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A few easter eggs in the first step of becoming a god

There are three Easter eggs in "Fengshen Part 1: Chaoge Fengyun".

The first one is that the nine-tailed soul in Su Daji's body left the body and helped King Zhou who was resurrected from the dead.

The second easter egg is Jiang Ziya fishing in Qishan Mountain. The monster summoned by Shen Gongbao is approaching Jiang Ziya. The battle between the two is about to break out, and the brothers are about to fight. As for Shen Gongbao appearing in a fight with Jiang Ziya, it has appeared in many films and TV dramas on the myth of the gods. If the two of them fight, it will definitely be a good scene.

The third Easter egg is the most anticipated. It tells about the return of Wen Taishi, who fought against the rebellion in Beihai for ten years, and returned with the four generals of the Demon family. This easter egg means that a crucial person in the mythology of the Fengshen series is about to appear. After all, Master Wen is an indispensable role. Now that Master Wen is back, the confrontation between King Zhou and Master Wen, Daji's hiding, and Huang Feihu's forced rebellion will also take place.

The creative background of "Fengshen Part 1: Chaoge Fengyun"

In order to match the mythological epic type of the film, director Wu Ershan decided to use the traditional Chinese characters that are rare in Chinese movies. Wagner's operatic creation method allows characters to have their own exclusive themes, and then tells the story through the development of theme music. Music director/composer Meng Kezhuolan said that the music team created heroic theme and emotional theme music around Ji Fa, the protagonist of "The Trilogy of the Gods".

Among them, the hero theme music focuses more on wind instruments. Based on the symphony, it uses various types of trumpets from traditional Chinese national music to simulate the sound of charging horns on the ancient battlefield, full of fighting and passion. Passionate and heroic momentum. The emotional theme music uses the timbre of traditional Chinese flutes, which is melodious and simple, yet has a sense of power and reflects the inner world of the characters.