The tutorials for performing literary and artistic works are as follows:
1. Divide into levels. Find clues to logical relationships, content advancement, plot development, and character changes, and divide them organically.
2. Clarify the background. The background of the content, the background of the characters, the background of writing, the psychological background of the author's creation, and the background of broadcasting.
3. Find out the intention. Understand the purpose and intention of the author's creation and the emotions he wants to express. Surface, single intention. Deep, connotation, purpose.
4. Master the style. The style of the author, the style of the work, the style of the performance. To express the characteristics of a work through style, the style of the work should be the main focus, and the performance style is limited by the style of the work.
5. Become a character. Pay attention to pronouns and engage emotionally. Pay attention to subjective and objective expressions, the language characteristics of I, you, him, and the narrator.
6. Remove obstacles. You must ask for advice on areas that are unclear in your work and find someone to evaluate it.
Emotional control of literary and artistic works
1. Subjective feelings
Subjective feelings are the refinement, concentration and sublimation of the performer's understanding of the work. It is based on objective feelings, through the performer's self-mobilization of emotions to achieve emotional experiences of joy, anger, sorrow, separation and reunion. Different from the emotions in life, the emotions conveyed by works of art are unique and require the performer to use his imagination and expand his thinking space to deeply comprehend.
2. Moderate expression
After experiencing deep feelings, the expression phase comes on stage. Expression is by no means just a mechanical copy of a written manuscript; it is an arduous and vivid creative work. Singing is also an emotional art category. The famous music critic Li Ling once said that we should never forget that singing is singing about love, and the voice is just a tool. The most important thing about singing is to sing with emotion. The most important thing in singing is to move people with emotion.
Singers should use their own unique singing style, beautiful timbre and sincere emotions to express the ideological connotation of the work, bring the audience into the artistic conception of the song, and display vivid and specific artistic images in the song. Only in front of the audience can we move people with emotion and emotion, so as to achieve the expected effect of singing. Mastering the heat and controlling emotions within a moderate range are the keys to successfully performing a work.