Yang Yandi was born in 1963. Professor of musicology and doctoral supervisor. He is currently the vice president of Shanghai Conservatory of Music. He is also a member of the Standing Committee of Shanghai CPPCC, vice chairman of Shanghai Musicians Association, president of China Western Music Society, vice chairman of China Music Criticism Society, deputy director of the theoretical committee of China Musicians Association, executive director of China Music Aesthetics Society, vice chairman of Shanghai Aesthetics Society and director of Shanghai Translators Association.

the third batch of leading talents in philosophy and social sciences in the national "Ten Thousand Talents Program".

Chinese name: Yang Yandi

Nationality: Chinese people * * * and China

Nationality: Han nationality

Birthplace: Xining City, Qinghai Province

Date of birth: 1963

Occupation: teacher

Graduate school: Shanghai Normal University

Representative works: Loneliness and Transcendence- My ancestral home is Daxian County, Sichuan Province. He is currently the vice president of Shanghai Conservatory of Music, and once served as the deputy director and director of the Music Department. China is a famous musician and critic. He is also the President of the National Western Music Society, the Vice President of the National Music Criticism Society, the Executive Director of the National Music Aesthetics Society, the Deputy Director of the Theoretical Committee of the Chinese Music Association, the Deputy Editor of People's Music, the Standing Committee of the Shanghai Municipal Political Consultative Conference, the Vice President of the Shanghai Musicians Association, and the Vice President of the Shanghai Aesthetics Society.

He joined the army in p>1977 and served as a member of the army propaganda team; After demobilization in 1979, he served as a radio music editor; In the same year, he entered the university and graduated from Shanghai Normal University in 1983, majoring in music. In the same year, he entered the Music Department of Shanghai Conservatory of Music, studied under Professor Tan Bingruo, and obtained a master's degree in 1986. In 1991, he studied under Professor Qian Renkang and received his doctorate in 1994. After graduation in 1986, he studied abroad and taught, and his teaching title was promoted twice. He studied in Britain in 1987 and went to the United States and Germany for academic research and investigation in 1993, 1999 and 22 respectively. Professor Yang Yandi has a wide range of research, involving western music history, music aesthetics, music criticism, opera research and translation of works.

In 1983, 1986 and 1994, he received his bachelor's degree, master's degree (tutor Professor Tan Bingruo) and doctor's degree (tutor Professor Qian Renkang). He studied in Britain (1987-1988) and conducted academic research and investigation in the United States (1993-1994, 1999) and Germany (22). Published 2 million words of translation, and published about 3 million words of proofreading. Editor-in-chief works and revision of important western academic works are various. The discussion covers many specialized fields, such as musicology methodology, western music history, music aesthetics, opera research, music criticism and analysis, China modern and contemporary music criticism, and music performance art research. He was awarded outstanding young teachers in Shanghai universities (1993). Special allowance of the State Council (1993), Scholar Research Award of the Asia Foundation of the United States (ACC) (1993), Excellent Expert Award of the Ministry of Culture (1994), Research Award of Fok Ying Tung Education Foundation (1996), Third Prize of Shanghai Philosophy and Social Science Papers (1996 and 28), National Excellent Returned Overseas Students (1997) and Shanghai Shuguang Scholar. The first prize of teaching achievement in Shanghai (collective award, 21), the second prize of national teaching achievement (collective award, 22), the third prize of literary criticism of China Federation of Literary and Art Circles (22), the academic research award of German Academic Exchange Center (DAAD) (22), the second prize of literary criticism of China Federation of Literary and Art Circles (25, 27), and the outstanding talents of the Ministry of Education in the new century.

Works

Loneliness and Transcendence-A Biography of Gould, the Pianist (edited by Shanghai Music Publishing House, 1998)

Melodious Music (music anthology, Shanghai Music Publishing House, 2)

Humanistic Interpretation of Music-Collected Works of Yang Yandi (Shanghai Conservatory of Music Press, 27)

Editor-in-chief

Top Ten Musicians of the 2th Century (Shanghai Ancient Books Publishing House, 21)

Academic Literature of Shanghai Conservatory of Music, 1927-27, Foreign Music Research Volume Shanghai Conservatory of Music Press, 27 edition)

Collection of Commemorative Works of the 5th Anniversary of Shanghai Spring (edited by Lu Zaiyi and Yang Yandi, and executive deputy editor of Wang Yong, Shanghai Music Press, 211 edition)

New Theory of Musicology (Higher Education Press, 211 edition)

Six-point Music Translation Series (Liszt China Normal University Press)

A.Wilkinson, co-translated with Sun Guozhong and Luo Qin)

Opera as a Drama (by Joseph Kerman, Shanghai Conservatory of Music Press, 28)

MusicinWesternCivilization (by PaulHenryLang, Chinese version and

Gu Lianli, Zhang Hongdao and Tang Yating, Guizhou People's Publishing House, 21 and 29)

Principles of Music History (original by CarlDahlhaus, Shanghai Conservatory of Music Press, 26)

Introduction to the History of Music Aesthetic Concepts (original by CarlDahlhaus, Shanghai Conservatory of Music Press, 26)

Revised translation

TheConciseOxfordHistoryofMusic History (original by GeraldAbraham, translated by Gu _

, revised by Qian Renkang and Yang Yandi, Shanghai Music Press, 1999).

Mending the Cracks: Modernity Crisis and Postmodernism of Music (Music:HealingtheRift), original by IvanHewett, translated by Sun Hongjie, Yang Yandi School, Shanghai: East China Normal University Press, 26.

Six Lectures on Music Poetics, original by IgorStravinsky, translated by Jiang Lei, Yang Yandi School, Shanghai: Shanghai Conservatory of Music Press, April 28.

Opera and Ideas: From Mozart to Strauss, original by PaulRobinson, translated by Zhou Binbin, Yang Yandi School, Shanghai: East China Normal University Press, April 28.

Imagination Museum of Musical Works, original by LydiaGoehr, translated by Luo Donghui, Yang Yandi School, Shanghai: Shanghai Conservatory of Music Press, April 28.

The Composer's Personality Voice, original by EdwardT.Cone, translated by He Xian, Yang Yandi School, Shanghai: East China Normal University Press, February 211.

Introduction to Philosophy of Music: A View of a Family, original by PeterKivy, translated by Liu Hong, Yang Yandi School, East China Normal University Press, December 211.

Greatness in Music, original by AlfredEinstein, translated by Zhang Xueliang, Yang Yandi and Sun Hongjie School, Shanghai: East China Normal University Press, May 213.

Series of articles

A Review of Western Musical Analysis Theory in the Twentieth Century (Doctoral Dissertation)

1. Definition of the Essence of Musical Analysis and Historical Review (Music Art, No.1, 1995)

2. schenkel's Analytical System (Music Art, No.2, 1995)

3. Motivation Analysis: Schoenberg and Its Influence (Art of Music, No.4, 1995, 333333)

5. Meyer's Analytical Theory: A Psychological Perspective (Art of Music, No.1, 1996)

6. Conclusion: Criticism and Prospect of Music Analysis (Art of Music, 1996) (I, No.2, 1996)

3. What is "understanding" music? (second, No.3, 1996)

4, The Joy of Playing Music (No.4, 1996)

5, The Big Little Composer and the Little Big Composer (No.5, 1996)

6, The Misunderstanding of Opera (No.6, 1996)

7. Later, I received the book "The Classic of Flowing", edited by Chen Zishan, published by Zhejiang People's Publishing House (2 edition)

1, "Reading Mahler" (No.4, 1997)

11, "Carmen >: New Interpretation (No.5, 1997)

12, Judge Music (No.6, 1997)

13, Interpretation is not copying (No.1, 1998)

14, The Way to Listen to Music (No.2, 1998)

15. No.4, 1998)

17. Meditation on Music at the End of the Century (No.5, 1998)

18. Talking about Turandot and Puccini (No.6, 1998)

19. Listening to Kundera and Talking about Music (I, No.1, 1999) < No.2, 1999)

21. Implanting one's own life into it —— Interview with Kaplan, Mahler's "Second" expert and "Amateur" conductor (up and down, No.1 and No.2, 1999)

22. A strategically located building and penetrating insight —— Brief Oxford Reprinted on the front page of the B edition of the 597 issue of Shanghai New Book, slightly abridged)

23, "Clearing the air and clarifying the rest of me, Rise to the Sky —— The Musical Realm of Chelyabdak (No.5, 1999)

The column "Listening to Music and Thinking about Music" in the special issue of Wen Wei Po's Pen Club:

1. Extreme Experience in the Sound of the Piano (7th Edition, January 24, 1999)

2. Wandering and Salvation (7th edition, April 11th, 1999)

5, Listening to Chelidondak (9th edition, August 16th, 1999)

6, Music of new york (11th edition, September 9th, 1999)

7, Silent Solitude (1999). Mahler's Post-Modernity (9th edition, October 24th, 1999)

Papers and articles

Some views on the theoretical work of Chinese music (China Musicology, No.3, 1986)

Reflections on the research status of western music history in China (China Musicology, No.4, 1986) < Thinking (in cooperation with Sun Guozhong and Luo Qin, The Shanghai Artist, No.2, 1987)

Self-reproach and Confusion of Music Historians (No.2, China Musicology, 1989)

Absurd State of Modern Music (3rd edition, China Music Newspaper, February 3, 1989)

Finding Yourself in Breakthrough (China Annual Volume)

Positivism and Its Decline-A Review of the Development of British and American Musicology after World War II (China Musicology, No.1, 199)

On the Reconstruction of Western Music Studies in China (No.1, Huang Zhong, 199)

On the Selection of Topics for the Translation of Western Musical Bibliography (Musical Academic Information, 199) No.2, 199)

Absurdity and Its Essence-Subjective Abandonment and Self-affirmation in Western avantgarde music (Musical Life, No.3, 199)

Musicology as a Humanities Discipline (No.2, journal of the central conservatory of music, 1991)

The Relationship between Music and Action in Mozart's Opera Ensemble (Part I, The Art of Music (No.2 and No.3, 1992)

The Main Fields of Western Music Research and Their Representative Works (I and II, Art Garden Music Edition, No.2 and No.3, 1992)

The Relationship between Composers and Opera Script Writers (Music Research, No.4, 1993)

Music lover, No.6, 1994)

Today's authoritative disc review (four CD music reviews, No.6, 1994)

Humor in music (Music lover, No.1, 1995)

Introduction to the study of the dynastic history of western music (part one and part two) This paper was awarded the third prize of outstanding achievements in philosophy and social sciences in Shanghai from 1994 to 1995. Listening to and Reading Music (Music Lover, No.6, 1995) was awarded as the third prize. The classic Shakespearean Sentiment-Written on the occasion of the premiere of Cournot opera Romeo and Juliet in Shanghai (Research on Opera Art, 1996) The abridged version of Cournot Opera Romeo and Juliet, Xinmin Evening News, 15th edition, May 26, 1996)

Record Feeling and Live Experience (Modern Audio Technology, No.7, 1996)

An aloof and talented modern hermit-A record of glenn gould, a piano geek (Oriental Song, No.11, 1996)

Personal perception and oriental fables- 3rd edition)

Exploring the History of Music: Four Reflections on Methodology (China Musicology, No.1, 1998)

Reinterpretation of Classic Stories-A Review of Liu Dunnan's Dance Drama "Liang Zhu" (People's Music, No.1, 1998)

The Conflict between Responsibility and Humanity-written in China.