True musical talent is a unique and extraordinary sensitivity to rhythm and notes. The so-called musical talent should include three aspects, one is the sense of music, the other is the timbre, and the third is the range. Among them, musicality is the most important. If you only have talent in timbre and range, but no talent in musicality, it is impossible to develop in singing. Because the timbre can be modified to a certain extent through singing skills, and the vocal range can also be expanded to a certain extent through vocal training, but the sense of music depends on people's hearing ability, especially the ability to reproduce sound memory, which is a pure talent and is difficult to Fundamental changes can be achieved through acquired learning. 1. Musical sense: Simply put, musical sense is a person’s ability to perceive, understand and grasp music. Musical sense is determined by a person's mental skills, and this mental skill is determined by two conditions: innate music discrimination, memory, reproduction ability and acquired learning ability. Those with a particularly poor innate sense of music will be severely restricted in their acquired learning. For example, those who are tone-deaf are innately unable to identify, remember and reproduce pitch changes. Even the simplest five stable tones 1, 2, 3, 5, 6 cannot identify, remember and reproduce, 4, 7 and the rising and falling semitones of the five stable tones, etc. Unstable sounds are even more difficult to identify, remember and reproduce. The so-called musical talent refers to the innate ability to identify, remember and reproduce music, including pitch, rhythm, mode and style, harmony, and even subtle changes in the type of accompaniment instruments and the breath and technique of the singer. Very good discrimination, especially good memory and accurate reproduction. For example, a person with a unique sense of music can memorize a song very quickly. Later, he can repeat the song completely in his mind, and can use his imagination to change the singer to a different timbre, and he can also change the orchestration to a different one. Accompanied by other instruments. Generally speaking, musicians have a strong musical talent, just like painters have strong visual memory capabilities, as well as the ability to identify, remember and reproduce shapes, colors, etc. 2. Timbre: The so-called timbre, in layman’s terms, is the characteristics of a person’s voice. Everyone’s voice is different, but when it comes to music, it mainly focuses on two aspects: timbre quality and recognition; timbre quality is mainly determined by the fundamental tone and The voice characteristics of overtones, from the perspective of voice waveform, have good sound quality if the fundamental tone is prominent and the overtones are smooth. Otherwise, if the fundamental tone is not prominent, the pronunciation will not be clear and crisp, and the singing will be muddy. In severe cases, the pitch waveform and overtone waveform are mixed, or there are multiple pitch waveforms, and the sound sounds particularly unpleasant. However, if the overtones are not smooth, messy, or even the overtone waveform is not obvious, it will lead to various forms of strange and weird sounds. There are many forms of poor sound quality, such as duck voice, dumb neck, etc. Recognition mainly depends on the characteristics of the vocal cords. If the vocal cords are long, narrow and thin, the timbre will be very clear. On the contrary, if the vocal cords are thick, the timbre will be very deep. But to be precise, sound recognition is determined by the characteristics of the voice line. The so-called talent in timbre means that a person is born with better timbre quality. Voice identification is actually the characteristic that distinguishes one person's voice from others, so timbre talent should not include voice identification. For example, Lin Yilun's voice has a higher level of recognition, while Luo Zhongxu's voice has a lower level of recognition, but it cannot be said that Lin Yilun's voice quality is better than Luo Zhongxu's. It can only be said that Luo Zhongxu's voice is similar to others in terms of good voice quality and is not easy to distinguish, while Lin Yilun is different from others and is easier to identify. 3. Vocal range: The so-called vocal range is the limit of the musical interval. Normal people are around 2 octaves, while people with innate vocal range talent can reach around 3 octaves. But different people have different vocal range talents. That is to say, the starting and ending positions of the keyboard note names corresponding to the vocal range are different. For example, if a baritone singer and a tenor singer have the same vocal range, the keyboard notes corresponding to the baritone singer will be different. The starting and ending positions of the names are N degrees to the left of the starting and ending positions of the corresponding keyboard notes for tenor singers. A person's vocal range talent is very important for singing. If a person's vocal range is too narrow congenitally and he has not received training to expand his vocal range, it will be difficult to sing ordinary songs.

Because, in order to enhance the expressiveness of a work, it is usually achieved by increasing the span of musical intervals, because the climax of the work is usually shown through the forward movement of big waves in the composition. At the same time, the higher the emotion expressed, the better the choice. The key is high. For example, Zhang Qianyi's "Qinghai-Tibet Plateau" is in the key of E, and the highest note reaches mid-treble 5 in the key of E. Most people's vocal range cannot reach this key at all. The performance of the vocal range is examined through the penetration of the sound. The relationship between the two is that the range of the vocal range is the ability, and the penetration of the sound is the specific manifestation of this ability. There are many people who have great objections to the consideration of vocal range or sound penetration emphasized by Tsaritsyn. They believe that vocal range is not important and is not one of the important signs of singing skills. The reason is that many superstar singers such as Tsai Chin are not The vocal range is extremely wide, which means that the quality of singing has nothing to do with the vocal range. Every singer has his own vocal range that is most suitable and good at. If it is used to evaluate the characteristics of singers, it is not wrong to say that. It cannot be said that Tsai Qin cannot sing "Qinghai-Tibet Plateau" and her singing is not as good as Li Na's singing. But Super Girl is a competition, not a singer concert, but a selection of outstanding singers, and pushing the selected singers to a bigger stage to entertain more audiences. Therefore, it is not a matter of choosing who can put the songs they choose in their own songs. To sing with gusto within a suitable vocal range, it is necessary to comprehensively examine all aspects of the singer's indicators to identify the singer's comprehensive ability. Super Girl contestants are not yet singers, or even considered singers. Is it okay to compare their singing skills without comprehensively examining them? Is it okay not to examine the most important vocal range? Of course, the vocal range is not the only indicator. If an individual player is particularly outstanding in other indicators, the vocal range is not very outstanding and cannot be easily eliminated.