The first time was in the Chinese class in senior high school, just after the mid-term exam. The second time is a general education class for freshmen; The third time was in front of the computer in the residence, and this is the fourth time.
it's too melodramatic to say that every time I watch it, I feel different. I just have accumulated feelings after watching it several times.
let's talk about several threads that run through the whole film.
first, of course, lanterns. There is a nursery rhyme in Beijing that sings: "Light a lamp and talk; Turn off the lights and keep company. The lingering feelings on the wedding night are beyond words. It's just the "lighting lanterns" in the film, which has become a means for these gentlemen to control their wives and concubines. The more competition between wives and concubines, the more powerful the grandfather is.
the second is the dead man's house. Song Lian saw the dead house the day after her wedding, but it really worked until the third wife was lynched at the end of the film. The role it plays in the film is not so much the source of "something congenial" as that something congenial has already permeated this big mansion, which is just a gathering place.
the third is Beijing opera. In the film, not only are the transitions of the four summer scenes in summer, autumn and winter accompanied by Peking Opera gongs and drums, but the third wife was also an actress, and several paragraphs in the film are operas. The implication of "Life is like a play, and drama is like life" is self-evident.
the fourth is the flute. The flute is a typical pursuit symbolizing a good man. The old flute in Song Lian's luggage is a relic of his father. When Song Lian first met the gentleman, wasn't it also attracted by his flute sound? After the old flute was set on fire by the master and the gentleman went out again for business, a good male model became more and more unattainable.
As a symbol of a woman in the new era (who attended college for half a year), Song Lian puts her fate in an atmosphere of the old era, so as to highlight the experiences of women in the old era and the conflict between the old and the new, which is worth pondering. In the pursuit of love independence, Song Lian got married because of her stepmother's intention. She took a passive stance of resistance, but her affection for the gentleman was only a drunken nonsense. If she really turned her thoughts into actions like the third wife, the end would be worse than entering the dead man's house.
In the film, from the mother, aunt and young lady to the girl and mother, almost all these women are tragic characters, especially the intrigue between wives and concubines. Although there are ups and downs, there is never a winner forever. As for the master who has never shown his face, it seems that he is enjoying the happiness of his people and making a steady profit. In fact, even if he wins, this unequal love game is not very glorious. Song Lian said that in this house, like a cat like a dog, but not like a person, this statement is also meaningful. Compared with the lives of mothers and mothers, Song Lian's words really don't know the sufferings of the people, but from the perspective of women's pursuit of love independence, the concubine may not be as good as a common citizen.
When the young master comes of age, the young master will grow up and marry. Will their loyalty to the love when they were young still persist? Or do you want to learn from his father and enjoy the happiness of others? I dare not talk nonsense. Whether it is just "wives" or "sad" groups deserves more consideration by men today, especially in today's one-night stand, affair and mistresses, old movies can also show new significance.
Appreciation of the Ballet Swan Lake
Ballet is a transliteration of French ballet, which originated in Italy and was formed in France. Classical ballet has a set of strict procedures and norms, especially the application of tiptoe shoes and tiptoe dancing skills, which clearly distinguishes ballet from other dance varieties.
ballet is called the jewel in the crown of dance art in the west. It has complex structural forms and specific technical requirements, and a ballet's duet, solo and group dance all have fixed formal structures. The duet is the core dance of classical ballet, which is mostly used to express the love between the hero and heroine or the confrontation between the pros and cons. Its characteristics are graceful posture and inner feelings. Generally, it can be divided into "appearance" and "adagio", that is, the actors and actresses use support and lifts to represent the performance of lyric dance, followed by "variation", that is, the solo dance of the actors and actresses shows the character and heart, and then the "ending" of the actors and actresses interspersed with performances, and finally ended with a dance. Women's tiptoe dance is the soul of ballet, and its solo dance requires skillful skills, such as light jumping and dazzling rotation, as well as a pleasant and decorative blow with both feet to set off the main characters and render the environment and atmosphere.
The traditional ballet technique is a strict system. The most basic aesthetic feature is the pursuit of opening, stretching and straightening, including five basic positions of feet, three basic dances, leg stretching, shooting, opening, flexing, lifting, kicking, and drawing circles, as well as jumping, rotating and turning of various dances, and various dance steps and connecting actions. By arranging and combining them according to specific structural techniques, we can create an infectious image of dance art.
The second act of Swan Lake: Adagio duet delicately expresses the process from fear and vigilance to trust and trust in the prince of the white swan, and then generate's love, and even infatuation. Aojieta's solo dance highlights her tragic color, and the more graceful and delicate her dance is, the more lonely and moving she is. (You can also learn more about Ballet by combining the 152-page textbook Death of a Swan.) Ballet is a transliteration of French, which originated in Italy and was formed in France. Classical ballet has a set of strict procedures and norms, especially the application of tiptoe shoes and tiptoe dancing skills, which clearly distinguishes ballet from other dance varieties.
ballet is called the jewel in the crown of dance art in the west. It has complex structural forms and specific technical requirements, and a ballet's duet, solo and group dance all have fixed formal structures. The duet is the core dance of classical ballet, which is mostly used to express the love between the hero and heroine or the confrontation between the pros and cons. Its characteristics are graceful posture and inner feelings. Generally, it can be divided into "appearance" and "adagio", that is, the actors and actresses use support and lifts to represent the performance of lyric dance, followed by "variation", that is, the solo dance of the actors and actresses shows the character and heart, and then the "ending" of the actors and actresses interspersed with performances, and finally ended with a dance. Women's tiptoe dance is the soul of ballet, and its solo dance requires skillful skills, such as light jumping and dazzling rotation, as well as a pleasant and decorative blow with both feet to set off the main characters and render the environment and atmosphere.
The traditional ballet technique is a strict system. The most basic aesthetic feature is the pursuit of opening, stretching and straightening, including five basic positions of feet, three basic dances, leg stretching, shooting, opening, flexing, lifting, kicking, and drawing circles, as well as jumping, rotating and turning of various dances, and various dance steps and connecting actions. By arranging and combining them according to specific structural techniques, we can create an infectious image of dance art.
The second act of Swan Lake: Adagio duet delicately expresses the process that the white swan Aojieta gradually changes from fear and vigilance to trust and trust in the prince, and then generate loves and even falls in love. Aojieta's solo dance highlights her tragic color, and the more graceful and delicate her dancing is, the more lonely and moving she is.
At the end of the 19th century, Tchaikovsky's Swan Lake, Swan Lake and Love. In his dance drama, music is an important part closely related to the content of the work and the stage action. Tchaikovsky improved the expressive force of ballet music, and deepened the drama of his works through the development of symphony and the characterization of characters. In Swan Lake, he expressed poetic artistic conception with romantic lyrical brushstrokes, and portrayed the hero's beautiful and pure character and faithful love. It also depicts the contradictions and conflicts of hostile forces with majestic dramatic power. Therefore, Tchaikovsky's Swan Lake is still a model work of ballet music. Swan Lake, based on fairy tales, describes the love between Princess Ogetta and Prince Siegfried, who were transformed into swans by the demon Lott Bart. Finally, the power of love overcame magic, and Ogetta was restored as a human being.
The play is divided into four acts, including twenty-nine partials. The second act describes the meeting and love between Siegfried and Ogetta at the Swan Lake, which consists of five parts. The basic theme of the first divertimento is the swan theme, which runs through the whole play and plays a leading role in motivation. The mournful and moving melody is blown out by the oboe accompanied by the harp, and then transferred to the horn; Finally, two octaves separated by woodwind instruments and stringed instruments played together strongly and gradually disappeared. When the band played this divertimento, it was a vast night on the stage. A group of swans were floating on the lake, and the leading one was wearing a corolla.
The second divertimento is a dance scene. The first piece of music was played by stringed instruments, and the prince and his friend Beno appeared in hunting clothes. When the strong band ensemble and sharp woodwind melody appeared alternately, the prince saw the swan and wanted to raise his bow to shoot, and the swan quickly hid. The swan princess landed on the slope at the back of the stage with a cat jump. The so-called cat jump is the action of curling her legs and jumping sideways. Followed by a love dance. The so-called plot dance is a ballet scene that uses dance and mime to express feelings and dramatic plots. The oboe played a lyric tune, and Princess Swan asked the prince why he shot her. Then, the music became Allegro, and Princess Swan confided to the prince: She is a princess and her name is Ogetta. She and her companions were enchanted by the evil magician Lott Bart, who turned into swans during the day, and only recovered to be human at night, Lott Bart disguised himself as an owl. Keep an eye on them. This piece of music is ojetta's monologue. When Princess Swan told the prince about her life experience, Lott Bart appeared in front of them with the strong harmony of the whole band and wind instruments, threatening the prince. The prince raised his bow to prepare for shooting, but was blocked by the swan princess. She comforted the panicked prince and confided her love to him. The second divertimento didn't end, followed by the third divertimento.
The third divertimento is another dance scene. Swan ranks appeared on the stage, and Ogetta's companions appeared. They found the prince and gathered around to protect ojeta. Ogetta told them, "He is kind, so go." Accompanied by the dance movement of Ogetta, it is a solo of oboe. The prince threw away his bow, declared his love to Ogetta, and told her that he wanted to kill Lotbart and set her free. The princess told him sadly that it was impossible unless someone who was ready to die for her vowed to love her forever. In order to break the witchcraft, Lotbal will be destroyed. The prince readily swore and asked Ogetta to attend the dance the next night, when he would choose her as his bride. But she said that she wouldn't be able to get rid of witchcraft until midnight to go to the dance, and then the dance was over. She also warned the prince that Lotbart would break his oath with trickery. Ogetta asked her companions to dance to entertain the prince. At this time, the oboe theme I just heard was changed to flute solo. This slow dance was performed by Ogetta with the support of the prince and the vault of his companions.
the next divertimento is the swan dance, which is composed of six dances followed by a Rondo. The first swan dance is reproduced twice, and the whole divertimento forms the structure of A-B-A-C-D-A, and finally it is a lively ending. Swan Dance is a waltz performed by all the dancers. The music is fresh, cheerful and fluent, and it is written in three stages with a single theme. The second song of Swan Dance is Odetta's solo dance. The violin and the flute have successively played a melodious melody. In the second stage, the speed turned faster and soon reached a climax. The whole song is written in two stages. The third song of Swan Dance is a slightly shortened swan dance music, that is, the reappearance of the first song.
The fourth song is a dance music danced by four little swans. The music is relaxed and lively, and the four little swans dance in unison, including "tapping their feet and jumping" and "walking lightly". The so-called "kicking and jumping" means that your feet hit each other several times after jumping. The so-called "light walking" means that the front heel touches the back toe. These movements and the rotation of the head vividly show the image of the little swan. The fifth song of Swan Dance is the plot dance of Ogetta and the prince. This is a three-stage lyric scene, and the introduction at the beginning is the cadenza of the harp; The first paragraph is a violin solo accompanied by a harp; In the middle section, the fast sentences of woodwind instruments alternate, and the theme melody is unfolded with the accompaniment of stringed instruments. The reproduction part is echoed by solo cello and solo violin, and combined into a duet at the same time. The music of this duet is written in duet. It turned out to be a love duet in Tchaikovsky's early opera Goddess of Water, and the composer borrowed it from Swan Lake. The sixth song of the swan dance is the overall dance. Music is the second reappearance of the waltz, and then it is a happy and active ending. With the support of her partner, Ogetta made beautiful dances such as spinning on one toe and spreading her wings in the wind, ending the colorful swan dance.
The swan's dance has stopped, because it is approaching the moment when Ogetta and her companions are going to become swans, and the evil Lotbart appears again. The final music of the second act reproduces the swan theme solo by oboe at the beginning of the second act. The prince said goodbye to dear ojetta. Ojeta slowly left the prince's arms under the threat of Lott Bart. When the dawn dawned, a flock of swans flew quietly over the lake.
The swan theme is not only the theme of the beginning and ending of the second act, but also the basic theme of the whole ballet. The final music of the first act, the second act and the fourth act is based on this theme. Tchaikovsky's technique of theme deformation. Use music to reveal the development of drama plot and the theme of justice defeating evil. In the first and second acts, the swan theme is a sad minor theme, describing the tragic fate of Ogetta and her companions; In the final music of the fourth act, this tragic theme first changed its speed and became agitated; Then it changed from four beats to a broad two-beat, played by the band and turned into a solemn ode; Finally it changed from minor to major. And slow down. Become a magnificent song of triumph, showing faithful love, defeating evil forces and winning. This basic theme runs through the development, which is closely related to his symphony and opera music.
compare it!