally had this meaning.

The following is an article on "The True Origin of Place Names in the River Meander". It is a little different from what I guessed, but you can read it:

People have always said that the Meander in the River is due to the origin of the Yellow River. It flows from north to south through the western border of the county, winding and twisting, hence its name. Of course, the Yellow River does indeed turn a few bends in the river. However, in Pianguan County near Hebend, in Yonghe County, Ruicheng County in Shanxi and other places, the real big bend of the Yellow River is no less than that of Hebending County. Why are those places not called "Meander"? Why are they just called Hebend? I have been "qu" for my whole life, but I still call it "qu"?

On several occasions, I watched the special evening performances of He Opera’s “Er-person Stage” and enjoyed the beautiful “Er-person Stage” folk songs and “Er-person Stage” operas that originated from the Yellow River culture. I was deeply moved by the performance. Intoxicated. Based on an intuition, I suddenly discovered that the origin of the name Hequ County is not only because the Jiuqu Yellow River flows here, but also because there are "Errentai" tunes accompanying the Yellow River culture everywhere here. In other words, "Hequ" is the place where "melody" is spread on the banks of the Yellow River. Here, "river" still refers to the Yellow River, and "qu" refers to music, songs, operas, tunes, music scores, and tunes. This "qu" mainly refers to "Er-Tai", including "Er-Tai" folk songs and "Er-Tai" opera.

It is probably an indisputable fact that "Er Rentai" originated in Hequ County, Xinzhou City, Shanxi Province, which is located on the Loess Plateau and on the bank of the Yellow River. Regarding the origin of "Er-person Platform", according to relevant information, it can be traced back to the folk "Dance Whip" (also known as "Overlord Whip"). It is said that it appeared in Hequ around the Five Dynasties and the early Song Dynasty. It is a martial art of dancing and singing at the same time. performance form. Since Hequ County is located in the three provinces of Shanxi, Shaanxi and Inner Mongolia, it has always been a strategic military location and a merchant circulation terminal. Cultural exchanges are extensive and rapid, and spiritual needs are growing day by day, so the "whip dance" has been further accelerated. The transformation and development of art. During the Ming and Qing Dynasties, "meditation tune" was generally popular in the villages along the Yellow River in Hequ County. It was performed at street stalls at flood and drought wharves, courtyards and villages, scenes, festivals and temple fairs, etc., with the accompaniment of flutes, erhu and other musical instruments, making "meditation tune" popular. "Double Stage" has undergone significant changes in the art form. After that, "meditation tune" was gradually integrated into folk arts such as Shehuo, Wuyue, Yangko, Taoism, and Bayinhui, making the art of "Errentai" more mature and full. Fang Zhongzhong said that in the Ming Dynasty, Hequ was like "every household has a new music score for stringed music, and children and women all sing songs when they are old." By the mid-Qing Dynasty, the "two-person stage" had formed a unique local art, and in the late Qing Dynasty, the representative play "Walking to the West Exit" was produced. At that time, there were more than 30 folk professional and semi-professional "two-person stage" teams in Hequ, and nearby There are also more than 10 Pianguan and Baode each.

Later, with the pace of "walking to the west entrance", "Er-person Stage" went "outside the mouth", integrated with Inner Mongolian folk songs and northern Shaanxi folk songs, and achieved further development. A large number of outstanding "Er-person Stage" artistic talents came to the fore, including a large number of Hequ artists. most.

In 1953, seven people including Xiaoxing from the Central Conservatory of Music and the China Academy of Arts went to Hequ to collect folk songs and collect more than 4,000 folk songs and "Errentai" tunes, with nearly 10,000 lyrics, and compiled and published them. "Hequ Folk Song Collection Album". The art of "Er-person Stage" has a strong mass base along the Yellow River in northwestern Shanxi. People say that in Hequ County, even "dog biting (barking) is the tune of 'Er-person Stage'". From the elderly in their 70s and 80s to the children who have not yet entered school, everyone, young and old, loves to sing and listen to it. Some experts say that Hequ is a famous "ocean of folk songs"; in 1997, Hequ County was named the "Hometown of Chinese Folk Art" by the Ministry of Culture; in June 2006, the State Council announced the first batch of national intangible cultural heritage protection There are 518 entries in the list, and Hequ County has two items on the list: the folk song "Er-person Stage" and the opera "Er-person Stage".

Question 7: Short-answer questions on ancient literature. The artistic features of "The Romance of the West Chamber" are mainly reflected in three aspects: clever conflict setting, rich character creation and refined language skills.

"The Romance of the West Chamber" has two main clues that run through the drama. One is the conflict line between the old lady on one side and Cui Yingying, Zhang Sheng, and the matchmaker on the other side; the other is the conflict between Cui Yingying, Zhang Sheng, and the matchmaker. These two conflicts influence and restrict each other, forming a compact and reasonable structural framework of the drama. The essence of the conflict between Yingying, Zhang Sheng and the old lady is the conflict between the rebels of the feudal system who oppose feudal ethics, despise the concept of family, and pursue the independence of marriage, and the feudal system representatives who uphold feudal ethics and protect the interests of the family. . This conflict runs throughout the play, sometimes superficially, causing strong dramatic action; sometimes in a latent state, restricting the development of the plot. The author starts from the arrangement of location and time. The location is a quiet Buddhist temple in Liugen. At this time, Yingying's father happened to be still in the Buddhist temple, which created a strong contradiction in the story. It was also a ruthless mockery of feudal ethics, and the whole drama had a strong comedy color. Yingying felt the pain of missing Zhang Sheng but not being able to communicate with him. However, Yingying thought that the maid matchmaker was "prisoning and sitting on guard" for her on the order of the old lady, so she had to take precautions and was unable to Being honest with her, this strong psychological conflict drives the plot forward in twists and turns. The dramatic conflict in "The Romance of the West Chamber" was finally resolved in a compromise: on the old lady's side, her request to protect the interests of her family and not recruit a son-in-law in white was met; on the other hand, Zhang Sheng and Yingying, on the basis of their persistent love, They finally got married and were satisfied.

There are not many characters in "The Romance of the West Chamber", and each character is very full. This is mainly because each character has distinct and prominent personality traits and is also multidimensional, which means that each character's personality has been portrayed in multiple aspects. Zhang Sheng's dramatic actions are mainly about his persistent pursuit of love with Cui Yingying. In Wang Shifu's Zhang Sheng, he removes the vulgarity in the face of fame and wealth, and the timidity in front of feudal parents. And it highlights the personality characteristics of "a sincere person, even a "silly corner"". When Zhang Sheng appeared, the work also emphasized his "talented but difficult to be a common man, and a good boy but not a man"; through his eyes , the description of the spectacular scenery of the Jiuqu Yellow River also shows his broad mind. In this way, Zhang Sheng is not the embodiment of a certain concept, but a flesh-and-blood character. The same is true for Cui Yingying's main character trait. A Miss Xiangguo was able to break through the shackles of feudal ethics and pursue an independent marriage. At the same time, the work also very truly showed the wavering and contradictions of Miss Xiangguo in the process of resisting feudal ethics. This is the essence of her "pretend" . It is precisely because the work fully and meticulously expresses the complexity of Yingying's character that this image has a real and touching artistic charm. Her most prominent character traits are her sense of justice and her intelligence. The maid, but she played a great role in Cui and Zhang's realization of their love ideals, and achieved victory in the struggle with the old lady. This is a glorious manifestation of the matchmaker's character in the process. , the work delicately describes her determination, bravery and joy of victory, as well as her fear, anger and pain when she is wronged.

Drama is the art of language. Language is drama. The language of "The Romance of the West Chamber" has always been praised by people. The characteristics of drama can be combined with performance and are rich in action. Even the lyrics of "The Romance of the West Chamber" have very distinctive characteristics. The author also takes into account the different identities, statuses and characters of the characters to present different styles. Zhang Sheng's elegance, Zheng Heng's vulgarity, Yingying's charm, and the matchmaker's fierceness all have unique colors. Looking at the artistic achievements of the whole play's language, the most outstanding thing is the combination of elegant literary language and descriptive nature. The spoken vernacular is skillfully combined to form a style that is both gorgeous and simple.

If "Who is drunk in the forest at dawn? Always away from others" is rich in literary language, then in the third chapter of the fourth book, "Seeing the carriages and horses arranged, people can't be tortured by others" Angry..." "In an instant, the cups and dishes were in a mess, the car turned east, the horse headed west..." is obviously full of vernacular spoken language, and the two naturally merge into one, which is exactly the style of "The Romance of the West Chamber". Its language makes people read it with great interest and fill their mouth with fragrance.

The rise and characteristics of Sanqu

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