Huanxisha, originally the name of Tang Jiaofang, was later used as a epigraph name. Not a single word. This tune is divided into two types: flat and flat, with 42 words in the majority, and 44 words and 46 words.

Han Wo, a native of the Tang Dynasty, was the first to adopt this tone, usually taking his word "Huanxisha, Hangover and Sorrow" as the main body, and there are four other variants. Forty-two characters with double tones, three sentences with three flat rhymes on the top and three sentences with two flat rhymes on the bottom.

This tone is lively in syllables, which is commonly used by graceful and unconstrained poets. His representative works include Yan Shu's Huanxisha, a new song and a glass of wine, Huanxisha, a lotus flower in Xia Meng Quyuan in Jiaxu, and Qin Guan's Huanxisha, a lonely and cold building.

Huanxisha, originally the name of Jiaofang in Tang Dynasty, was included in "Huangzhong Palace" and "Zhangziye Ci" in "Zhonglv Palace".

Tangjiao Fangqu has the title of "Huanxisha", which is slightly different from the intonation. Tang Shengshi (a modern poem with music in the Tang Dynasty) also has the title of "Huanxisha", and the lyrics are in the form of seven words and six sentences; There is also the name of "Huansha Girl", and the lyrics are in the form of five words and four sentences.

from the word meaning, "Huan" means washing and rinsing; "Sand", the ancient saying "yarn". Therefore, the object of "Huan" can only be "yarn". The poems of Mao Wenxi, Yan Xuan, Mao Xizhen and Li Xun recorded in Yunyao Collection Za Qu Zi unearthed in Dunhuang and Huajian Collection collected by Zhao Chongzuo of Shu after the Five Dynasties are all titled "Huanshaxi".

according to Kong Ling Fu's "Meeting Records" in the Southern Song Dynasty, "Gou Jian asked for a beautiful woman to present to the King of Wu, and got Xi Shi and Zheng Dan, salaried women in Luoshan, Zhuji, who first taught in Tucheng Mountain. There are stones on the side of the mountain, and the clouds are Xi Shi Huan Sha stones.

Today, there is a yarn-washing stone beside the yarn-washing stream under Zhuluo Mountain in the southern suburb of Zhuji, Zhejiang Province, and the word "yarn-washing" is said to be written by Wang Xizhi of the Eastern Jin Dynasty. It is said that this is the place where the beauty of Yue State, Xi Shi, used to wash yarn in the Spring and Autumn Period. One said that Huansha Creek is Ruoye Creek, which is twenty miles south of Shaoxing, Zhejiang. In a word, the original intention of changing the name of "Huansha Stream" is to praise the stream of Huansha, a beautiful woman of Yue State in the Spring and Autumn Period.

Also, it is said in Liang Qixun's "Ci-ology and Title Adjustment" that "Huansha Creek" and Du Fu's poem "Mr. Shifan Temple, Washing Medicine and Huansha Creek". Press: Looking up the Collection of Du Gongbu today, the poem "Three quatrains" by Du Fu of Tang Dynasty contains the sentence "Move the boat to the main temple first, wash the medicine and wash the sand stream". There is a Huanhuaxi River near Du Fu Caotang in Chengdu, but there is no Huanshaxi River. Besides, in the poems quoted by Liang Qixun, the word "sheng" and "yarn" are still in different languages. Therefore, Liang said that it is for reference only.

Han Wo, a native of the Tang Dynasty, was the first to adopt this tone. Usually, his words are in the normal style and in the flat rhyme style. There is another rhyme style, which began with Li Yu, the queen of the Southern Tang Dynasty. This tone is bright in syllables, neat in sentence patterns and easy to catchy, which is commonly used by most poets of graceful and unrestrained school.

As far as the existing text works of Huanxisha are concerned, there is no direct chanting of its title, which involves the musical essence of Yuefu tunes. As a folk music in the Tang Dynasty, Huanxisha in the Tang and Five Dynasties had several different musical forms, such as instrumental performance, singing and dancing.

The folk songs of "Huanxisha" in the Tang and Five Dynasties are rich in themes, such as women, seclusion, traveling and patriotism, with vulgar language and simple style. On the other hand, the theme of literati's ci tends to be unified, with many words about boudoir and lovesickness, colorful language and subtle style. Compared with the inheritance and development of the Tang and Five Dynasties, in the musical form, the establishment of the fixed writing format of the epigraph "Huanxisha" made the songs and tunes organically combined.

In order to be suitable for expressing different emotional appeal, there are also variations such as "spreading out" and "reducing words", and some poets have created "Huanxi Shaman". In terms of lyrics, the creation of literati in Song Dynasty was more prosperous, and the scope of materials was greatly expanded. The subject matter was broad and broad, and the style highlighted the two ends of low-back tactfulness and cheerful agility.

In the Jin, Yuan, Ming and Qing Dynasties, in addition to the form of Ci, "Huanxisha" remained in the form of Sanqu and Qupai in Southern Opera, and it remained prosperous until the Qing Dynasty, occupying an important position in the history of Yuefu literature.

The main works are:

Huanxisha Qingxiao Dressed as a Cold Food Day by Wei Zhuang (Tang and Five Dynasties)

Xue Zhaoyun's Huanxisha Allure and Hate the Rest

(Northern Song Dynasty) Zhang Xian's Huanxisha Building Leaning on the Spring River is 1 feet high

(Northern Song Dynasty) Yan Shu's