Current location - Music Encyclopedia - QQ Music - What are the characteristics of Chu Suiliang's calligraphy?
What are the characteristics of Chu Suiliang's calligraphy?

1. Characteristics of brushwork:

1. Pointillism. The pen is flexible and versatile, and can be used in both directions and directions, integrating center, side, exposed and hidden fronts.

2. Hook painting. This stele hook method is based on the laws of the Six Dynasties. Its shape is changeable, simple and full, and it should be avoided to be frivolous.

3. Folding paintings. There are two types: square fold and round fold. The transition between lifting and pressing, and changing the tip and pen must be natural and coherent.

4. Stipple painting. There are oblique points, round points, vertical points, vertical points, pick points and various combination points. When writing, fully express various point gestures. The oblique points are like falling rocks from a peak; the dots are dignified and complete; the vertical points are made with many bends to gain momentum, giving a unique posture; the vertical points are like water drops, lively and agile; the picked points have a coherent momentum and are very interesting in running script.

5. Horizontal drawing. Horizontal paintings are divided into long and short. The long horizontal stroke is reversed, astringent, tight, and the middle section is bulged, forming an arc shape, which is elastic; the short horizontal stroke is used to cut the pen into the paper, spread out the strokes, and tighten lightly, with concise lines.

6. Vertical painting. There are various types of uprights, including long and short, curved, and hanging, all of which need to be straight, strong, and powerful.

7. Lift the painting. Lifting a painting is an extension of picking a point. You must control your strength and not be weak.

8. Sketch. For long strokes, the stroke should not be too heavy when starting the stroke. Press the stroke slightly and force the stroke to the end; for short strokes, the stroke should be heavy and sharp, with clear edges and corners, short and powerful.

9. Painting. It is full of ancient meaning, fully showing the charm of Han Dynasty, from light to heavy, with twists and turns.

2. Characteristics of calligraphy structure:

1. The biggest feature of Chu Suiliang’s calligraphy structure is the flat square shape, which paved the way for the evolution of calligraphy style in later generations. It changes from long to flat, wide and sparse.

2. Structural characteristics: Although its regular script writing style and structure also have certain rules to follow, it is not rigid in formula. Its structure is correct, flexible, generous and beautiful.

3. In the development process of regular script, the "law" of Tang Kai script is beyond the reach of later generations, but there is one exception, and that is Chu Suiliang. The main character is Yanmei, and the body shape is changeable.

4. It is expressed in both the use of the pen and the structure. It is said that the use of the pen creates the structure. The flexibility of the strokes, turns and fronts of the pen lead to the graceful and graceful structure.

5. Incorporate lines into regular script and echo coherently. The infiltration of cursive calligraphy strengthens the inner connection between the dots and paintings. Through connections, remote connections, and interruptions, the isolated dots and paintings interact with each other and are full of vitality.

Extended information:

Chu Suiliang’s calligraphy artistic achievements:

Chu Suiliang’s representative works in regular script mainly include "The Stele of Yique Buddhist Niche" and "The Stele of Master Meng" ", "Fang Xuanling Stele", "Yanta Sacred Preface". ?[

Chu Suiliang studied a variety of calligraphy and used it comprehensively. It is said in history that he first learned calligraphy from Ouyang Xun and Shi Ling, then from his uncle Yu Shinan, and finally became the "two kings" (Wang Xizhi and Wang Xianzhi) and mastered it. The Han Li style was created by itself, so it is known as one of the "Four Great Regular Calligraphers in the Early Tang Dynasty", namely "Ou, Yu, Chu and Xue", and is also known as "Chu style".

Reference: Chu Suiliang (Tang Dynasty politician)_Baidu Encyclopedia