I like the series "100,000 Cold Jokes" very much, so I am half a fan. Because it was because of the first film version that I came back to watch the first episode. To tell the truth, an episode is less than 10 minutes. They all took a lunch break, ate, and watched several episodes in the subway, which was similar to the series "Never Imagine". But I haven't written a word in this series, not that I don't like it, not that I don't know how to write it. Including this "100,000 Cold Jokes 2", it has been written for a long time. The original motive of making this series of animated versions is to show some good stories and jokes with enough creativity and freshness to people who are not familiar with the animation field, so as to show the charm of China's animated works to a greater extent. Based on this starting point, the style of Ten Lengs is somewhat complicated, from the initial set of jokes to the later Nezha, Pinocchio, Huluwa, Doomsday and so on. And the style of "Japanese harmony, spitting and escaping" is not nutritious as a whole. It is also based on the original intention of "ten cold". This series has developed into the third season, including two movie versions. Generally speaking, it is biased towards Japan and normality, forming its own style, that is, "no style"! However, in this seemingly "no style" hodgepodge, what kind of jokes are appropriate benefits, what kind are obscene or fresh, what kind of stem and brain holes are wide open, and what kind of spit is clever and powerful. The balance of "ten cold" is absolutely top-notch and unique, but it makes such "no style" become a very unique side of itself, which I like better.