Musicology Research Paper

Musicology is the general term for all theoretical disciplines that study music. The overall task of musicology is to elucidate the nature and laws of music-related phenomena through various phenomena. The following is the content of musicology research papers that I have collected for everyone. You are welcome to read and refer to it!

Musicology Research Papers Part 1

A brief analysis of the impact of typed music programs on hosts Requirements

The typed music broadcast originating from the United States is refreshing in terms of shaping the overall image of the frequency and stipulating the length of the host’s commentary. In this new program form, the overall style of the frequency is recorded Live, and the personality of the host is increasingly downplayed in the frequency-prominent style. The way listeners feel about radio has changed from a detailed experience of each program to a grasp of the frequency as a whole. They no longer have the patience to wait or search for a specific program, but hope that the broadcast content of a frequency is constant and stable. , the accompanying function of radio programs is becoming more and more prominent.

Taking Anshan Music Broadcasting as an example, it emphasizes the characteristics of genres and focuses on the appreciation of the music itself. Although each program is named "Music Morning Breeze", "Music Flying", "Music Sunshine", "Music Walking" and other names, they are not different in a strict sense. They just choose different rhythms and charms at different times. Song as a distinction. The channel's promotional advertisement is: "Love music, love life", which is to let music accompany listeners at any time. Typical music radio requires the host's language to be more concise, the program to be more standardized, and the overall characteristics to be distinctive. It is characterized by its clear sound quality, relaxed and fashionable, romantic and friendly, youthful and dynamic program style, rich and fast music resources, changeable content and format, and unique program optimization combination that integrates concise language and music. . So, as a host of a typed music radio, how should you face your job?

1. Let music play the leading role and compress the host’s space

Music is the oldest language , which can be used for borderless emotional communication. The music itself is more interesting than the host's words. Then what the host needs to do is to integrate his personal hosting style while maintaining the overall style of the frequency, make natural transitions between tracks, and provide short and exciting song reviews. In order to ensure the overall style of professional frequency and considering that the pace of modern people's life is accelerating and the audience does not like to hear the host talk too much, the host's language is limited to 3 minutes per hour. The listening audience of Anshan Music Radio is listeners aged 15 to 45 who are fond of music and have high cultural literacy. Among them, urban people are the main listening group, so the setting of the program is also closely integrated with the lives of urban people, following the rules of people's lives, moods, etc. The selection of songs fully matches the listening environment of the audience. It relies on changes in rhythm, just like the company of friends. Be by your side to complete the listening, and finally express the overall frequency style.

2. The host must strengthen the concept of time

The host of a typed music radio plays the role of threading the needle. Using concise language to skillfully connect the connections between songs is what every host must first clarify. In order to achieve a balance between music and discourse, typed music broadcasts have strict regulations on the proportion of the two. Anshan Music Broadcasting has made precise and detailed positioning and arrangements for the program content of each hour, stipulating that the host should The program "spoke" 6 times, and each "speaking" time is limited to 30 seconds, which can only be between the ending of the previous song and the intro of the next song, and the host's language is strictly required. Mixed with the singer's voice. Typical broadcasting also requires sharing the most popular and relevant content with the audience in the shortest possible time. The time is short, but the host's responsibility has not been reduced. This requires the host to have higher professional quality, stronger generalization ability, more accurate language expression, and deeper understanding of the songs. In this way, the audience can fully appreciate the song to the maximum extent without being disturbed by too much language from the host, thus ensuring that the frequency can establish its own unique style and effectively broadcast the music smoothly throughout the day. To establish its own frequency brand.

3. The host should have a sense of object when speaking and pay attention to companionship

It is necessary to understand who is listening to typed music broadcasts, how old they are, and what kind of characteristics this group has. traits, what their values ??are, what they think about our radio show, etc.

Still taking "Anshan Music Broadcasting" as an example: the music broadcasting idea is "classic + popular", mainly in Chinese, with European and Western as embellishment. The host can grasp this musical idea at any time and adjust the content of each host's opening in a timely manner. Radio is a non-exclusive medium. Because of the characteristics of this medium, both at home and abroad, the proportion of listeners listening to mobile radio is directly proportional to the growth of cars. To establish the concept of "accompaniment", on the premise of ensuring that the audience can fully appreciate the song, we must not be self-righteous. Instead, the language content should be based on music topics, and appropriate service information on weather, transportation or entertainment should be added, so that listeners can not only enjoy the songs comfortably, but also learn some useful life information. The intimacy of the host's language status comes from the emotional communication between the host and the audience - zero distance - and the audience's familiarity with the host. Therefore, when hosting a typed music program, one must be well-measured in terms of content, tone, and emotion. Although there are only a few short paragraphs in an hour, they involve all aspects of life concepts, life attitudes, family, and relationships. It is not easy to speak better than sing. What you gain requires even more hard work.

4. The host must develop a unique personality charm

Many popular programs have highly relevant content, and more importantly, the host has a unique personality. The program content of typed music broadcasts is generally selected by the system and then determined by a dedicated music director. The host does not have the power to select songs, and the opening time in the program is fixed. For typed hosts, it is necessary to achieve such a state and Not very easy. They all host music programs, and they string together songs one after another in a limited time, and the audience just likes your hosting and feels that the song tastes different after you string it together. This is the personality of the host. Reflection is what typed hosts must strive for. In addition, outdoor activities are another platform for the host’s personality to be displayed intensively. Take Changzhou Music Station as an example: they set up their own band; perform musicals and dramas; and train hosts in Latin dance, popular singing, musical instruments, etc. These activities have two things in common: First, after identifying the audience's points of interest and relying on the overall cooperation of the team, the result is not to ignite a certain person, but to ignite a team and activate the entire team. frequency. Second, the normal life or work of the host is cleverly hidden. The host does not need to face the audience in his true colors. What needs to be highlighted is the role he plays. The appearance of character stories and new concepts is undoubtedly a professional mystery for the radio host. effective protection. Showing the elegance and liveliness of broadcasting while pursuing distinctiveness, and creating freshness and joy while cultivating the host's personality are the proper styles for a new era of broadcasting with both sound and color.

Typed music radio listeners are loyal to the frequency, not to a certain column in the frequency. The content and style of a frequency program are highly unified, allowing listeners who like this frequency to hear the program they want to listen to at any time. The host and the program are integrated, and the frequency type characteristics are highlighted, which can solve the directional listening and listening problems of the program. The problem of continuous listening is also the highest goal pursued by typed radio.

Musicology Research Paper Part 2

A brief analysis of the music of the jazz piano work "Jasmine in Bud"

A number of new forces have been born in the composition world of our country, with an average age of Those under the age of 25 are mainly students from major music schools. This can be seen from the 2007 Shanghai San Carlo Cup Piano Composition Competition. The first and second prize winners of the competition are all students from the Central Conservatory of Music and Shanghai Conservatory of Music. Winning young people can better reflect the creativity and vigor of their works. Among them, a jazz piano piece "Jasmine in Bud" won the Excellence Award. The author Zhang Xian was only 17 years old at the time and a student at the High School Affiliated to the Shanghai Conservatory of Music. He was the youngest among the winners. The innovative jazz style of this work is refreshing to the older generation of composers present. The author was inspired by the Chinese folk song "Jasmine" and European and American jazz.

This piece has a distinct and rich jazz style, which is very fresh and impressive among modern and contemporary Chinese piano works. As we all know, jazz is American classical music. It represents the soul of American music culture and the essence of American national music. It is a unique musical language expressed in the form of a band combination of national fusion.

?①

The whole song is not long, with 123 bars in one section. It is divided into four parts in structure. The first and third parts are Adagio, and the second and third parts are Adagio. The fourth part is Allegro, which is clear, organized and layered.

In the first part (measures 1-25), the author marked the adagio with a speed of quarter notes equal to 70, especially in the first four measures, 4/4+4/5+4/ The irregular beat of 6 is played at a very slow speed, and at the same time, it is accompanied by free unison ring fingers and extended markings of long notes. It swings slowly emotionally, which not only highlights the improvisational nature of jazz, but also has a loose board similar to the introduction of Chinese works. temperament. The melody part in the fifth section directly reveals the main motive of the folk song "Jasmine"?mi-sol-la-dol-la-sol?, showing the thematic core material and musical content of the work. The next 20 The bar can be divided into three sections. The melody part of each section repeats the ascending minor third mi-sol three times, and the syncopation and dotted rhythm commonly used in jazz also run through the texture part. The whole music is listening to It rises and swings continuously, forming a free and casual improvisational style, and at the same time, you can vaguely smell the fragrance of jasmine.

The second part (bars 26-74) is an allegro part, which is completely different from the music in the previous part. The most prominent feature is the regular rhythm, the atmosphere is warm and lively, and it expresses dance music. , showing a progressive development trend, from the change of musical materials, the gradual strengthening of performance intensity and the gradual fragmentation of rhythm, it sounds coherent and clean, and forms the first climax of the work. What we must pay attention to is its left hand part, which is composed of several fixed bass rhythms. It is also one of the characteristics of jazz piano playing, that is, the boogie-woogie playing method in the blues music style. From bars 26 to 39, the work adopts the writing technique of alternating dotted eighths and equal sixteenths, and the pitch remains unchanged, focusing on the melody phrases of the right hand. The bass from bars 40 to 49 is dominated by an equal eighth-point rhythm, with a weak accent on the right hand, making the rhythm become urgent. In the next few measures, the rhythm of the left and right hands is synchronized, and the intensity of FF is used to simultaneously push the music to a climax. Starting from bar 59, irregular beats appear, and the rhythm is dominated by eight-minute units, which changes almost every bar. The interval is supported by three octave quarter note accents to support the skeleton of the bass, and it comes to an end.

In the third part (measures 75-87), the music returns to Adagio, the mood becomes softer, and the melody of the folk song "Jasmine" sounds again and becomes clear, starting from the middle part of measure 79 , we can even hear the complete first sentence, but the author changed his pen and wrote bE in measure 82, switching to the color of jazz, clever and beautiful, and transitioning to the fourth without a tight connection of harmonies. part.

The fourth part (sections 88-123) is also an Allegro and can be divided into three parts: sections 88-93, sections 94-99, sections 101-112 and the remaining 11 sections. This section is the key part of the work, and the jazz piano style is very clearly highlighted, like a passionate and unrestrained dance. There are many continuous octave jumps in the bass part of the left hand, forming a distinctive "long-span bass", thus highlighting the melody of the right hand. Starting from measure 113, the left-hand octave and quarter-note strong playing, same as in measures 61 and 68, once again widens the warm atmosphere. After that, the two hands move up and down octaves alternately like a cadenza. , bringing the music to a perfect harmonic end.

Whether it is from the perspective of music creation conception or from the traditional Chinese cultural content expressed in the music, "Jasmine in Bud" is undoubtedly very successful and outstanding, with both flexibility and listenability. Although the creation is The technique is still a little immature, but for the field of modern Chinese piano music creation, the young generation of authors are unstoppable, full of ideas and new ideas. This vigorous vitality should be the reason why the organizing committee named the published collection of award-winning works. The purpose of "Jasmine in Bud".

Notes:

① Wang Min. History of American Music [M]. Shanghai: Shanghai Music Publishing House, 2005.