The long narrative song Peacock Flying Southeast marks the continuous development and maturity of folk songs in this period.

Most of the folk songs in "National Wind" reveal the exploitation essence of the ruling class and express the rebellious thoughts and fighting spirit of the exploited class.

The songs in the south are full of love for the motherland and people, enthusiasm, fantasy and romanticism.

"Yuefu Poetry" mainly describes people's sufferings, directly expresses people's love and hate, and exposes various contradictions in feudal society.

"Vatan" satirizes and curses the unearned gains of the exploiting class with bitter language.

Mulan poetry is the representative of folk songs in the Northern Dynasties.

Can you still sing the lyrics of Jiang Kui in the Song Dynasty?

Jiang Kui's main contribution in the history of music is that he left a six-volume Song of the Taoist White Stone with "score" for later generations, including his own self-written and self-directed songs, ancient songs and lyrics. Representative songs include Yangzhou Slow, Apricot Blossom Sky Shadow, Thin Shadow, Dimfragrance and so on. And he became the only outstanding musician in the Southern Song Dynasty.

Song of Taoist Baishi is a rare collection of songs in the Song Dynasty, which was recorded by the author in history, and it is also the only collection of songs with music scores. Known as "rare treasures in the history of music", including 10 hymns, 1 piano music, and 17 ci-style music (also known as "qu"), he broke through the routine of completely consistent ci-boards and made the development of music more free. Before each "self-directed and self-performed song", he will write a preface to explain the background and motivation of the song, and some will also introduce the performance techniques.